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♪ piano music playing ♪
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♪
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GEORGE: Father God, I just ask that
you would watch over our daughter, Mia,
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as she willingly and willfully
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goes to New York City
to get a degree in fine art.
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‐ They had 1,800 homicides,
up from last year.
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Protect Mia, sweet Jesus
in that Big Apple of sin.
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‐ And we pray for our son, Warren.
‐ Mm.
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GEORGE: And get him to the NFL.
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If it be thy will.
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REGINA: That one of our children
might honor us with a successful career.
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‐ Amen. Amen. Thank you,
Daddy and Mama,
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for that beautiful prayer.
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[Regina clears throat]
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♪ "Take Me With You" by Aretha Franklin
playing on stereo ♪
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‐ ♪ Take me with you ♪
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[Mia laughs]
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MIA: You're lying.
She didn't say that.
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No, no, she literally asked
the whole deaconess board
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to pray that you don’t come back a hooker.
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[laughter]
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Or worse, a lesbian.
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‐ All I'm coming back as
is a better artist.
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I hope.
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‐ Here.
Don't...
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don't open it until you get to your dorm.
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Mia, I said wait.
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‐ Wren...
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[scoffs]
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No! You’ve been saving for a car forever.
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Aw, come on. By next year, I’ll‐I’ll have
some scholarship to some big ass school.
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Come on, Mi, just take it.
New York’s expensive.
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‐ No way.
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‐ At least take this.
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‐ Mace?
‐ You gonna need it.
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[Mia laughs]
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‐ ♪ Yeah, I'd go anywhere with you, baby ♪
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♪ Anywhere with you ♪
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♪ Would be a hell of a lot sweeter ♪
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♪ Once was enough to convince me,
sexy thing, yeah ♪
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♪ Everywhere you go ♪
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♪ Yeah, yeah, yeah, yeah ♪
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♪ Take me with you ♪
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♪ Come on, now ♪
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♪ So better far, no one will know ♪
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♪ They won't know ♪
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♪
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‐ You ready?
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Then sit.
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What is beauty?
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[slide projector clicks]
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How do we recognize it?
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Is it in the extraordinary?
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The mundane?
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Or in D as Unheimlich?
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The uncanny.
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[projector clicks]
STUDENT: Wow.
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[projector clicks]
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PAULINE: Consider
Sigmund Freud’s definition.
‐ [camera clicks]
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That the uncanny
is in that class of the terrifying
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which leads back to something
long known to us, once very familiar.
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♪ soft music playing ♪
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♪
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This is fine.
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Where's the stuff I saw in your portfolio?
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The re‐purposed materials,
the collages.
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‐ I‐I was just trying
to do the assignment.
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‐ Oh, and you say those kids
are your subjects?
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[camera clicks]
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But are they?
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‐ Uh, I thought so.
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‐ That stuff is you.
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Don't abandon that.
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[projector clicks]
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This semester, we'll explore
how your familiar heimlich, or home,
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can become
uncanny, repulsive.
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Or even terrifying.
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That’s the point of what we’re doing here.
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Either put something new into the world
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or use what you have
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to show me what is terrifying,
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repulsive,
and uncanny about you.
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♪ theme music playing ♪
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♪
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[train rattling]
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‐ So you were right.
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[exhales]
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Those kids weren't my subject.
Not technically, I mean.
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It's‐it's really about me and...
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this new place, this city
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that is so terrifying, in some ways,
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but also familiar.
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‐ How did you get this layering here?
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‐ I exposed two negatives
together repeatedly.
95
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‐ But what about those darker spots?
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‐ I used a flame to singe some areas away.
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‐ Come to my opening.
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It's at my friend's gallery
in the East Village.
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Next weekend.
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[Mia exhales excitedly]
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[sighs]
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[train rattling]
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[indistinct chatter]
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♪ tense music playing ♪
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♪
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[light snoring]
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‐ Back the fuck up.
‐ No, I'm sorry, I'm sorry.
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I've been watching you,
trying to get up the nerve.
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Okay, you look so much like my wife.
You look like her.
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You look just like her, and I thought
like, maybe it was a sign.
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‐ A sign for what?
What do you want?
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‐ Okay. My wife and I, um...
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can't have children,
and we're looking for a surrogate
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who looks like her.
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Um, so that‐that could carry our baby.
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And I realize
that sounds completely bizarre.
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I know that, and I'm sorry.
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I didn't mean to scare you.
You don't have to say anything.
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Okay, I don't even know
if you would consider this.
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If you could even use the money.
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Can I just...just...
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That's me, okay.
I'm‐‐ I'm Joe.
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My wife's Madeline, Maddie.
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We just...
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You could just think about it.
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Please.
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♪ "It's Nasty (Genius of Love)"
by Grandmaster Flash & the Furious Five ♪
128
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‐ ♪ We're coming,
we're coming, we're coming ♪
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♪ We're coming,
we're coming, we're coming ♪
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♪ We're coming,
we're coming, we're coming ♪
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♪ We're here ♪
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♪ Oh! ♪
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[indistinct chatter]
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♪ Whoo! ♪
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‐ Mia.
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There she is.
Anita, come here.
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My student I was bragging about.
Mia Wright.
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‐ It's nice to meet you.
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‐ [laughing] Hi.
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[chuckles]
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‐ ♪ We're the chiefs of relief ♪
142
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♪ Contained by wild beasts ♪
143
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‐ ♪ The finesse of the west,
the masterpiece of the east ♪
144
00:10:04,897 --> 00:10:07,232
♪ The boss, of course,
as the lord of our fort ♪
145
00:10:07,232 --> 00:10:09,359
♪ The ones with
the platinum vocal chords ♪
146
00:10:09,359 --> 00:10:11,653
♪ We're the science of desire
with a magical mic ♪
147
00:10:11,653 --> 00:10:14,114
♪ The monarch of the dark
in the night, all right ♪
148
00:10:14,114 --> 00:10:16,491
♪ We advertise and specialize ♪
149
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♪ In the exercise and we'll energize ♪
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♪ The young ladies thighs,
'cause all the fly guys ♪
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00:10:21,288 --> 00:10:23,582
♪ Nature's to rise
right before their eyes ♪
152
00:10:23,582 --> 00:10:26,084
♪ We're the Earl of the world
and the air of flair ♪
153
00:10:26,084 --> 00:10:28,045
♪ The Duke of dare,
the Mayor of debonair ♪
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♪ Got fine, drink wine,
can dance and dine ♪
155
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♪ Got a first class female,
oh, so fine ♪
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[sniffs]
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‐ ♪ I just want you to always be easy ♪
‐ ♪ To the bridge ♪
158
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‐ ♪ Keep on shaking that thing ♪
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00:10:40,432 --> 00:10:42,392
♪ I want you swinging
and swinging and swinging ♪
160
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♪ Tell me how now, hey ♪
161
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♪ Like dynamite before it blows ♪
[both laughing]
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‐ Thanks again for letting me stay.
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00:11:00,118 --> 00:11:01,912
And‐and for this.
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‐ My friend, Andrew,
crashed with me for a bit.
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He left some clothes behind.
‐ He moved out?
166
00:11:11,421 --> 00:11:14,800
‐ No, he's been in the hospital
with pneumonia for weeks.
167
00:11:16,593 --> 00:11:18,178
This is his piece.
168
00:11:21,223 --> 00:11:23,058
Always losing people, aren't we?
169
00:11:24,685 --> 00:11:27,646
‐ Not me.
I'm staying.
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00:11:28,564 --> 00:11:29,690
[Mia chuckles]
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♪ soft music playing ♪
172
00:11:31,733 --> 00:11:34,069
♪
173
00:11:35,946 --> 00:11:36,989
‐ Good.
174
00:11:50,043 --> 00:11:51,545
[laughs softly]
175
00:12:14,234 --> 00:12:16,695
‐ I can't leave, Wren.
I can't.
176
00:12:17,154 --> 00:12:20,657
They said it's all budget cuts
and fucking Reagan.
177
00:12:20,657 --> 00:12:25,120
And how am I supposed to come up
with $12,000 for next year?
178
00:12:25,954 --> 00:12:28,957
‐ I don't know, Mi. Mom‐Mom and Dad
will be back from church soon.
179
00:12:29,416 --> 00:12:33,253
‐ They'll just tell me to go
to a real school so I can get a real job.
180
00:12:33,253 --> 00:12:34,922
They don't understand.
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00:12:35,631 --> 00:12:39,092
This is where I have to be.
182
00:12:39,510 --> 00:12:41,470
This is what I have to do.
183
00:12:43,889 --> 00:12:44,848
[exhales]
184
00:12:45,641 --> 00:12:47,267
‐ You listen to me.
Just find a way.
185
00:12:48,227 --> 00:12:50,562
Okay?
Do what you have to do.
186
00:12:52,064 --> 00:12:54,816
Just find a way.
There's always a way.
187
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‐ This must feel like a lot.
188
00:13:02,241 --> 00:13:05,911
But we are just so grateful
that you called.
189
00:13:07,329 --> 00:13:09,623
[chuckles]
We know how crazy this sounds.
190
00:13:09,623 --> 00:13:11,500
And there is...
191
00:13:12,501 --> 00:13:14,503
no real road map for this.
192
00:13:14,503 --> 00:13:17,297
We're just really trying
to figure this out for ourselves.
193
00:13:17,297 --> 00:13:21,635
So there's absolutely no pressure,
there's no rush.
194
00:13:21,635 --> 00:13:23,178
‐ How much would you pay?
195
00:13:24,096 --> 00:13:25,764
And‐and how soon would I get it?
196
00:13:26,557 --> 00:13:29,518
‐ We thought $10,000, if that seems...
197
00:13:29,768 --> 00:13:32,604
‐ I‐I can't do it for less than 12.
198
00:13:38,569 --> 00:13:40,195
‐ I think we can make 12 work.
199
00:13:40,195 --> 00:13:41,446
‐ You think, or...
200
00:13:42,406 --> 00:13:44,241
or you can?
‐ We can.
201
00:13:47,077 --> 00:13:49,204
JOE: We can, we can draw
official paperwork.
202
00:13:49,830 --> 00:13:52,124
We can figure out a payment‐‐
‐ Anything...
203
00:13:53,375 --> 00:13:54,918
to make you feel comfortable.
204
00:13:54,918 --> 00:13:56,003
‐ I'm comfortable.
205
00:13:58,505 --> 00:13:59,298
[exhales]
206
00:13:59,298 --> 00:14:00,674
I'm in.
207
00:14:02,759 --> 00:14:03,635
‐ [whispering]: She's in.
208
00:14:05,429 --> 00:14:06,430
She's in.
209
00:14:08,891 --> 00:14:09,850
[kisses]
210
00:14:12,269 --> 00:14:14,146
Thank you.
211
00:14:14,146 --> 00:14:15,856
[Madeline chuckles]
212
00:14:21,695 --> 00:14:23,614
♪ "This Must Be The Place (Naive Melody)"
by Talking Heads ♪
213
00:14:23,614 --> 00:14:25,532
♪
214
00:14:28,327 --> 00:14:29,870
[alarm clock beeps]
215
00:14:29,870 --> 00:14:32,873
♪
216
00:14:37,669 --> 00:14:39,254
‐ ♪ Home ♪
217
00:14:39,671 --> 00:14:41,423
♪ Is where I want to be ♪
218
00:14:41,423 --> 00:14:44,635
♪ Pick me up and turn me around ♪
219
00:14:45,636 --> 00:14:46,720
♪ I feel numb ♪
220
00:14:48,222 --> 00:14:50,432
♪ Born with a weak heart ♪
221
00:14:50,432 --> 00:14:53,018
♪ I guess I must be having fun ♪
222
00:14:53,018 --> 00:14:54,478
[sighs]
223
00:14:54,478 --> 00:14:57,648
♪ The less we say about it the better ♪
224
00:14:58,732 --> 00:15:01,443
♪ Make it up as we go along ♪
225
00:15:02,486 --> 00:15:03,737
[knocking]
226
00:15:03,904 --> 00:15:06,406
‐ Hi! Happy Monday.
Come in, come in.
227
00:15:06,406 --> 00:15:09,368
‐ Wow, good morning.
‐ Good morning.
228
00:15:09,826 --> 00:15:13,247
Oh, so this guy's
going to need a bottle soon
229
00:15:13,247 --> 00:15:15,457
and probably a diaper change.
230
00:15:15,457 --> 00:15:19,002
‐ I'll get him all cleaned up
and ready for world domination.
231
00:15:19,002 --> 00:15:23,173
‐ Aw. Lexie's already eaten.
She'll give you no trouble.
232
00:15:23,173 --> 00:15:25,676
And Trip's kind of a grazer.
233
00:15:26,051 --> 00:15:27,928
Emergency contacts.
234
00:15:27,928 --> 00:15:30,055
While my mother is at the top of the list,
235
00:15:30,055 --> 00:15:33,642
you definitely do not want to call her
after 3:30 p. m.,
236
00:15:34,101 --> 00:15:36,228
at which time she turns into a pumpkin.
237
00:15:36,228 --> 00:15:38,605
A boozy, unreliable pumpkin.
238
00:15:38,605 --> 00:15:42,150
‐ I get it, I have an aunt
with, um, pumpkin tendencies.
239
00:15:42,150 --> 00:15:44,361
BILL: Hi, it's Rachel, right?
‐ Oh.
240
00:15:44,361 --> 00:15:46,154
Nice to meet you.
‐ Nice to meet you. Bill.
241
00:15:46,154 --> 00:15:47,906
And hi to you.
242
00:15:49,324 --> 00:15:50,993
[whispers]: Last night was really fun.
‐ Oh!
243
00:15:52,119 --> 00:15:53,996
‐ Big boy.
RACHEL: Oh.
244
00:15:53,996 --> 00:15:55,622
BILL: You gonna take care
of your brother and sister?
245
00:15:55,622 --> 00:15:57,374
Hold down the fort?
Oh, I could just‐‐
246
00:15:57,374 --> 00:15:59,293
I want to eat you.
Okay.
247
00:15:59,751 --> 00:16:02,129
Honey, have a great first day back.
‐ I will.
248
00:16:02,129 --> 00:16:03,839
I'm right behind you.
BILL: Okay, bye, guys.
249
00:16:05,382 --> 00:16:09,052
ELENA: Okay, Mommy's going.
Mommy loves you.
250
00:16:09,052 --> 00:16:10,679
‐ Oh!
251
00:16:10,679 --> 00:16:12,014
Don't be nervous.
252
00:16:12,014 --> 00:16:13,932
Moms always have a hard time
going back to work,
253
00:16:13,932 --> 00:16:15,851
but you have nothing
to feel guilty about.
254
00:16:15,851 --> 00:16:17,060
Seriously.
255
00:16:17,060 --> 00:16:20,772
[baby coos]
Ooh! Okay, let's go find
your brother and sister.
256
00:16:20,772 --> 00:16:22,566
‐ ♪ Oh! ♪
257
00:16:23,192 --> 00:16:25,402
♪ We drift in and out ♪
258
00:16:25,986 --> 00:16:27,988
♪
259
00:16:29,156 --> 00:16:30,991
♪ Oh! ♪
260
00:16:31,617 --> 00:16:33,577
‐ Hi.
‐ Woo‐hoo!
261
00:16:33,577 --> 00:16:35,412
‐ Oh, thank you.
262
00:16:35,412 --> 00:16:36,830
[cheers and applause]
263
00:16:39,249 --> 00:16:41,210
‐ Elena.
‐ Hi.
264
00:16:41,210 --> 00:16:42,711
SANDRA: You look amazing.
‐ Oh, thanks.
265
00:16:42,711 --> 00:16:44,463
‐ I could kill you.
[Elena chuckles]
266
00:16:44,880 --> 00:16:46,465
Come on, let us see the little guy.
267
00:16:47,174 --> 00:16:50,594
‐ Well, look who finally decided
to put down the babies.
268
00:16:50,594 --> 00:16:52,554
‐ Oh!
269
00:16:52,554 --> 00:16:55,182
His name's not really Moody, is it?
Not that I'm judging.
270
00:16:55,182 --> 00:16:57,059
‐ It's Michael.
271
00:16:57,059 --> 00:16:59,269
‐ [chuckles]
I can't believe you have three now.
272
00:16:59,603 --> 00:17:01,813
‐ I know.
‐ Please tell me you're done.
273
00:17:02,105 --> 00:17:04,316
‐ So done.
Uh, in fact,
274
00:17:04,316 --> 00:17:05,943
I wanted to talk to you.
275
00:17:05,943 --> 00:17:07,694
I heard Danny left for The Plain Dealer,
276
00:17:07,694 --> 00:17:10,113
and I'd really love to take on more.
277
00:17:10,739 --> 00:17:12,407
‐ Yeah, absolutely, let's talk.
278
00:17:12,741 --> 00:17:14,952
There's been a lot of changes
since you've been gone.
279
00:17:15,619 --> 00:17:18,580
Sandra actually got promoted
to Danny's position,
280
00:17:18,580 --> 00:17:21,500
so you will be reporting to her.
281
00:17:22,709 --> 00:17:24,878
‐ Wow.
Congratulations.
282
00:17:25,170 --> 00:17:28,090
I definitely need something.
Anything that works.
283
00:17:28,757 --> 00:17:31,635
I'm not opposed to the pill.
Uh, I've read about the sponge.
284
00:17:31,635 --> 00:17:33,387
But is it messy?
285
00:17:33,387 --> 00:17:35,097
I was thinking of something
more long‐term.
286
00:17:35,097 --> 00:17:37,015
What do you think of an IUD?
287
00:17:37,140 --> 00:17:40,185
‐ This is actually a bigger conversation
between you and Bill.
288
00:17:40,185 --> 00:17:42,771
‐ Does, uh, tubal ligation
have a lengthy recovery?
289
00:17:42,771 --> 00:17:43,647
‐ Elena.
290
00:17:45,399 --> 00:17:49,069
You can't have birth control right now.
You're pregnant.
291
00:17:54,199 --> 00:17:55,284
‐ No.
292
00:17:57,953 --> 00:17:58,996
‐ Yes.
293
00:18:03,876 --> 00:18:05,961
‐ So I go to watch the game,
and someone
294
00:18:05,961 --> 00:18:08,797
has taped the goddamn
royal wedding over it.
295
00:18:08,797 --> 00:18:10,257
‐ No.
MARK: Someone.
296
00:18:10,257 --> 00:18:14,469
‐ Okay, I know, I know, it was bad,
but it was so good.
297
00:18:15,137 --> 00:18:16,555
‐ Still none for you.
Right, Linda?
298
00:18:17,181 --> 00:18:19,099
‐ Uh, yeah, none for me.
299
00:18:19,099 --> 00:18:20,058
Thank you.
BILL: Honey?
300
00:18:21,894 --> 00:18:22,978
‐ Definitely.
301
00:18:28,108 --> 00:18:33,238
And that's when I realized the doll
was covered in Trip's actual shit.
302
00:18:34,031 --> 00:18:35,490
MARK: Oh.
‐ Oh, my God.
303
00:18:35,490 --> 00:18:38,702
Poor Lexie.
Well, that girl needs her own room.
304
00:18:38,702 --> 00:18:40,537
ELENA: Mm‐hmm.
‐ How's the search going?
305
00:18:41,038 --> 00:18:44,374
‐ It'd be a lot quicker if Bill would
take my mom up on her offer.
306
00:18:45,375 --> 00:18:47,419
‐ Hey, if my in‐laws wanted
to give me a free house, I'd take it.
307
00:18:47,419 --> 00:18:50,506
BILL: Down payment free, but‐‐
‐ I'd be afraid
to turn into my mother.
308
00:18:50,506 --> 00:18:52,007
‐ That would take a lot of gin.
309
00:18:52,007 --> 00:18:55,511
‐ And with the upkeep alone,
I’d have to kiss the PD’s office goodbye.
310
00:18:55,511 --> 00:18:57,095
ELENA: Which isn't a terrible thing.
311
00:18:57,095 --> 00:18:59,431
It's a partner track at a big firm.
312
00:19:00,098 --> 00:19:01,475
MARK: You know,
you guys should buy in Ludlow.
313
00:19:01,475 --> 00:19:02,476
You hear about those new loans?
314
00:19:02,476 --> 00:19:03,644
They’re practically
paying white people to stay.
315
00:19:03,644 --> 00:19:06,688
ELENA: My mother is on the committee
that‐that pushed for those.
316
00:19:07,105 --> 00:19:09,650
The loans are‐‐ they're not really
for people like us.
317
00:19:09,650 --> 00:19:11,151
BILL: Yeah.
318
00:19:11,151 --> 00:19:12,903
LINDA: Oh, and Cynthia gave me
a recommendation for book club.
319
00:19:12,903 --> 00:19:15,030
MARK: It's a good red.
‐ Yeah, good wine.
320
00:19:15,030 --> 00:19:17,449
LINDA: She said it's
a romantic story with a twist.
321
00:19:17,449 --> 00:19:18,534
‐ I'm so sorry.
322
00:19:22,246 --> 00:19:23,997
BILL: So sorry. One second.
323
00:19:28,544 --> 00:19:29,545
‐ Oh, my God, Mark.
324
00:19:30,712 --> 00:19:31,713
No.
325
00:19:32,714 --> 00:19:35,259
No, she can't be.
Not again.
326
00:19:35,509 --> 00:19:38,387
Not after I‐‐
‐ Look, I think we should tell them.
327
00:19:39,763 --> 00:19:41,014
They'd want to know.
328
00:19:42,099 --> 00:19:43,767
Miscarriages, I mean,
329
00:19:44,852 --> 00:19:46,270
they happen to people all the time.
330
00:19:51,275 --> 00:19:52,359
‐ Not to Elena.
331
00:19:59,283 --> 00:20:00,325
Mm.
332
00:20:04,079 --> 00:20:05,080
ELENA: Mom.
333
00:20:06,373 --> 00:20:09,042
I'm so sorry about the sitter.
‐ It's fine.
334
00:20:09,042 --> 00:20:10,627
I canceled bridge.
335
00:20:11,670 --> 00:20:13,797
Moody here just cried himself to sleep.
336
00:20:14,214 --> 00:20:17,050
And those other two,
do you even discipline them?
337
00:20:18,135 --> 00:20:21,180
Oh, this place.
It's a disaster.
338
00:20:21,180 --> 00:20:25,100
I don't know why you would rather
live in a shoebox
339
00:20:25,100 --> 00:20:26,643
than a beautiful family home.
340
00:20:26,643 --> 00:20:27,895
‐ I'm pregnant again.
341
00:20:30,022 --> 00:20:34,318
I, I just got back, and‐and
now I'm gonna be derailed again.
342
00:20:34,318 --> 00:20:37,404
And fucking Sandra got promoted to editor.
Sandra.
343
00:20:37,404 --> 00:20:41,033
‐ Sweetheart, I mean, it's impressive that
you've worked for as long as you have.
344
00:20:43,160 --> 00:20:46,455
This obsession that your generation has.
345
00:20:47,247 --> 00:20:51,502
It is okay to just be a woman
and let men be men.
346
00:20:51,793 --> 00:20:54,630
‐ You... you don't know what it means
to love your work.
347
00:20:55,172 --> 00:20:57,799
‐ This paper that you're working for,
no one even reads it.
348
00:20:57,799 --> 00:21:01,678
And‐and Bill told me that your job
barely even pays for your help.
349
00:21:02,638 --> 00:21:04,598
‐ Bill said that?
350
00:21:04,598 --> 00:21:07,309
‐ You should be trying to make things
easier on yourself.
351
00:21:07,851 --> 00:21:11,355
‐ Things would be easier
without another baby.
352
00:21:12,523 --> 00:21:14,399
‐ I mean, you're acting
as if it's a choice.
353
00:21:14,399 --> 00:21:16,193
‐ It is.
354
00:21:17,110 --> 00:21:19,154
We've held up signs that said so.
355
00:21:19,988 --> 00:21:22,199
‐ You have money and resources,
356
00:21:22,199 --> 00:21:25,244
and there is no reason
that you can't have another baby.
357
00:21:25,661 --> 00:21:28,121
‐ Is not wanting another one a reason?
358
00:21:31,166 --> 00:21:32,584
‐ Not for people like us.
359
00:21:35,379 --> 00:21:37,381
‐ Look at me.
This is a good thing.
360
00:21:38,590 --> 00:21:40,968
This is‐this is a good thing.
We're gonna have another baby.
361
00:21:40,968 --> 00:21:42,219
I can't believe it.
362
00:21:43,345 --> 00:21:44,972
‐ Four.
363
00:21:44,972 --> 00:21:49,059
‐ Yeah, four, and I promise it's not
gonna be much different than three.
364
00:21:52,396 --> 00:21:54,022
Okay, come here, come here, come here.
365
00:21:55,148 --> 00:21:56,233
[Bill sniffles]
366
00:21:57,776 --> 00:21:59,528
‐ How am I supposed to tell work?
367
00:21:59,528 --> 00:22:02,573
‐ You can...maybe you can
drop back to part‐time.
368
00:22:03,448 --> 00:22:06,660
Or you can‐‐ you can
just drop it all together.
369
00:22:07,953 --> 00:22:10,247
Honey, I think that you're gonna have
a lot on your plate with the move.
370
00:22:15,085 --> 00:22:17,796
Was this fourth baby all part
of some elaborate plan you had?
371
00:22:18,797 --> 00:22:20,716
To get me to say yes
to the parent's house?
372
00:22:22,301 --> 00:22:23,510
[chuckles]
373
00:22:23,510 --> 00:22:24,595
Come here.
374
00:22:28,765 --> 00:22:29,808
[Bill sighs]
375
00:22:31,977 --> 00:22:32,978
[Bill chuckles]
376
00:22:33,729 --> 00:22:35,105
I hope it's a girl.
377
00:22:37,608 --> 00:22:38,901
What was that name we loved?
378
00:22:40,903 --> 00:22:42,988
Isabelle.
‐ Yeah, right.
379
00:22:44,948 --> 00:22:46,241
Isabelle.
‐ Yeah.
380
00:22:59,171 --> 00:23:01,215
♪ soft music playing ♪
381
00:23:01,215 --> 00:23:03,550
MIA: No, no way.
382
00:23:03,550 --> 00:23:07,179
His Marlboro ads are not art.
They're derivative.
383
00:23:07,179 --> 00:23:10,516
He's basically stealing.
‐ You mean appropriating?
384
00:23:11,266 --> 00:23:13,977
Don't we all do some version of that
in our own art?
385
00:23:13,977 --> 00:23:15,646
I mean, look what you're doing.
386
00:23:16,563 --> 00:23:18,565
You take things
that don't technically belong to you
387
00:23:18,565 --> 00:23:19,858
and put them in your art.
388
00:23:20,651 --> 00:23:23,320
MIA: I manipulate, I curate.
389
00:23:23,570 --> 00:23:26,990
What Richard Prince is doing
is something completely different.
390
00:23:27,491 --> 00:23:29,326
‐ What about Grandmaster Flash?
391
00:23:29,993 --> 00:23:33,205
Is that art, or is he stealing
from The Tom Tom Club?
392
00:23:33,205 --> 00:23:35,749
‐ I'm not saying you can't appropriate.
393
00:23:36,083 --> 00:23:39,920
Duchamp, or Warhol, they all appropriate.
394
00:23:39,920 --> 00:23:42,422
But you just can’t only appropriate.
395
00:23:42,714 --> 00:23:45,843
Like Richard Prince,
it’s‐it’s totally fucking boring.
396
00:23:47,135 --> 00:23:51,139
I've never even used a tampon before.
397
00:23:53,267 --> 00:23:54,726
I've never...
398
00:23:58,772 --> 00:24:00,065
‐ Are you...
399
00:24:00,065 --> 00:24:01,817
Are you a virgin?
400
00:24:08,073 --> 00:24:09,116
Do you want me to help you?
401
00:24:13,203 --> 00:24:14,621
MIA: It's like you said.
402
00:24:14,621 --> 00:24:17,165
The art should either
bring something new into the world
403
00:24:17,165 --> 00:24:21,962
or‐or something strange
and familiar and terrifying,
404
00:24:21,962 --> 00:24:24,256
or at the very least, uncomfortable.
405
00:24:24,423 --> 00:24:27,676
It should give us the uncanny.
406
00:24:28,135 --> 00:24:30,095
PAULINE:
So you were listening that first day.
407
00:24:32,222 --> 00:24:33,265
[Mia chuckles]
408
00:24:36,226 --> 00:24:38,187
‐ You really think
Richard Prince is boring?
409
00:24:38,437 --> 00:24:40,272
‐ Totally fucking boring.
410
00:24:41,231 --> 00:24:43,984
‐ Yeah, then you wouldn't want your work
at a show with him here.
411
00:24:45,986 --> 00:24:47,237
Hmm.
412
00:24:47,237 --> 00:24:48,405
‐ Uh, what?
413
00:24:51,241 --> 00:24:52,242
[Mia gasps]
414
00:24:52,868 --> 00:24:54,036
[laughs]
415
00:24:54,328 --> 00:24:56,872
I'm gonna be in a show
with Richard Prince!
416
00:24:56,872 --> 00:24:58,415
Oh!
417
00:24:58,415 --> 00:25:00,626
[laughter]
418
00:25:02,711 --> 00:25:03,712
JOE: Wow.
419
00:25:04,838 --> 00:25:06,423
Oh.
[Madeline laughs]
420
00:25:06,423 --> 00:25:08,926
♪ tense music playing ♪
421
00:25:08,926 --> 00:25:11,637
♪
422
00:25:20,062 --> 00:25:20,854
‐ This.
423
00:25:22,147 --> 00:25:24,316
This one we can work with.
I love this.
424
00:25:24,650 --> 00:25:28,612
MIA: I don't know.
I'm not sure it works.
425
00:25:28,946 --> 00:25:31,031
‐ The assignment's to do
a self‐portrait.
426
00:25:32,574 --> 00:25:33,909
So stop avoiding it.
427
00:25:35,118 --> 00:25:36,370
‐ Avoiding what?
428
00:25:36,370 --> 00:25:38,330
‐ Feeling it.
429
00:25:42,167 --> 00:25:43,669
When are you gonna tell me
what you've done?
430
00:25:53,303 --> 00:25:54,263
[knocking]
431
00:25:55,347 --> 00:25:56,348
‐ He's here.
432
00:26:02,437 --> 00:26:03,814
Wren!
[Warren chuckles]
433
00:26:06,692 --> 00:26:08,068
‐ What the hell?
434
00:26:08,068 --> 00:26:11,029
‐ Told you there was a good reason
why I didn't come home this summer.
435
00:26:15,117 --> 00:26:17,369
‐ Look, are we really not gonna talk
about how crazy this is?
436
00:26:18,829 --> 00:26:20,664
I mean, I'd‐I'd be this kid's uncle.
437
00:26:21,832 --> 00:26:23,917
Not this kid.
Your kid.
438
00:26:23,917 --> 00:26:25,169
‐ It's not my kid.
439
00:26:27,087 --> 00:26:28,297
WARREN: This is wrong.
440
00:26:29,298 --> 00:26:31,300
And twisted, Mi.
God has a plan for you.
441
00:26:31,300 --> 00:26:32,426
‐ Don't parrot them.
442
00:26:32,426 --> 00:26:33,844
‐ And I'm pretty sure
that's not what this is.
443
00:26:33,844 --> 00:26:35,679
‐ What about my plan?
444
00:26:35,679 --> 00:26:37,347
Does that matter?
445
00:26:42,436 --> 00:26:44,104
‐ Do you realize that your sister
is one of the most
446
00:26:44,104 --> 00:26:46,106
talented artists I have ever met?
447
00:26:48,525 --> 00:26:49,860
Anyone can be a mother.
448
00:26:50,777 --> 00:26:53,197
Few can do what your sister does.
449
00:26:54,615 --> 00:26:55,657
In fact...
450
00:26:57,409 --> 00:26:58,368
no one can.
451
00:27:10,339 --> 00:27:12,716
‐ So, do I look like a New Yorker?
452
00:27:13,509 --> 00:27:15,052
‐ Mm...
‐ Eh?
453
00:27:15,052 --> 00:27:16,345
MIA: Mm.
454
00:27:16,345 --> 00:27:18,472
Uh...
WARREN: Come on.
455
00:27:18,680 --> 00:27:20,766
Yeah?
‐ Uh...
456
00:27:21,892 --> 00:27:23,393
Yeah, it's, uh...
457
00:27:24,811 --> 00:27:27,314
Yeah, not touristy at all.
458
00:27:29,858 --> 00:27:31,818
I love it, by the way.
459
00:27:31,818 --> 00:27:34,821
It's so you.
460
00:27:34,821 --> 00:27:37,282
‐ Yeah, the door fills up with water
when it rains, but...
461
00:27:37,282 --> 00:27:38,575
‐ Gives it character.
462
00:27:41,495 --> 00:27:42,871
[sighs]
463
00:27:44,414 --> 00:27:45,958
To open when you're home.
464
00:27:45,958 --> 00:27:47,793
‐ Come on.
465
00:27:48,710 --> 00:27:49,628
[laughter]
466
00:27:49,628 --> 00:27:51,672
‐ Okay.
‐ I'll open this thing.
467
00:27:53,549 --> 00:27:55,425
Aw. Come on.
468
00:27:59,471 --> 00:28:00,764
[laughter]
469
00:28:04,017 --> 00:28:06,562
Look, Mi, I...
I want us to be cool.
470
00:28:07,980 --> 00:28:09,731
The last thing I want to do
is fight in front of the baby.
471
00:28:10,649 --> 00:28:12,150
[Mia laughs]
I mean, she's already
472
00:28:12,150 --> 00:28:13,652
gonna have a hard enough time
going through life
473
00:28:13,652 --> 00:28:15,529
with that big‐ass forehead of yours.
474
00:28:17,030 --> 00:28:18,031
‐ She?
475
00:28:19,658 --> 00:28:20,742
‐ It's a gut feeling.
476
00:28:23,704 --> 00:28:25,998
Do me a favor.
Play her some Marvin Gaye while you can.
477
00:28:27,457 --> 00:28:28,625
If she can’t grow up
with her Uncle Warren,
478
00:28:28,625 --> 00:28:30,294
at least she can have
some good taste in music.
479
00:28:39,636 --> 00:28:41,388
‐ I love you so much.
480
00:28:43,682 --> 00:28:44,766
‐ I love you, too.
481
00:28:47,561 --> 00:28:49,521
So, uh...
482
00:28:49,521 --> 00:28:51,690
you gonna break it to Mom and Dad
that their prayers didn't work?
483
00:28:54,067 --> 00:28:56,653
Well, at least you're not a hooker,
I guess.
484
00:28:59,198 --> 00:29:00,866
‐ What?
‐ Come on.
485
00:29:01,700 --> 00:29:03,202
The‐the whole Pauline thing.
486
00:29:05,495 --> 00:29:06,622
‐ Oh.
487
00:29:06,622 --> 00:29:07,789
[laughs]
488
00:29:07,789 --> 00:29:10,501
No, no, it's‐it's not like that.
It's...
489
00:29:10,501 --> 00:29:12,169
‐ Oh.
‐ My professor, my mentor.
490
00:29:12,169 --> 00:29:14,004
‐ Mm‐hmm. Right.
491
00:29:14,838 --> 00:29:15,964
[Mia chuckles]
492
00:29:16,882 --> 00:29:19,885
‐ Well, whoever she is,
she don't know you like I do.
493
00:29:21,553 --> 00:29:23,347
Never let anyone tell you who you are.
494
00:29:23,347 --> 00:29:25,307
Not even me.
495
00:29:27,059 --> 00:29:27,935
Hm?
496
00:29:31,438 --> 00:29:33,982
You say you want to create something
that will change the world.
497
00:29:36,527 --> 00:29:37,486
What if it's her?
498
00:29:37,486 --> 00:29:39,863
♪ soft music playing ♪
499
00:29:39,863 --> 00:29:41,615
♪
500
00:30:08,058 --> 00:30:10,978
‐ Did you mean what you said to Warren?
501
00:30:12,187 --> 00:30:13,939
Am I making the right choice?
502
00:30:18,944 --> 00:30:19,987
‐ Look at this.
503
00:30:23,657 --> 00:30:24,741
What do you see?
504
00:30:26,743 --> 00:30:28,078
‐ A monster.
505
00:30:31,874 --> 00:30:33,125
‐ I see...
506
00:30:34,459 --> 00:30:35,460
power.
507
00:30:36,628 --> 00:30:38,130
Beauty.
508
00:30:38,130 --> 00:30:41,341
Ugliness.
Gods and mothers.
509
00:30:42,217 --> 00:30:43,343
Virgins.
510
00:30:46,013 --> 00:30:47,222
I see the monsters, too.
511
00:30:58,567 --> 00:31:01,361
And I love them.
Fiercely.
512
00:31:05,324 --> 00:31:06,450
‐ What are we?
513
00:31:08,535 --> 00:31:10,370
I mean, to each other.
514
00:31:16,168 --> 00:31:17,419
‐ What do you feel?
515
00:31:24,676 --> 00:31:26,053
[Mia exhales]
516
00:31:39,399 --> 00:31:40,484
[Mia laughs softly]
517
00:31:42,778 --> 00:31:43,904
‐ Everything.
518
00:31:45,030 --> 00:31:46,823
♪ romantic music playing ♪
519
00:31:46,823 --> 00:31:48,951
♪
520
00:31:49,451 --> 00:31:52,037
[camera clicks]
521
00:32:09,721 --> 00:32:11,265
‐ My turn.
522
00:32:11,265 --> 00:32:12,558
[chuckles]
523
00:32:15,269 --> 00:32:16,228
[shutter clicks]
524
00:32:29,199 --> 00:32:30,492
[Mia gasps softly]
525
00:32:39,084 --> 00:32:40,544
[moans]
526
00:32:45,424 --> 00:32:46,592
[gasps]
527
00:32:47,759 --> 00:32:49,303
[moans]
528
00:32:52,514 --> 00:32:53,765
[moans]
529
00:32:54,725 --> 00:32:55,475
[shutter clicks]
530
00:33:04,026 --> 00:33:05,652
[baby cries]
531
00:33:06,486 --> 00:33:09,323
‐ Isabelle, come on.
You have to eat, please.
532
00:33:09,323 --> 00:33:10,657
[crying continues]
533
00:33:11,074 --> 00:33:12,367
[Elena sobs]
534
00:33:13,619 --> 00:33:15,329
Damn it.
535
00:33:16,872 --> 00:33:17,998
[sobs]
536
00:33:26,006 --> 00:33:27,299
[cries]
537
00:33:27,466 --> 00:33:28,759
[Elena shushes]
538
00:33:29,051 --> 00:33:31,595
[crying continues]
539
00:33:36,934 --> 00:33:40,604
[crying continues]
‐ Okay, Isabelle, sweetie, it's coming.
Just, just hold on.
540
00:33:40,896 --> 00:33:43,607
Moody, just watch your sister, all right?
541
00:33:43,815 --> 00:33:45,859
Okay?
[grunts]
542
00:33:45,859 --> 00:33:48,445
It's coming, all right?
Just everybody, calm down.
543
00:33:48,445 --> 00:33:49,988
[child cries]
544
00:33:51,240 --> 00:33:53,367
Lexie, would you
take care of Moody, please?
545
00:33:53,367 --> 00:33:56,995
Just give your brother a hug or something.
Just...
546
00:33:56,995 --> 00:33:58,455
[crying continues]
547
00:34:01,500 --> 00:34:03,418
[baby Moody cries]
548
00:34:08,090 --> 00:34:09,967
[yells]
549
00:34:10,133 --> 00:34:13,595
They must have turned the water off.
I don't know. I don't know.
550
00:34:13,595 --> 00:34:16,557
You call him! You were the one
who wanted this renovation.
551
00:34:16,557 --> 00:34:17,933
Jesus!
552
00:34:19,518 --> 00:34:22,020
I don’t‐I don’t give a damn
about your partners, Bill.
553
00:34:22,020 --> 00:34:25,190
I need you.
I need you to do actual things.
554
00:34:25,566 --> 00:34:27,526
Where is the fucking pacifier?
555
00:34:27,526 --> 00:34:28,610
[plate shatters]
556
00:34:28,777 --> 00:34:30,195
[crying continues]
557
00:34:33,615 --> 00:34:35,117
[shatters]
558
00:34:39,621 --> 00:34:42,082
[shattering]
[Elena grunts]
559
00:34:43,625 --> 00:34:45,294
[yells]
560
00:34:45,502 --> 00:34:49,173
[crying continues]
561
00:34:52,259 --> 00:34:55,345
BILL: Jesus Christ.
Elena, what the hell?
562
00:34:57,723 --> 00:34:58,765
Hi, sweetie.
563
00:35:01,977 --> 00:35:05,147
‐ Four is different than three.
564
00:35:09,610 --> 00:35:12,487
BILL: What are you doing?
Elena, where are you going?
565
00:35:12,487 --> 00:35:14,114
‐ To get a god damn pacifier.
566
00:35:14,615 --> 00:35:17,159
‐ It's okay, sweetie.
It's okay.
567
00:35:19,036 --> 00:35:21,413
[indistinct announcement on PA]
568
00:35:22,289 --> 00:35:24,333
♪ muzak playing ♪
569
00:35:24,333 --> 00:35:27,169
♪
570
00:35:30,088 --> 00:35:32,841
♪ "Fly, Robin, Fly" by Silver Convention
playing over PA ♪
571
00:35:34,843 --> 00:35:37,179
‐ ♪ Fly, robin, fly ♪
572
00:35:39,556 --> 00:35:41,225
♪ Fly, robin, fly ♪
573
00:35:41,225 --> 00:35:43,060
PA:
Manager, aisle four.
574
00:35:44,269 --> 00:35:46,271
‐ ♪ Fly, robin, fly ♪
575
00:35:48,607 --> 00:35:50,901
♪ Up, up to the sky ♪
576
00:35:50,901 --> 00:35:52,945
♪
577
00:36:05,707 --> 00:36:08,001
‐ Yes. Um, Manhattan.
OPERATOR: What city?
578
00:36:08,001 --> 00:36:09,169
What name, please?
579
00:36:09,169 --> 00:36:12,005
‐ Uh, Jamie Caplan.
580
00:36:17,261 --> 00:36:18,971
[line ringing]
581
00:36:24,226 --> 00:36:25,853
[line clicks]
JAMIE: Hello?
582
00:36:26,895 --> 00:36:27,855
‐ Jamie?
583
00:36:27,855 --> 00:36:29,231
JAMIE:
Yes, who's this?
584
00:36:30,732 --> 00:36:33,360
‐ It‐it's me.
It's Elena.
585
00:36:35,612 --> 00:36:37,322
♪ groovy music playing ♪
586
00:36:37,322 --> 00:36:39,491
♪
587
00:36:53,005 --> 00:36:54,214
[sighs]
588
00:36:54,214 --> 00:36:57,176
So, you‐‐ you good?
How's life?
589
00:36:57,718 --> 00:36:59,928
‐ Okay, you can't do that.
You can't call me
590
00:37:00,179 --> 00:37:02,389
sobbing hysterically
out of the blue and...
591
00:37:03,640 --> 00:37:05,434
What's wrong?
Is it Bill?
592
00:37:06,560 --> 00:37:07,853
The kids?
What?
593
00:37:08,896 --> 00:37:09,980
‐ I'll have another.
594
00:37:11,607 --> 00:37:13,525
‐ You can't not tell me.
595
00:37:13,525 --> 00:37:14,985
Okay, I crossed
the George Washington Bridge
596
00:37:14,985 --> 00:37:16,570
in Friday night traffic for this.
597
00:37:16,570 --> 00:37:18,447
I drove to Rochester.
598
00:37:20,532 --> 00:37:24,203
Uh, I don't want to talk about Bill
or the, the kids.
599
00:37:24,203 --> 00:37:25,412
I just want to...
600
00:37:26,288 --> 00:37:27,497
hear about you.
601
00:37:28,332 --> 00:37:29,541
How is New York?
602
00:37:31,960 --> 00:37:32,753
[exhales]
603
00:37:32,753 --> 00:37:33,754
[clears throat]
604
00:37:34,963 --> 00:37:37,257
It's, uh, it's loud.
605
00:37:38,509 --> 00:37:39,927
And, uh...
606
00:37:39,927 --> 00:37:41,470
expensive.
607
00:37:44,097 --> 00:37:45,849
And I can't imagine
being anywhere else.
608
00:37:51,146 --> 00:37:52,397
I just got a job.
609
00:37:53,941 --> 00:37:55,192
At The Times.
610
00:37:56,276 --> 00:37:57,903
‐ You're writing for The New York Times?
611
00:37:57,903 --> 00:37:59,988
‐ I'm an editorial assistant.
612
00:37:59,988 --> 00:38:01,114
But...
613
00:38:02,324 --> 00:38:04,368
Yeah, that'd be the goal, yeah.
614
00:38:05,536 --> 00:38:06,828
I'm in business now, but...
615
00:38:08,622 --> 00:38:10,958
hopefully
foreign correspondent, eventually.
616
00:38:10,958 --> 00:38:12,793
For the travel.
617
00:38:12,793 --> 00:38:14,670
And my love of war‐torn architecture.
618
00:38:14,670 --> 00:38:16,046
[Elena chuckles]
619
00:38:16,046 --> 00:38:18,006
‐ You always were fond of destruction.
620
00:38:18,966 --> 00:38:20,425
‐ You know that's not what I wanted.
621
00:38:27,391 --> 00:38:30,185
I still think about how things would’ve
been different if you just said yes.
622
00:38:32,604 --> 00:38:34,147
If you’d stayed in Paris.
623
00:38:39,152 --> 00:38:40,237
Do you think about it?
624
00:38:44,658 --> 00:38:46,952
‐ I had a life to start.
A plan.
625
00:38:47,744 --> 00:38:50,289
I mean, it’s most peoples’ plan, right?
626
00:38:50,289 --> 00:38:54,543
Graduate college, get a job, get married,
have kids, and you’re happy ‘til death.
627
00:38:57,838 --> 00:38:58,922
‐ Are you happy?
628
00:39:01,633 --> 00:39:02,634
Are you?
629
00:39:04,178 --> 00:39:05,179
Happy?
630
00:39:08,557 --> 00:39:11,685
♪ "My Eyes Adored You" by Frankie Valli
playing on jukebox ♪
631
00:39:11,685 --> 00:39:13,187
[scoffs]
632
00:39:13,187 --> 00:39:15,522
Did you do this?
‐ What? No, I didn't.
633
00:39:15,522 --> 00:39:16,690
I didn't, I swear.
634
00:39:17,858 --> 00:39:19,610
‐ Get up.
‐ No.
635
00:39:19,610 --> 00:39:20,903
‐ Come on, dance with me.
636
00:39:22,029 --> 00:39:23,780
‐ ♪ So close ♪
637
00:39:23,780 --> 00:39:27,743
♪ So close and yet so far ♪
638
00:39:29,536 --> 00:39:32,789
♪ Carried your books from school ♪
639
00:39:32,789 --> 00:39:35,626
♪ Playin' make believe
you're married to me ♪
640
00:39:36,251 --> 00:39:39,671
♪ You were fifth grade, I was sixth ♪
641
00:39:39,963 --> 00:39:43,258
♪ When we came to be ♪
642
00:39:43,592 --> 00:39:46,637
♪ Walkin' home every day ♪
643
00:39:46,637 --> 00:39:49,765
♪ Over Bonnicut Bridge and Bay ♪
644
00:39:50,098 --> 00:39:53,727
♪ Till we grew into the me and you ♪
645
00:39:53,727 --> 00:39:57,231
♪ Who went our separate ways ♪
646
00:39:58,148 --> 00:40:01,193
♪ My eyes adored you ♪
647
00:40:02,528 --> 00:40:05,155
♪ Though I never laid a hand on you ♪
648
00:40:05,155 --> 00:40:07,866
♪ My eyes adored you ♪
649
00:40:09,451 --> 00:40:11,662
♪ Like a million miles away from me ♪
650
00:40:11,662 --> 00:40:14,498
♪ You couldn't see how I adored you ♪
651
00:40:15,874 --> 00:40:17,167
[door unlocks]
652
00:40:21,380 --> 00:40:23,257
[heavy breathing]
653
00:40:35,602 --> 00:40:37,187
[Elena gasps, groans]
654
00:40:39,690 --> 00:40:41,316
‐ Oh, oh.
655
00:40:41,817 --> 00:40:43,652
I'm sorry, I just...
656
00:40:44,653 --> 00:40:46,613
I just need a minute.
657
00:40:46,613 --> 00:40:48,365
Shit.
[scoffs]
658
00:40:48,365 --> 00:40:49,867
Ugh.
659
00:40:50,993 --> 00:40:52,077
[sniffs]
660
00:40:52,369 --> 00:40:53,370
[groans]
661
00:40:54,079 --> 00:40:56,164
[sighs]
662
00:41:01,587 --> 00:41:03,797
♪ somber music plays ♪
663
00:41:03,797 --> 00:41:05,883
♪
664
00:41:10,637 --> 00:41:11,972
[knocking]
665
00:41:11,972 --> 00:41:13,307
JAMIE: Elena, you okay?
666
00:41:18,270 --> 00:41:19,438
‐ Fuck.
667
00:41:23,525 --> 00:41:24,484
[knocking]
668
00:41:26,570 --> 00:41:29,406
[shuddering breath]
669
00:41:38,290 --> 00:41:40,459
I need to go.
‐ Why?
670
00:41:40,459 --> 00:41:42,211
What's wrong?
671
00:41:43,545 --> 00:41:46,006
Hey, hold on a second.
Can we talk about this?
672
00:41:46,632 --> 00:41:49,927
Look, I, I want this.
And I know you do, too.
673
00:41:50,719 --> 00:41:54,890
‐ What?
A fling at a motel in Rochester?
674
00:41:57,434 --> 00:41:58,560
‐ I still love you.
675
00:42:01,730 --> 00:42:02,898
I...
676
00:42:04,274 --> 00:42:05,943
I never stopped. I...
677
00:42:07,903 --> 00:42:09,446
I just didn't want your plan.
678
00:42:11,323 --> 00:42:12,950
And by the sounds of it,
you don't want it, either.
679
00:42:14,993 --> 00:42:16,370
But you don't have to settle.
680
00:42:18,580 --> 00:42:20,123
And you do not have to be miserable.
681
00:42:25,212 --> 00:42:28,173
‐ I never said either of those things.
682
00:42:29,550 --> 00:42:30,968
‐ No, no, you just...
683
00:42:30,968 --> 00:42:32,094
[scoffs]
684
00:42:32,094 --> 00:42:33,804
Call me out of nowhere
and ask me to drive
685
00:42:33,804 --> 00:42:35,848
six hours in the middle of the night
to see you.
686
00:42:36,390 --> 00:42:39,101
‐ I called you because I needed a friend.
687
00:42:39,935 --> 00:42:43,647
Not someone to take advantage of me
in a hard moment.
688
00:42:43,647 --> 00:42:45,691
‐ Take advantage of you?
Are you fucking kidding me?
689
00:42:47,067 --> 00:42:48,569
‐ I'm married, Jamie.
690
00:42:49,611 --> 00:42:53,031
I have four children
with the man I love.
691
00:42:53,615 --> 00:42:55,325
I like my life.
692
00:42:56,577 --> 00:42:58,078
I chose my life.
693
00:42:58,662 --> 00:43:00,956
I, I just‐‐oh, I needed...
694
00:43:02,499 --> 00:43:04,376
I don't know.
I don't know what I needed.
695
00:43:05,210 --> 00:43:06,879
But it wasn't‐‐ it wasn't this.
696
00:43:13,760 --> 00:43:14,887
[mutters]
697
00:43:17,556 --> 00:43:19,641
♪ tense music playing ♪
698
00:43:19,641 --> 00:43:21,727
♪
699
00:43:32,905 --> 00:43:35,532
[door opens, closes]
700
00:43:39,912 --> 00:43:42,623
‐ Elena.
Jesus Christ, thank God.
701
00:43:42,748 --> 00:43:45,042
LINDA: Are you okay?
BILL: What happened? Where have you been?
702
00:43:45,209 --> 00:43:47,044
‐ We called the hospitals
and your friends.
703
00:43:47,044 --> 00:43:49,379
Your mom is worried sick.
‐ I just needed a minute.
704
00:43:51,173 --> 00:43:52,925
‐ Okay.
705
00:43:52,925 --> 00:43:54,801
Okay, well, I'm glad you took one.
706
00:43:57,763 --> 00:43:59,306
‐ I'm gonna go.
You should get some sleep.
707
00:43:59,306 --> 00:44:01,225
Okay, I'll call you later.
708
00:44:02,476 --> 00:44:04,603
Oh, and um, you should probably
be careful in there.
709
00:44:04,603 --> 00:44:06,980
There may still be some pieces
of china on the floor.
710
00:44:06,980 --> 00:44:08,565
‐ Okay.
LINDA: Okay.
711
00:44:15,280 --> 00:44:17,157
‐ Where's Isabelle?
712
00:44:17,157 --> 00:44:20,035
‐ Um, she's sleeping, finally.
‐ Good.
713
00:44:20,035 --> 00:44:22,162
[baby cries]
714
00:44:23,997 --> 00:44:25,165
‐ Do you want me to go get her?
715
00:44:26,166 --> 00:44:27,876
‐ No.
716
00:44:27,876 --> 00:44:29,127
I've got it.
717
00:44:49,189 --> 00:44:50,482
[crying stops]
718
00:44:54,528 --> 00:44:56,071
[phone rings]
719
00:45:02,369 --> 00:45:03,787
‐ Hello?
REGINA: Mia.
720
00:45:03,787 --> 00:45:05,414
It's awful. It's so awful.
721
00:45:05,414 --> 00:45:07,082
‐ Mom?
REGINA: He's gone. He's gone.
722
00:45:07,082 --> 00:45:08,250
Your brother's gone.
723
00:45:08,250 --> 00:45:10,169
‐ Mama, can‐can you please slow down?
724
00:45:11,128 --> 00:45:12,921
‐ There's been an accident.
725
00:45:12,921 --> 00:45:14,756
Warren, he was with his friends.
726
00:45:14,756 --> 00:45:17,342
They couldn't save him. He's dead.
727
00:45:17,342 --> 00:45:19,136
My baby is dead.
728
00:45:19,136 --> 00:45:21,346
♪ somber music plays ♪
729
00:45:21,346 --> 00:45:23,682
♪
730
00:45:26,643 --> 00:45:27,853
MIA:
Thanks.
731
00:45:36,320 --> 00:45:37,529
[car door closes]
732
00:45:40,032 --> 00:45:40,908
[exhales]
733
00:45:40,908 --> 00:45:42,910
It's not what you think.
734
00:46:03,722 --> 00:46:04,890
Is this okay?
735
00:46:06,975 --> 00:46:08,060
‐ Can we talk?
736
00:46:10,312 --> 00:46:11,688
Your daddy and I...
737
00:46:12,356 --> 00:46:13,941
We may not understand you.
738
00:46:15,108 --> 00:46:16,068
But we love you.
739
00:46:17,653 --> 00:46:19,655
We all make our choices.
You...
740
00:46:20,697 --> 00:46:21,782
You made yours.
741
00:46:23,200 --> 00:46:26,245
But people see you today,
there'll be a lot of questions.
742
00:46:27,287 --> 00:46:29,081
Today's about honoring Warren.
743
00:46:30,082 --> 00:46:31,500
Let's let it be about him.
744
00:46:32,584 --> 00:46:34,962
‐ You don't want me to come
to my own brother's funeral?
745
00:46:36,630 --> 00:46:39,883
‐ I know you'll find another way
to honor him on your own.
746
00:46:43,720 --> 00:46:45,347
[shuddering breath]
747
00:46:50,018 --> 00:46:51,061
[sobs]
748
00:46:53,021 --> 00:46:55,315
♪ solemn music plays ♪
749
00:46:55,315 --> 00:46:57,401
♪
750
00:46:58,861 --> 00:46:59,695
[sniffs]
751
00:47:31,977 --> 00:47:35,856
‐ I think me being here
is really helping, so...
752
00:47:38,275 --> 00:47:39,443
I just...
753
00:47:40,569 --> 00:47:43,322
I‐I need to stay a little while longer.
754
00:47:43,322 --> 00:47:45,115
PAULINE: Of course.
755
00:47:46,742 --> 00:47:47,868
It's the right thing to do.
756
00:47:52,122 --> 00:47:53,415
But, uh, listen.
757
00:47:56,168 --> 00:47:57,336
I love you, okay?
758
00:48:05,886 --> 00:48:07,012
‐ I love you, too.
759
00:48:07,012 --> 00:48:10,015
♪
760
00:48:12,518 --> 00:48:13,268
[phone clicks]
761
00:48:24,112 --> 00:48:25,614
♪ "Piece of Clay" by Marvin Gaye ♪
762
00:48:26,532 --> 00:48:29,201
‐ ♪ Father stop ♪
763
00:48:30,285 --> 00:48:34,331
♪ Criticizing your son ♪
764
00:48:37,000 --> 00:48:41,421
♪ Mother please ♪
765
00:48:41,880 --> 00:48:44,800
♪ Leave your daughters alone ♪
766
00:48:47,094 --> 00:48:50,514
♪ Don't you see that's what's wrong ♪
767
00:48:51,348 --> 00:48:55,310
♪ With the world today ♪
768
00:48:55,310 --> 00:48:56,895
♪ Oh ♪
769
00:48:57,896 --> 00:49:01,275
♪ Everybody wants somebody ♪
770
00:49:01,275 --> 00:49:05,737
♪ To be their own piece of clay ♪
771
00:49:06,196 --> 00:49:07,948
♪ Oh ♪
772
00:49:08,490 --> 00:49:11,618
♪ Everybody wants somebody ♪
773
00:49:11,618 --> 00:49:13,370
♪ To be their own ♪
774
00:49:13,370 --> 00:49:14,413
[sobs]
775
00:49:14,413 --> 00:49:16,748
♪ Piece of clay ♪
776
00:49:17,541 --> 00:49:18,792
♪ Ooh ♪
777
00:49:19,710 --> 00:49:21,962
♪ That's what's wrong ♪
778
00:49:23,463 --> 00:49:28,594
♪ With, oh, with this world today ♪
779
00:49:29,219 --> 00:49:32,389
♪ Everybody wants somebody ♪
780
00:49:32,723 --> 00:49:36,560
♪ To be their own piece of clay ♪
781
00:49:37,019 --> 00:49:38,979
♪ Oh ♪
782
00:49:39,730 --> 00:49:42,316
♪ Everybody wants somebody ♪
783
00:49:43,108 --> 00:49:47,446
♪ To be their own piece of clay ♪
784
00:49:50,365 --> 00:49:51,700
♪ Whoo ♪
785
00:49:53,619 --> 00:49:58,207
♪ Somebody to play with ♪
786
00:49:58,540 --> 00:50:00,876
♪ Or to mold you ♪
787
00:50:01,418 --> 00:50:03,086
♪ Wanna mold you ♪
788
00:50:03,462 --> 00:50:05,589
♪ Shape it like they wanna ♪
789
00:50:06,006 --> 00:50:07,925
♪ Want to do their thing ♪
790
00:50:10,260 --> 00:50:14,431
♪ Children are told ♪
791
00:50:14,431 --> 00:50:19,520
♪ To give and not just to take ♪
792
00:50:21,146 --> 00:50:24,191
♪ If we were all children ♪
793
00:50:24,608 --> 00:50:29,363
♪ You know the world
would be a better place ♪
794
00:50:29,363 --> 00:50:30,739
♪ Oh ♪
795
00:50:31,657 --> 00:50:34,743
♪ Everybody wants somebody ♪
796
00:50:35,035 --> 00:50:39,414
♪ To be their own piece of clay ♪
797
00:50:39,414 --> 00:50:44,211
♪ We should all love each other ♪
798
00:50:44,503 --> 00:50:47,548
♪ Love, not hate ♪
799
00:50:47,840 --> 00:50:49,925
♪ One another ♪
800
00:50:49,925 --> 00:50:52,594
♪ We should all love ♪
801
00:50:52,594 --> 00:50:54,429
♪ Each other ♪
802
00:50:54,429 --> 00:50:56,723
♪ Love, not hate ♪
803
00:50:57,099 --> 00:50:58,934
♪ Oh ♪
804
00:51:02,062 --> 00:51:04,731
♪ Everybody wants somebody ♪
805
00:51:05,524 --> 00:51:09,444
♪ To be their own piece of clay ♪
806
00:51:09,862 --> 00:51:12,072
♪ Yeah ♪
807
00:51:12,698 --> 00:51:14,366
♪ Everybody wants somebody... ♪
808
00:51:14,366 --> 00:51:16,201
[line ringing]
809
00:51:17,286 --> 00:51:19,037
ANITA: Hello?
‐ Pauline?
810
00:51:20,539 --> 00:51:22,749
It's me.
‐ Mia?
811
00:51:23,959 --> 00:51:26,920
‐ Wait, who, who is this?
‐ Honey.
812
00:51:26,920 --> 00:51:28,881
It's Anita, from the gallery.
813
00:51:28,881 --> 00:51:30,716
‐ What‐what's wrong?
What happened?
814
00:51:31,842 --> 00:51:33,343
‐ Pauline passed away.
815
00:51:35,179 --> 00:51:36,471
She was sick.
816
00:51:37,639 --> 00:51:39,850
She was diagnosed two months ago.
817
00:51:41,268 --> 00:51:43,520
MIA: Diagnosed with what?
818
00:51:43,520 --> 00:51:45,355
‐ Ovarian cancer.
819
00:51:45,981 --> 00:51:49,359
‐ What?
ANITA: It was too debilitating to treat.
820
00:51:49,735 --> 00:51:54,031
She just...she wanted
to tell you in person
821
00:51:54,448 --> 00:51:56,366
when you were back, but...
822
00:51:57,701 --> 00:52:02,414
I'm‐I'm here, I'm cleaning up her place,
and‐and putting her stuff in order.
823
00:52:03,248 --> 00:52:05,751
Your stuff is, um, all packed up.
824
00:52:05,751 --> 00:52:09,963
And along with something
she asked me to send to you.
825
00:52:11,215 --> 00:52:13,884
It's a photo of you that she loved.
826
00:52:15,260 --> 00:52:16,637
She wanted you to have.
827
00:52:17,596 --> 00:52:19,806
In case you needed to sell it.
828
00:52:21,058 --> 00:52:23,602
For you, or for your baby.
829
00:52:26,188 --> 00:52:29,024
I mean, you kept the baby, right?
Pauline assumed.
830
00:52:29,483 --> 00:52:32,694
And, honey, they've been calling here.
831
00:52:33,111 --> 00:52:35,280
The Ryans.
The want to talk to you.
832
00:52:38,367 --> 00:52:43,497
I loved Pauline and Pauline loved you,
so whatever you need, I'm here.
833
00:52:44,665 --> 00:52:45,791
[Mia exhales shakily]
834
00:52:47,000 --> 00:52:50,337
‐ I don't know where we'll end up.
835
00:52:52,548 --> 00:52:54,466
But I'll let you know when we get there.
836
00:52:55,592 --> 00:52:56,760
[shuddering breath]
837
00:53:00,138 --> 00:53:01,265
[sniffs]
838
00:53:03,267 --> 00:53:05,310
♪ soft music playing ♪
839
00:53:05,310 --> 00:53:08,313
♪
840
00:53:16,822 --> 00:53:17,823
[exhales]
841
00:53:20,742 --> 00:53:22,619
♪ "Bitch" playing ♪
842
00:53:23,745 --> 00:53:25,873
‐ ♪ I hate the world today ♪
843
00:53:27,666 --> 00:53:30,460
♪ You're so good to me, I know ♪
844
00:53:30,460 --> 00:53:33,046
♪ But I can't change ♪
845
00:53:33,755 --> 00:53:35,716
♪ Tried to tell you... ♪
846
00:53:35,716 --> 00:53:37,217
[baby cries]
847
00:53:38,719 --> 00:53:40,929
♪ I'm an angel underneath ♪
848
00:53:41,972 --> 00:53:45,017
♪ Innocent and sweet ♪
849
00:53:53,358 --> 00:53:56,445
♪ I'm a bitch, I'm a lover ♪
850
00:53:56,445 --> 00:53:59,489
♪ I'm a child, I'm a mother ♪
851
00:53:59,489 --> 00:54:02,576
♪ I'm a sinner, I'm a saint ♪
852
00:54:02,951 --> 00:54:08,957
♪ I do not feel ashamed ♪
853
00:54:08,957 --> 00:54:11,710
♪
854
00:54:21,345 --> 00:54:24,014
♪ Yesterday, I cried ♪
855
00:54:24,848 --> 00:54:30,020
♪ You must've been relieved
to see the softer side ♪
856
00:54:31,396 --> 00:54:35,776
♪ I can understand how
you'd be so confused ♪
857
00:54:36,652 --> 00:54:38,487
♪ I don't envy you ♪
858
00:54:39,446 --> 00:54:42,783
♪ I'm a little bit of everything ♪
859
00:54:42,783 --> 00:54:44,993
♪ All rolled into one ♪
860
00:54:44,993 --> 00:54:48,163
♪ I'm a bitch, I'm a lover ♪
861
00:54:48,163 --> 00:54:51,166
♪ I'm a child, I'm a mother ♪
862
00:54:51,166 --> 00:54:54,503
♪ I'm a sinner, I'm a saint ♪
863
00:54:54,503 --> 00:54:57,256
♪ I do not feel ashamed ♪
864
00:54:57,256 --> 00:55:00,384
♪ I'm your Hell, I'm your dream ♪
865
00:55:00,676 --> 00:55:03,011
♪ I'm nothing in between ♪
866
00:55:03,011 --> 00:55:08,475
♪ You know you wouldn't want it
any other way ♪
867
00:55:09,309 --> 00:55:12,437
♪ I'm a bitch, I'm a tease ♪
868
00:55:12,437 --> 00:55:15,232
♪ I'm a goddess on my knees ♪
869
00:55:15,232 --> 00:55:18,485
♪ When you hurt, when you suffer ♪
870
00:55:18,485 --> 00:55:21,613
♪ I'm your angel undercover ♪
871
00:55:21,613 --> 00:55:24,950
♪ I've been numb, I'm revived ♪
872
00:55:24,950 --> 00:55:27,452
♪ Can't say I'm not alive ♪
873
00:55:27,452 --> 00:55:33,292
♪ You know I wouldn't
want it any other way ♪
874
00:55:34,501 --> 00:55:39,256
♪ Oh, oh, oh ♪
875
00:55:40,424 --> 00:55:45,637
♪ Oh, oh, oh ♪
876
00:55:49,892 --> 00:55:51,727
♪