FRASER: Dev Hynes is just a musical genius.
Blood Orange?
He's gonna be playing in Bologna in December.
Give me your phone, we're going.
Three of our soldiers were killed last night.
Among them was the brother of one of your classmates.
(GRUNTS)
JENNY: He got distracted from these kids!
If you had children you would understand.
We never really thought this would last, did we?
Not him!
Why not?
It was his mother who got Craig killed.
You made a decision. Right?
Right?!
-(GRUNTS) -What?!
MAGGIE: Richard has to go.
He showed his ass tonight,
and his daughter is no good for Fraser.
SARAH: My friend, Doug, is in charge of assignments now.
Call him.
(light classical music playing)
♪ ♪
(seagulls cawing)
(water lapping)
(birds cawing)
(cawing)
♪ ♪
(base chatter)
(phones ringing)
(chatter continues)
(ladder creaking)
(truck driving by)
-(metal rattling) -(soldiers chattering)
(indistinct PA announcement)
(cash register beeping)
(mess hall chatter)
(indistinct PA announcement)
(chatter continues)
♪ ♪
(dog barking)
(rings bell)
♪ ♪
-Pizza! -Jennifer: Sweetheart,
-you need to empty your closet. -Danny: Oh my... Our last day in Italy,
-and we're eating pizza from Domino's? -(door shuts)
Was this your idea?
Richard: Cate, do you wanna help me pick out our plane seats?
Uh, no, I gotta empty my closet.
(puts down box)
Danny: So are we gonna be in Chicago long?
-Jennifer: Let's hope so. -Richard: No, they're already talking about Okinawa.
Danny: Okinawa?
-Okinawa? -Danny: And you're sure Spit's not gonna travel in cargo?
Jennifer: Your father called the airline, and they told him that
Spit is small enough to fit under the seat.
He'll be in the cabin with us.
Danny: We gotta be sure, 'cause if we board and someone's allergic,
they're gonna put him in cargo and he'll die.
Richard: She said I called them.
Danny: If they even mention cargo, I'm not leaving.
Richard: Jesus Christ, Danny! You're leaving
and you're getting your ass on that plane!
Danny: Why the fuck do we have to go back to the US?
Aren't we supposed to move to that shitty place in Japan?
This is my final year. How many schools are you gonna make me change?
Richard: We wait for the order to relocate
and we move. That's life.
-You should know that by now. -Danny: That's your life.
-(doorbell ringing) -(argument continues)
Jennifer: Brit! Nice to see you.
-(door shuts) -Britney: Morning, ma'am.
Hey, Danny. Is Cate home?
(Danny speaks, indistinct)
Jennifer: Cate! Someone's here to see you.
("Oou" by Silent but Deadly playing on stereo)
Have you spoken to Fraser?
(sighs) It's freezing.
(sighs) Do you need a hand?
The flag.
(song continues)
(sniffles)
(sighs)
Come here.
(song continues)
(Caitlin sighs)
-(sighs) -(Britney grunts)
Do you want?
-Mm... -(car driving by)
What are you doing?
Come on. Do it for me.
Don't act like you didn't know.
(song continues)
♪ ♪
Do you like it?
I don't know.
I mean...
I like you...
as a friend.
(song continues)
(sighs) It's you.
It's always been you.
I love you.
(sighs)
I'll see you, Cate.
Bye, Brit.
-(alarm ringing) -Danny: I don't know when Brit left, alright?
Just ask Caitlin. I've been packing all day.
Richard: She's probably asleep. She's gone through a lot.
Danny: Yeah, of course, she's the only one who's gone through a lot.
Jennifer: Danny! Help your father pack the television!
-It's a man's job! -(beeping)
(alarm stops)
-Richard: I need you to lift up the side. -(sighs)
-(footsteps outside) -(sighs)
(phone buzzing)
(base chatter)
(birds cawing)
(chatter continues)
(creaking)
(dog barking)
Fraser: Hey!
♪ BUM, BUM, BAH-UM ♪
♪ I'VE NOTHING MUCH TO OFFER ♪
(brakes squealing)
♪ THERE'S NOTHING MUCH TO TAKE ♪
♪ I'M AN ABSOLUTE BEGINNER ♪
♪ BUT I'M ABSOLUTELY SANE ♪
(inaudible)
♪ AS LONG AS WE'RE TOGETHER ♪
(brakes squeal)
♪ THE REST CAN GO TO HELL ♪
♪ I ABSOLUTELY LOVE YOU ♪
♪ BUT WE'RE ABSOLUTE BEGINNERS ♪
Where's the train? There's no train.
-It's-- it's coming in 10 minutes. -Did you check?
We have to go to Rovigo and then change for Bologna.
-How many euros do you have? -Fuck.
-Uh, a few dollars and... -(PA announcement in Italian)
-Hold on. -Let me see.
♪ IF OUR LOVE SONG ♪
We have about 10 euros together.
-10? -Yeah, 10.
♪ COULD LAUGH AT THE OCEAN ♪
♪ JUST LIKE THE FILMS ♪
-Uh, let's see. Ticket. -(beeping)
We can only get as far as Rovigo.
-Fraser: And then what? -Caitlin: And then we'll see.
By this time tomorrow, I'm gonna be so far away from here.
-(bell ringing) -♪ IT'S ABSOLUTELY TRUE ♪
♪ BUM, BUM, BAH-UH ♪
♪ NOTHING MUCH COULD HAPPEN ♪
(whistle blows)
(brakes squeaking)
♪ NOTHING WE CAN'T SHAKE ♪
♪ OH, WE'RE ABSOLUTE BEGINNERS ♪
(rumbling)
(Italian PA announcement)
(laughing)
Oh...
(giggles)
PA Announcement: WELCOME ON BOARD TO TRAIN 2239.
THE TRAIN WILL STOP IN FERRARA, SAN PIETRO IN CASALE...
-Should we rehearse the songs again? -(clears throat)
Thank you.
("Time Will Tell" by Blood Orange playing on headphones)
Both (singing): ♪ Time will tell if you can ♪
♪ Figure this and work it out ♪
♪ No one's waiting for you anyway ♪
♪ So don't be stressed now ♪
♪ Even if it's something that ♪
♪ You've kept your eye on ♪
♪ It is what it is ♪
♪ Time will tell if you can ♪
♪ Figure this and work it out ♪
♪ No one's waiting for you anyway ♪
♪ Don't be stressed out ♪
♪ Even if it's something that ♪
♪ You kept your eye on ♪
♪ It is what it is ♪
- ♪ AND IT KEEPS ON RUNNING BACK ♪ - ♪ FINISHING 8 OR 9 ♪
-(humming) - ♪ TELL ME IT'S THE PERFECT TIME ♪
♪ MM-MMM ♪
♪ AND IT KEEPS ON RUNNING BACK ♪
♪ TOLD YOU I'LL BE WAITING ♪
♪ HIDING FROM THE RAINFALL ♪
♪ YEAH, YEAH ♪
-♪ AND IT KEEPS ON RUNNING BACK ♪ -♪ COME INTO MY BEDROOM ♪
♪ COME INTO MY BEDROOM ♪
-♪ AND IT KEEPS ON RUNNING BACK ♪ -♪ COME INTO MY BEDROOM ♪
♪ COME INTO MY BEDROOM ♪
♪ AND IT KEEPS ON RUNNING BACK ♪
(rumbling)
Oh Jesus...
(grunts)
(conductor speaking in Italian)
-(knocking) -(gasps)
(sighs)
(knocking)
Fraser: Open up. Open up!
-Dude, what the fuck-- -Conductor!
-What now? -Shh, shh. We have to wait here in silence.
(sighs)
Here. Help me.
-You got the glue on? -Uh-huh.
-Do you like me like this? -What do you mean?
-Um... -Like this, like a guy.
I don't know. I mean, no. I mean, I-I don't know.
Are-are you still you?
-(puts down jar) -(sighs)
-(knocking) -(conductor speaking Italian)
Fuck, fuck, fuck.
(knocking)
-(Italian PA announcement) -(knocking)
PA: WE'RE NOW ARRIVING IN SAN PIETRO IN CASALE.
(opens door)
(brakes squealing)
♪ ♪
(hissing)
Fraser: Come on, come on, come on!
-(conductor yelling in Italian) -(whistling)
Caitlin: Keep going, keep going, go!
Fraser: What's he yelling?!
Caitlin: Trust me, you don't wanna know!
Fraser: Fuck! Now we're gonna have to run all the way to Bologna!
♪ ♪
(Fraser muttering)
-Fraser: Pick it up! -(phone beeping)
-Pick it up! -(Caitlin sighs)
-Pick it up! -Caitlin: Okay.
Fraser: Who the fuck keeps calling you?
-Who is it? -(beeping)
-Daddy Lt. Col. Poythress? -(beeping stops)
(Caitlin sighs)
Caitlin: Does your mom know?
Like, didn't she give you the money
to buy the tickets?
(sighs)
(groans) Yes, she did, but she doesn't know.
I use her credit card and she pretends she doesn't know.
I don't know. I think she does that... (sighs)
for some form of...
reparation.
For what?
(dog barks)
(sighs)
For everything that she takes away from me.
Every time that I-- there's someone
that I meet that I like, she does that.
You know, I've never-- I've never met my father. I don't know my father.
I've only met my grandfather three times in my entire life.
(sniffles)
Yeah, that's okay though.
(sniffles) Maybe if I...
you know, got more time to spend with him,
I'd realize how...
she's so much like him.
And you don't hate her?
I hate her so much.
I hate her with every cell
of my being of my body. I hate her.
Did she do that with your New York friend?
What's his name?
(car driving by)
Mark.
You two were dating, right?
(sighs)
(sniffles)
No.
Mark, uh...
He... (sighs)
Mark's not... He's not real.
Doesn't exist.
That is, I-I imagine myself talking to him.
Like, I'd see him every single day at school,
and I'd try to convince myself to go up to him
and introduce myself.
And then when I did, he'd be thrilled and...
you know.
But I never had the nerve.
Never had the nerve.
Then one time, uh, I heard him talking
to one of his friends about how
he saw me staring at him,
and that I was probably, like, a lunatic or something.
I used to have a friend like...
somebody like... (sighs)
Never mind. Never mind.
Okay.
Okay?
I mean...
It's crazy, but...
okay. Mark doesn't exist,
Harper doesn't exist.
The two of us, we don't exist.
I mean, it's okay. I-- Craig doesn't exist.
And... it's okay.
Maybe nothing exists. Like,
Sam. Or the base.
Or our parents. And that's okay!
(dog barking)
We don't exist! Do you hear that?!
-Nope! Can't hear that 'cause we don't exist! -(dogs barking)
-Fraser: So fuck off! -Yeah, fuck off!
(laughing) We don't exist!
We don't exist! We don't exist!
-(Fraser babbling) -Caitlin: Wait! Ah!
The concert! Come on!
♪ ♪
(car honking)
-Hey! Hey! -Hey! Hey!
-Fraser: Hey, fucker! Fuck you! -(Caitlin yelling, indistinct)
Fraser: I'm telling you, this would've worked if your hair was longer.
-Caitlin: Shut up! -Jesus, is there anybody in this no man's land?
Caitlin: There should be! God!
Fraser: Oh, gas station!
Gas station!
Caitlin: Yes!
Fraser: Yeah!
Hey, do people take this road to get to the Locomotiv Club?
Caitlin: Don't know. The sign says Bologna.
Come on.
♪ ♪
(Caitlin speaking Italian)
-(Anna speaking in Italian) -(Caitlin speaking)
♪ ♪
(rock song playing over radio)
We're gonna get there.
-(Caitlin speaking Italian) -Is this Raf Simons?
-Uh, yes. -(Angelo speaking Italian)
Where did you buy it?
Fraser: I got it from Grailed,
but when I lived in New York, I didn't have to go online.
Luca: Oh my God, you used to live in New York?
I would fucking kill to live in New York.
Instead, I live in the Giardino section of Ferrara.
(laughing)
So have you seen this?
(Italian chatter on video)
It's the Comme des Garçon's autumn-winter collection.
-It's brilliant. Brilliant. -Luca: Brilliant!
When I ask my girlfriend to take a look at Junya Watanabe's stuff,
she always says it's ridiculous
-and it's too much money for a jacket. -Yeah, it's not about that.
The price has nothing to do with it.
-The irregularity is the essence of it. -Caitlin: Irregularity?
-You know? -Agreed.
Still trying to teach him that.
(Anna chatting in Italian)
You listen to "Hadron Collider"?
No. I missed his first single,
-but right now, I'm obsessed with "Hands Up." -(gasp)
Oh my God, me fucking, too! I love "Hands Up"!
-Especially the falsetto! -Yeah! The falsetto.
Both (singing): ♪ Hands up, get up ♪
-Yeah. ♪ Hands up, get up ♪ -♪ Hands up, get up ♪
♪ Hands up, get up! ♪
♪ Hands up, get up ♪
-(singing continues) -(Italian chatter continues)
Uh, we like "Time Will Tell."
Luca: Yeah, but I listened to that song too much.
(pop song on radio playing)
(Italian chatter continues)
Here's your ticket, by the way.
-(Angelo speaking) -(Fraser babbling)
Fraser: ...I was skitching on the back of cars in Italy,
and you can actually like go to prison. That's nuts to me.
Come on! Harper, come on!
-(muffled music) -(crowd chatter)
Caitlin: Fraser!
-Fraser! Hold up! -(crowd chattering)
(pop music playing)
-(club chatter) -(music continues)
(chattering, music continue)
Fraser: Sorry, sorry.
-(laughs) -It's so hard!
(chattering, music continue)
(opens bottle)
(laughing)
-Fuck! -(music stops)
(crowd cheering, applauding)
-(cheering) -Fuck!
(cheering continues)
Caitlin: Fraser!
("Better Than Me" by Blood Orange playing)
(cheering)
-(cheering) -Fraser!
Fraser!
♪ ♪
♪ 99%, I know you're not fine ♪
(cheering)
♪ Now everyone could be mistakenly kind ♪
(cheering)
All (singing): ♪ Niggas in the back try and act blind... ♪
♪ Several ways to think about your eyesight ♪
♪ Say what you will, what you want ♪
♪ Know it's not the time that you can ♪
♪ Receive a gift of change with a kiss ♪
♪ When nights alone and nights you're bored ♪
♪ And can't resist or miss the chance of being ♪
♪ Who they think, they think you are ♪
♪ How long before your journey will end in sweet stone? ♪
♪ Walls inside of me that then tell me to breathe ♪
♪ That shake your hand and thank the man ♪
♪ For just letting it be ♪
♪ Know my worth and fake the blame ♪
♪ But I know she's better than me ♪
♪ Wait your turn and change your ways ♪
-♪ But I know he's better than me ♪ -(Fraser speaking)
(screaming)
♪ Why choose love when hate comes first? ♪
♪ And I know they're better than me ♪
♪ Wait your turn and change your ways ♪
♪ And I know he's better than me ♪
(crowd cheering)
♪ 99%, I know you're not fine ♪
♪ Now everyone can be mistakenly kind ♪
(cheering)
♪ Say what you will, what you want ♪
♪ Know it's not the time that you can ♪
Caitlin: Hey. Hey!
(both speaking Italian)
-(cheering) -Bartender: Okay.
(cheering)
♪ How long before your journey will end in sweet stone? ♪
♪ Walls inside of me that then tell me to breathe ♪
♪ That shake your hand and thank the man ♪
♪ For just letting it be ♪
♪ Know my worth and fake the blame ♪
♪ But I know she's better than me ♪
♪ I know she's better than me ♪
♪ Wait your turn and change your ways ♪
♪ Why choose love when hate comes first? ♪
♪ And I know they're better than me ♪
♪ Wait your turn and change your ways ♪
♪ And I know he's better than me ♪
♪ Know he's better ♪
♪ And I know, and I know ♪
♪ And I know he's better than me ♪
♪ Change your ways ♪
♪ And I know she's better than me ♪
♪ Better than me ♪
♪ And I know they're better than me ♪
-♪ And I know he's better than me ♪ -GRAZIE.
-(song ends) -(cheering, applause)
(cheering continues)
("With Him" by Blood Orange playing)
♪ You chose to fade away ♪
♪ With him ♪
(cheering)
♪ I chose to try and let you ♪
♪ In ♪
(Luca speaking Italian)
(speaking in English)
♪ Fade away with him ♪
♪ I chose to try ♪
♪ And let you in ♪
(applause)
(cheering)
-(song ends) -(applause)
GRAZIE, GRAZIE.
Thank you so much.
Alright, this is gonna be the last song of the night.
(crowd clapping rhythmically)
("But You" by Blood Orange playing)
(crowd chattering )
♪ Can you feel ♪
♪ The way they think about me ♪
♪ Through the years ♪
♪ Told me I should just ♪
♪ Be myself ♪
(both speaking Italian)
(singing continues)
♪ If It's true ♪
♪ Why am I so faithful ♪
♪ To the girl ♪
♪ Tryna walk home slowly by herself ♪
(cheering)
♪ Not to scare her off ♪
(scoffs)
♪ If you don't know what that means ♪
-(woman speaking in Italian) -SI.
♪ Teach yourself about your brother ♪
♪ 'Cause there's no one else but you ♪
♪ You are special in your own way ♪
♪ Can't you see ♪
♪ The nigga in my face ♪
♪ Through the years ♪
♪ Standing in the place ♪
♪ Of a hand ♪
(crowd cheering, clapping)
♪ It's just another thought ♪
♪ Oh... ♪
♪ If you don't know what that means ♪
♪ Don't tell me that it's true ♪
♪ Tell me that it's true ♪
♪ Teach yourself about your brother ♪
♪ 'Cause there's no one else but you ♪
♪ You are special in your own way ♪
♪ Could it be, can it, can you breathe ♪
♪ Without air? ♪
♪ All you've ever wanted to know ♪
♪ Life is just a dream if you can see ♪
♪ Without him ♪
♪ Tired of never wanting to show ♪
♪ And if you don't know what that means ♪
♪ Don't tell me that it's true ♪
♪ Teach yourself about your brother ♪
♪ 'Cause there's no one else but you ♪
♪ You are special in your own way ♪
(funky guitar solo)
(crowd cheering)
-(song ends) -(cheering)
Thank you so much. GRAZIE.
From Blood Orange,
see you soon.
(cheering)
(crowd chanting in Italian)
(chanting, clapping continue)
(cheering, applauding)
(crowd chanting)
(inaudible)
(chanting continues)
(cheering)
Bartender: For you.
Oh my God.
-Are you serious? -Come on. Come with me.
(crowd chanting, clapping)
(cheering)
(crowd singing in Italian)
(crowd singing continues)
-Mikey Freedom: Did you book a table? -Eva Tolkin: I told them.
-I'm sure they called. -Mikey: I'm not eating at the hotel again tonight.
We're in Bologna and I wanna have fettuccine Bolognese,
which I'm gonna wash down with a whole bottle of red wine.
I read they make the fettuccine fresh from scratch.
Can you imagine? Just the thought of it's making my mouth water.
-Bartender: Great job out there, guys. -(laughter, chatter)
It was awesome. A friend of mine.
Eva: You always think about food, you know that.
-Hi. I'm Harper. -Mikey: That's not true!
-Eva: No? What else do you think about? -Hey. Dev.
Bartender: Harper is crazy about you.
Can he take a selfie with you?
-Jamire Williams: That very thick memoir. -Of course.
Jamire: They made a film of it. Anyway,
he wrote that if someone doesn't devote at least five hours...
-How you doing? -Good.
Jamire: ...then their life is completely worthless.
-(shutter snaps) -Eva: Five hours? That's a lot.
-(snap) -(chuckles)
-Dev: Cool. -Thank you so much.
-Jamire: Can't remember... -Dev: Hey, um,
what's your favorite song?
Uh, "Time Will Tell."
(chuckles) Wow. Thanks.
Thank you.
Alright. Yeah?
(cheering continues)
(chanting continues)
(typing)
(cheering gets louder)
(cheering)
("Time Will Tell" playing)
♪ ♪
(rhythmic clapping)
♪ Ooh babe ♪
(Fraser laughs)
♪ Ooh, ooh ♪
All (singing): ♪ Time will tell if you can ♪
♪ Figure this and work it out ♪
♪ No one's waiting for you ♪
♪ Anyway, don't be stressed now ♪
♪ Even if it's something ♪
♪ That you've had your eye on ♪
♪ It is what it is ♪
♪ Time will tell if you can figure this, work it out ♪
♪ No one's waiting for you anyway ♪
♪ Don't be stressed now ♪
♪ Even if it's something that ♪
♪ You've had your eye on ♪
♪ It is what it is ♪
♪ And it keeps on running back ♪
♪ Finishing 8 or 9 ♪
♪ Tell me it's the perfect time ♪
(crowd cheering)
♪ Told you I'll be waiting ♪
♪ Hiding from the rainfall ♪
♪ Ooh, ooh ♪
-♪ And it keeps on running back ♪ -♪ Come into my bedroom ♪
♪ Come into my bedroom ♪
(muffled singing)
(speaking Italian)
(muffled music continues)
(laughs softly)
♪ And it keeps on running back ♪
♪ Time will tell if you can figure this and work it out ♪
♪ No one's waiting for you anyway, don't be stressed now ♪
♪ Even if it's something that you've had your eye on ♪
♪ It is what it is ♪
-♪ And it keeps on running back ♪ -(kiss)
(singing continues)
♪ It is what it is ♪
♪ And it keeps on running back ♪
(kissing)
(singing continues)
♪ It keeps on running back ♪
♪ And it keeps on running back ♪
♪ Finishing 8 or 9 ♪
♪ Tell me it's the perfect time ♪
(clapping)
♪ Ooh, ooh ♪
♪ And it keeps on running back ♪
♪ Told you I'll be waiting ♪
♪ Hiding from the rainfall ♪
♪ Ooh, ooh ♪
-♪ And it keeps on running back ♪ -♪ Come into my bedroom ♪
♪ Come into my bedroom ♪
-(clapping) -♪ And it keeps on running back ♪
♪ Come into my bedroom ♪
♪ And it keeps on running back ♪
♪ Come into my bedroom ♪
♪ And it keeps on running back ♪
♪ It's a lot to say ♪
♪ You're getting older every day ♪
♪ You wanna love someone ♪
♪ Ooh... ♪
-♪ And it keeps on... ♪ -♪ You break down and you pray ♪
♪ Hoping something comes your way ♪
♪ You wanna love someone ♪
(running water)
-♪ And it keeps on running back ♪ -♪ Come into my bedroom ♪
♪ Come into my bedroom ♪
♪ And it keeps on running back ♪
(crowd cheering)
♪ And it keeps on running back ♪
(angry grunt)
-(muffled music) -(crowd clapping)
(phone buzzing)
(scoffs)
(sighs)
(club chatter)
(sighs)
(passing siren)
(speaking Italian)
(motorcycle rumbling)
("Child Song" by Kip Hanrahan playing)
(phone buzzing)
♪ SHE SHAKES HER HEAD ♪
♪ AND SAYS ♪
♪ THAT HER LAST WORD IS SPOKEN ♪
♪ TUMBLING DOWN ♪
♪ THE EYES OF A CLOWN ♪
♪ IT'S DARK INTO DAY ♪
♪ NOT FAR AWAY ♪
♪ HEAR IT NOW ♪
(phone buzzing)
♪ HE RUNS AWAY AND PLAYS ♪
♪ HIS LAUGHTER'S JUST AWOKEN ♪
♪ TUMBLING DOWN ♪
(train rumbling)
♪ YOU HEAR A NEW SOUND ♪
(train horn blares)
♪ AND TRUTH SINGS TODAY ♪
♪ NOT FAR AWAY ♪
♪ HEAR IT NOW ♪
♪ WHEN SUMMER LEAVES ♪
(phone buzzing)
♪ THE TANGLES THAT IT WEAVES ♪
♪ ARE FLOATING IN THE WIND ♪
♪ HARD TO BEGIN ♪
(train horn blares)
♪ TO GET BACK IN ♪
♪ YOU STAY BUT IT'S NEVER IN ♪
♪ ONLY ONE PIECE ♪
♪ YOU'VE GOT TO FIND RELEASE ♪
(crowd chattering)
(phone clicks)
(laughing)
(keys rattling)
-(opens bottle) -(Fraser babbles)
Luca: Cities are only beautiful at night.
I mean, that's when I like to take walks.
Nobody ever believes me.
(laughs) Why?
Because they're scared. Look, look!
Stop, stop. You ready?
-Yes! -(water lapping)
Luca: They call it Little Venice.
The city's got seven secrets, like the seven deadly sins.
(water lapping)
(giggles)
(sighs)
(kiss)
-We could do better. -Yeah, okay.
You ever kissed a boy before?
-No. -You like it?
No, not really, but I always like the tongue.
(laughing)
(Caitlin panting)
(train hissing)
(sighs)
(rattling, hissing)
(creaking)
(clang)
(sighs)
(sniffles)
(panting)
(laughing)
(Fraser gasps)
(laughing)
(grunting)
-Fraser: It's like 1,000 steps! -Luca: Don't waste your breath!
Fraser: You can hardly breathe yourself!
(panting)
Believe it or not,
there are 666 arches,
and 666 is the number of the Beast.
And-and when you get up there,
it's practically the most fucking beautiful
-place on Earth. -(church bell ringing)
Would you like to see the most beautiful place on Earth?
♪ ♪
Fraser: I have to go.
(panting)
GPS: YOU WILL REACH YOUR DESTINATION IN 45 MINUTES.
(heroic music playing)
♪
(panting)
Ah! Ah!
(panting)
♪ ♪
Chioggia. Rovigo.
Rovigo. Rovigo, come on.
Where... Where...
(panting)
Uh! Uh! SCUSI. Uh...
Excuse me. Um... W-where is the train for...
-R-Rovigo. Rovigo. -Rovigo?
(speaking in Italian)
♪ ♪
(hissing)
(bell ringing)
(banging)
(hissing)
(inaudible)
(whistle blowing)
♪ ♪
(footsteps)
(panting)
This way!
(indistinct)
Okay.
♪ ♪
(panting)
(birds chirping)
(panting)
(bird wings flapping)
(panting)
(sighs)
(motorcycle passing)
(sighs)
(heavy breathing)
(kissing)
(laughing)
(giggling)
(footsteps running)
(bird wings flapping)
("The Love We Make" by Prince playing)
♪ DESPERATE IS THE DAY THAT IS TOMORROW ♪
♪ FOR THOSE WHO DO NOT KNOW THE TIME HAS COME ♪
♪ TO WHIP THE DOGS THAT BEG ♪
♪ STEAL OR BORROW ♪
♪ FROM THE TABLE GOD SET FOR HIS SON ♪
♪ WICKED IS THE WITCH ♪
♪ THAT STANDS FOR NOTHING ♪
♪ MM...♪
♪ ALL THE WHILE WATCHING TO SEE YOU FALL ♪
♪ DEEPER THAN THE DITCH THAT BRED YOUR SUFFERING ♪
♪ THE ONE BEING DUG RIGHT NOW ♪
♪ BY THEM ALL ♪
♪ ♪
♪ HAPPY IS THE WAY ♪
♪ TO MEET YOUR BURDENS ♪
♪ NO MATTER HOW HEAVY ♪
♪ OR DARK THE DAY ♪
♪ PITY ON THOSE ♪
♪ WITH NO HOPE FOR TOMORROW ♪
♪ IT'S NEVER AS BAD AS IT SEEMS ♪
♪ UNTIL WE SAY ♪
♪ ♪
♪ (ETHEREAL MUSIC PLAYS) ♪
It was important that to conclude
this part of the story,
we had to go off the base.
(GIGGLING)
Oh.
I think it's a lot of self-discovery...
-I was about to say that, yeah. -...for both Caitlin and Fraser.
We wanted to give Fraser and Caitlin
the possibility of real freedom.
Like, for one night, we're gonna be exactly who we want to be.
Ha-ha! We don't exist!
We don't exist, we don't exist, we don't exist!
Wait, stop.
Concert, come on!
PAOLO GIORDANO: It's almost like a dream.
It's an escape, but it's also-- It's almost like a dream.
And I think that when you tell stories about
that particular age, you have to remember
that you need to dream and leave space for dreams
and visions and just this...
urgency to escape everything sometimes.
(SPEAKING IN ITALIAN)
I think that Caitlin learns the very harsh lesson
that the identity is constantly shifting.
I think she understands in that moment,
with great sorrow, that she probably
doesn't want to be what she thought she wanted to be.
But in this sense of defeat that she feels,
she also finds something revelatory,
something painfully beautiful.
And that's what is the trigger of her confusion, rage,
sadness in the bathroom.
In practice, she's understanding
the real need of utopia for the self.
To be recognized in the gaze of the other.
Both Caitlin and Fraser, and their friends,
they belong to a generation who...
often just sails through
this possible definitions and doesn't really stop
their thinking what the right definition is.
(SPEAKING IN ITALIAN)
And finally, Fraser surrenders to Italy.
Only to find that something that elevates him
in the thing that-- in the person that has been
most close to him for so long is Caitlin.
She's been going through so much throughout the entire season,
and finally coming-- it's all finally coming to a head,
where's she's finally, like, realizing, like,
who she wants to be, and what she wants to be,
and where she stands with Fraser.
They belong in their own worlds.
And Fraser has found the perfect person who belongs
in his world as well, and that's Caitlin.
And she is in her own world, like, lost in life,
and Fraser comes and they're each other's savior, I think.
JORDAN KRISTINE SEAMÓN: It's really pretty to see how they go
from such a wholesome, wholesome friendship
to a caring, loving relationship and a big kiss.
So, I hope the audiences feel love.
I hope they feel confusion. I hope they feel restlessness.
And eventually, I hope they understand
all of the people that we describe.
And I hope so that, as I said before,
we leave We Are Who We Are season one with the desire
of loving and being loved.
♪ (MUSIC CONCLUDES) ♪