1
00:00:06,250 --> 00:00:08,500
[tense music playing]

2
00:00:12,208 --> 00:00:15,166
[distant shouting]

3
00:00:15,250 --> 00:00:17,250
[dramatic music playing]

4
00:00:18,500 --> 00:00:20,500
[distant shouting continues]

5
00:00:44,208 --> 00:00:47,208
[Úrsula] Now no one will convince them
that this wasn't a miracle.

6
00:00:47,791 --> 00:00:48,875
[sighs]

7
00:00:56,291 --> 00:00:57,750
[Aureliano exhales sharply]

8
00:01:06,000 --> 00:01:07,208
He's awake.

9
00:01:34,541 --> 00:01:36,541
[ominous music playing]

10
00:01:39,083 --> 00:01:41,166
This is my masterpiece.

11
00:01:41,875 --> 00:01:44,541
This was the only place
where the bullet could get through

12
00:01:44,625 --> 00:01:46,833
without hitting any vital organs.

13
00:01:47,416 --> 00:01:48,791
[Aureliano] What are you saying?

14
00:01:52,166 --> 00:01:54,500
If I still had some authority,

15
00:01:55,125 --> 00:01:57,583
I'd have you executed without trial.

16
00:01:58,583 --> 00:02:02,041
Not for saving my life,
but for making me look like a fool,

17
00:02:02,125 --> 00:02:03,125
you son of a bitch.

18
00:02:03,208 --> 00:02:06,125
-What are you doing, Aureliano? Enough!
-[doctor] I don't regret what I did.

19
00:02:06,208 --> 00:02:08,208
[Úrsula] Let go. Have you lost your mind?

20
00:02:08,291 --> 00:02:10,791
[doctor] Don't worry. It's all right.

21
00:02:11,458 --> 00:02:13,791
He'll be okay. Excuse me.

22
00:02:14,375 --> 00:02:15,416
[Aureliano groans]

23
00:02:16,125 --> 00:02:18,125
[dramatic ethereal music playing]

24
00:02:28,916 --> 00:02:34,750
ONE HUNDRED YEARS OF SOLITUDE

25
00:02:34,833 --> 00:02:36,833
[lively music playing]

26
00:02:37,416 --> 00:02:38,708
[fireworks explode]

27
00:02:46,083 --> 00:02:49,083
Ladies and gentlemen, quiet down.

28
00:02:49,166 --> 00:02:51,291
All right. Now let's see what you've got.

29
00:02:51,791 --> 00:02:53,875
It's time to select the winner
of the raffle.

30
00:02:53,958 --> 00:02:57,416
-[man] Maybe I'll win that accordion.
-And the winner of the accordion is…

31
00:02:57,500 --> 00:02:58,500
[whistling, cheering]

32
00:02:58,583 --> 00:03:00,750
[man 2] Yeah, right. This is rigged!

33
00:03:00,833 --> 00:03:03,875
Come on. Show us the paper!
Show us the paper!

34
00:03:03,958 --> 00:03:06,666
-José Arcadio Buendía!
-[man 2] Let's see it, let's see it!

35
00:03:06,750 --> 00:03:08,833
[man 3] All right, all right, bravo!

36
00:03:08,916 --> 00:03:10,541
José Arcadio!

37
00:03:11,708 --> 00:03:14,458
Hey, José Arcadio! I said you won!

38
00:03:14,541 --> 00:03:15,833
Hey!

39
00:03:15,916 --> 00:03:17,708
[narrator] After two whole weeks,

40
00:03:17,791 --> 00:03:20,750
Aureliano Segundo still hadn't told Petra

41
00:03:20,833 --> 00:03:24,541
that she had been sleeping
with both him and his brother,

42
00:03:24,625 --> 00:03:26,250
believing them to be the same man.

43
00:03:26,333 --> 00:03:27,750
Do you like it?

44
00:03:27,833 --> 00:03:29,125
Not more than I like you.

45
00:03:29,625 --> 00:03:31,833
[narrator] And instead of
setting things straight,

46
00:03:32,333 --> 00:03:34,916
he only prolonged the situation.

47
00:03:35,000 --> 00:03:37,000
[lively music continues]

48
00:03:41,541 --> 00:03:43,125
[pensive music playing]

49
00:03:43,208 --> 00:03:45,208
[insects chittering]

50
00:03:50,708 --> 00:03:53,916
[narrator] Meanwhile,
José Arcadio Segundo,

51
00:03:54,000 --> 00:03:57,041
who had not shown any sign of imagination,

52
00:03:58,125 --> 00:04:01,791
was taken over
by the spirit of his great-grandfather.

53
00:04:05,250 --> 00:04:06,625
José Arcadio.

54
00:04:06,708 --> 00:04:07,791
I'm busy.

55
00:04:07,875 --> 00:04:09,333
Have you seen your brother?

56
00:04:10,250 --> 00:04:12,750
He might be asleep still. I don't know.

57
00:04:12,833 --> 00:04:14,291
No, he's not here.

58
00:04:15,791 --> 00:04:17,916
[sighs] You haven't eaten anything.

59
00:04:18,000 --> 00:04:20,375
These flies are having a feast.

60
00:04:21,750 --> 00:04:23,375
Is Great-Grandma in the kitchen?

61
00:04:24,041 --> 00:04:25,000
Yes.

62
00:04:25,708 --> 00:04:26,625
Why?

63
00:04:30,833 --> 00:04:32,125
[music fades]

64
00:04:32,208 --> 00:04:34,208
[flies buzzing]

65
00:04:35,791 --> 00:04:38,208
Mama Úrsula, can I talk to you?

66
00:04:40,250 --> 00:04:42,375
What are you up to this time, son?

67
00:04:43,875 --> 00:04:45,708
Do you really have some money saved up?

68
00:04:47,625 --> 00:04:49,125
Who told you that?

69
00:04:50,250 --> 00:04:51,666
Look, I have an idea.

70
00:04:52,166 --> 00:04:54,000
You better forget about that idea.

71
00:04:54,875 --> 00:04:58,458
-But I haven't even told you what it is.
-There's no need, José Arcadio.

72
00:04:59,041 --> 00:05:01,250
I already know this story by heart.

73
00:05:01,916 --> 00:05:04,291
I recognize that look in your eyes,

74
00:05:04,375 --> 00:05:06,208
and that's enough for me to say no.

75
00:05:08,250 --> 00:05:10,208
[sighs] Mama Úrsula, listen to me.

76
00:05:11,125 --> 00:05:13,541
I've been reading
Great-Grandpa's notes for days,

77
00:05:14,541 --> 00:05:16,500
studying his drawings and inventions.

78
00:05:18,708 --> 00:05:20,041
He was a genius.

79
00:05:21,708 --> 00:05:24,416
Yes, but he was also obsessive

80
00:05:24,500 --> 00:05:27,083
and couldn't tell where reality ended

81
00:05:27,166 --> 00:05:29,125
and where his madness began.

82
00:05:31,333 --> 00:05:32,750
But have you seen this?

83
00:05:33,916 --> 00:05:35,458
[pensive music playing]

84
00:05:35,541 --> 00:05:37,500
Listen to me, José Arcadio.

85
00:05:38,625 --> 00:05:39,708
[Úrsula sighs]

86
00:05:40,375 --> 00:05:43,041
The last thing I want
is for you to share his fate.

87
00:05:44,333 --> 00:05:45,958
Leave that in the past.

88
00:05:50,000 --> 00:05:51,250
[music fades]

89
00:05:53,375 --> 00:05:55,375
[distant chattering]

90
00:05:56,958 --> 00:05:58,916
[rooster crows]

91
00:05:59,000 --> 00:06:01,000
[insects chittering]

92
00:06:03,666 --> 00:06:05,041
What's the matter with you?

93
00:06:06,333 --> 00:06:09,458
-Mom's worried sick about you.
-Okay, but that's not what I asked you.

94
00:06:11,875 --> 00:06:13,541
You look like you could use a drink.

95
00:06:15,583 --> 00:06:16,791
Come on, let's talk.

96
00:06:16,875 --> 00:06:18,875
[accordion music playing]

97
00:06:21,166 --> 00:06:23,583
Do you know Great-Grandpa
wanted to connect Macondo to the sea?

98
00:06:23,666 --> 00:06:25,916
Ah! Told you those books
were worth checking out.

99
00:06:30,791 --> 00:06:31,916
How about a game?

100
00:06:32,791 --> 00:06:35,416
-Are you even listening?
-Yeah, yeah, but let's have a drink.

101
00:06:37,500 --> 00:06:39,500
My friend, two rums, please.

102
00:06:40,083 --> 00:06:41,208
[men chattering]

103
00:06:44,375 --> 00:06:46,666
Why isn't the river fit for navigation?

104
00:06:46,750 --> 00:06:49,291
-[Aureliano II] Who knows?
-[José Arcadio II] River is right there.

105
00:06:49,375 --> 00:06:52,500
I don't understand why
nobody would follow Great-Grandpa's ideas.

106
00:06:55,000 --> 00:06:56,500
Let's go to Catarino's.

107
00:06:56,583 --> 00:06:57,875
Are you all right?

108
00:07:01,666 --> 00:07:03,375
[José Arcadio II]
Imagine what could reach Macondo.

109
00:07:05,250 --> 00:07:06,750
You aren't even listening, are you?

110
00:07:07,250 --> 00:07:08,375
Yeah, José Arcadio, I am.

111
00:07:08,458 --> 00:07:11,250
Imagine if we could get to the capital
but do it way faster.

112
00:07:12,208 --> 00:07:14,083
I'm talking about actual progress.

113
00:07:17,333 --> 00:07:21,041
If we had a port, we'd have boats,
canoes, ships would dock…

114
00:07:21,125 --> 00:07:23,083
If we had those,
we'd have the whole world.

115
00:07:23,666 --> 00:07:27,166
-[Aureliano II] The world?
-Tourists, businessmen, ideas.

116
00:07:27,666 --> 00:07:29,958
Weren't you the one saying
nothing ever happens around here?

117
00:07:31,791 --> 00:07:32,916
[music fades]

118
00:07:33,000 --> 00:07:35,625
Listen, you can count on me for anything.

119
00:07:35,708 --> 00:07:37,125
And don't worry about Great-Grandma

120
00:07:37,208 --> 00:07:40,958
because, even if we have to lay
every stone ourselves, then we will.

121
00:07:45,208 --> 00:07:47,208
[tense ethereal music playing]

122
00:08:05,166 --> 00:08:06,791
[groans]

123
00:08:10,083 --> 00:08:12,791
[groaning]

124
00:08:14,625 --> 00:08:16,958
[breathes deeply]

125
00:08:19,791 --> 00:08:21,916
[crowd clamoring]

126
00:08:22,000 --> 00:08:24,208
[man] Long live Colonel Buendía!

127
00:08:24,291 --> 00:08:26,500
[crowd] Long live the colonel!

128
00:08:28,916 --> 00:08:30,208
[Úrsula] All right, boys.

129
00:08:30,291 --> 00:08:33,500
Let's put some sweat into it
because we haven't earned our keep yet.

130
00:08:34,208 --> 00:08:35,708
-[Aureliano grunts]
-[man] Here, right?

131
00:08:35,791 --> 00:08:37,916
[Úrsula] Lazy people aren't welcome
in this house.

132
00:08:38,000 --> 00:08:40,583
-Take that over there. Put it in the back.
-[man] Bring me that.

133
00:08:40,666 --> 00:08:42,708
-Yes, ma'am.
-And you, pick up all those dead leaves.

134
00:08:42,791 --> 00:08:44,875
Look! This whole area is a complete mess.

135
00:08:44,958 --> 00:08:48,083
Ah, that's perfect.
That can go behind the tree.

136
00:08:48,166 --> 00:08:49,375
[Aureliano grunts]

137
00:08:49,958 --> 00:08:51,416
Stop right there, Mr. Buendía.

138
00:08:51,916 --> 00:08:53,750
Who are you,
and what are you doing in my house?

139
00:08:53,833 --> 00:08:55,125
Allow me to explain, sir.

140
00:08:55,208 --> 00:08:57,708
The president sent our troop here
to protect you,

141
00:08:57,791 --> 00:08:59,000
and it's best to be discreet.

142
00:08:59,083 --> 00:09:01,666
-What are you talking about?
-It's not safe for you to leave.

143
00:09:01,750 --> 00:09:03,541
[Úrsula] These all need to be watered.

144
00:09:03,625 --> 00:09:05,625
[indistinct chattering in distance]

145
00:09:08,250 --> 00:09:09,708
You're not well enough yet.

146
00:09:09,791 --> 00:09:11,791
Go and lay down, Aureliano.

147
00:09:11,875 --> 00:09:13,541
Either you get 'em out of here, or I will.

148
00:09:14,125 --> 00:09:17,166
-What's the matter? What is it?
-I said get the hell out of here!

149
00:09:18,083 --> 00:09:20,041
What in the world has gotten into you?

150
00:09:20,125 --> 00:09:22,875
What's it to you
if I put these boys to work?

151
00:09:22,958 --> 00:09:26,375
You think I'm going to waste the only help
the government's ever sent to us?

152
00:09:27,083 --> 00:09:28,541
Are you insane?

153
00:09:29,208 --> 00:09:32,333
You are way too old
to believe in those fairy tales.

154
00:09:33,750 --> 00:09:38,208
Martínez, go fetch the clothes
I left on the clothes line.

155
00:09:41,041 --> 00:09:42,541
What are you waiting for?

156
00:09:45,708 --> 00:09:47,041
Get back to work!

157
00:09:47,125 --> 00:09:49,583
Quit gossiping!
The yard won't clean itself!

158
00:09:49,666 --> 00:09:52,416
-[man] All right, soldiers. You heard her.
-Look, I'm warning you.

159
00:09:52,500 --> 00:09:55,333
[Úrsula] Enough with this nonsense.
Pull yourself together.

160
00:09:55,416 --> 00:09:57,041
You are too old to be acting like this.

161
00:09:57,125 --> 00:09:58,375
I said I'm warning you.

162
00:09:58,458 --> 00:10:01,291
Save your breath.
Get it together, Aureliano.

163
00:10:03,041 --> 00:10:05,000
Talk to her like that again,
I swear I'll kill you.

164
00:10:05,083 --> 00:10:06,166
Shut up, José Arcadio.

165
00:10:06,250 --> 00:10:08,250
You couldn't kill a fly
if your life depended on it,

166
00:10:08,333 --> 00:10:10,000
you pathetic little bastard!

167
00:10:10,083 --> 00:10:12,208
[man] Come on.
We have to get this done quickly.

168
00:10:15,458 --> 00:10:19,041
[indistinct chanting in distance]

169
00:10:23,291 --> 00:10:24,333
Who are you?

170
00:10:24,833 --> 00:10:25,916
Martínez.

171
00:10:27,708 --> 00:10:30,250
If you get mud on those sheets,
Mama Úrsula will kill you.

172
00:10:32,375 --> 00:10:33,916
Hold it up. I'll help you clean it.

173
00:10:37,625 --> 00:10:39,166
Here, like this. Hold it.

174
00:10:39,666 --> 00:10:42,291
And dust it off like this.

175
00:10:42,916 --> 00:10:44,000
Brush it off.

176
00:10:44,875 --> 00:10:45,875
Give me a hand.

177
00:10:49,083 --> 00:10:50,791
[Aureliano] You think this is a joke?

178
00:10:54,583 --> 00:10:55,583
Get out.

179
00:10:56,291 --> 00:10:57,416
Get out!

180
00:10:57,916 --> 00:10:59,666
[man] Everyone out! Let's go!

181
00:11:00,666 --> 00:11:02,833
-Move out! Come on!
-[crowd] Viva!

182
00:11:02,916 --> 00:11:04,541
[groans] You better run.

183
00:11:05,708 --> 00:11:07,375
And take those screaming lunatics
with you!

184
00:11:07,458 --> 00:11:09,208
I want them far away from my house!

185
00:11:09,291 --> 00:11:12,333
[crowd shouting in distance]

186
00:11:12,416 --> 00:11:14,041
We're gonna break through those.

187
00:11:14,666 --> 00:11:16,000
It's not gonna be easy.

188
00:11:17,125 --> 00:11:18,208
[man] You got it.

189
00:11:19,583 --> 00:11:22,375
If a Buendía can't break those rocks,
nobody can.

190
00:11:22,458 --> 00:11:24,333
-[man] You sound like your grandpa.
-He's worse.

191
00:11:24,416 --> 00:11:27,041
[narrator] In an unexpected burst
of audacity,

192
00:11:27,541 --> 00:11:31,291
José Arcadio recruited a group of men,
gathered some tools,

193
00:11:31,375 --> 00:11:34,041
and set out on a colossal undertaking,

194
00:11:34,125 --> 00:11:38,583
determined to break stones,
dig canals, and even level waterfalls.

195
00:11:38,666 --> 00:11:39,958
-I got it, I got it.
-Pull, pull!

196
00:11:40,041 --> 00:11:41,958
-Just like that, come on.
-[man] We got it.

197
00:11:42,041 --> 00:11:43,958
[narrator] It was an impossible dream,

198
00:11:44,041 --> 00:11:47,083
comparable only to those
of his great-grandfather.

199
00:11:47,166 --> 00:11:50,166
[man 2] Come on now!
It's not gonna work. It's stuck.

200
00:11:50,750 --> 00:11:52,791
I'll get it. Here, hold this.

201
00:11:55,458 --> 00:11:57,583
[man 1] That's it. Keep pulling.
Stack it on the others.

202
00:11:57,666 --> 00:11:59,291
[man 2] All right, all right, you ready?

203
00:11:59,375 --> 00:12:01,250
[accordion music playing]

204
00:12:01,333 --> 00:12:02,375
Let's go, let's go.

205
00:12:05,041 --> 00:12:08,000
[narrator] And while his brother
worked tirelessly,

206
00:12:08,666 --> 00:12:12,500
Aureliano Segundo worked
on cultivating laziness,

207
00:12:12,583 --> 00:12:16,583
indulging in endless parties
at Petra Cotes' house.

208
00:12:17,583 --> 00:12:18,541
Petra!

209
00:12:27,833 --> 00:12:29,625
Welcome. Come in.

210
00:12:29,708 --> 00:12:31,541
Go on. Go right in.

211
00:12:31,625 --> 00:12:33,166
How are you doing?

212
00:12:33,250 --> 00:12:35,250
[accordion music continues]

213
00:12:44,916 --> 00:12:46,166
[music fades]

214
00:12:49,750 --> 00:12:53,791
[narrator] One night,
Aureliano Segundo discovered he was sick.

215
00:12:53,875 --> 00:12:56,250
[agitated breathing]

216
00:12:57,500 --> 00:13:02,041
[narrator] Two days later,
he found his brother soaked in sweat,

217
00:13:02,125 --> 00:13:04,500
tears streaming down his face.

218
00:13:04,583 --> 00:13:06,583
[agitated groaning]

219
00:13:06,666 --> 00:13:10,375
[narrator] José Arcadio told his brother
that Petra had rejected him

220
00:13:10,458 --> 00:13:12,875
for giving her a filthy disease.

221
00:13:15,875 --> 00:13:17,333
[Petra] Disgusting pig!

222
00:13:18,750 --> 00:13:20,208
Who cares, anyway?

223
00:13:20,291 --> 00:13:21,750
There's better ones than her.

224
00:13:26,458 --> 00:13:28,541
I wouldn't be so sure, José Arcadio.

225
00:13:33,041 --> 00:13:35,041
Don't take it out on Petra.
She doesn't know.

226
00:13:38,208 --> 00:13:39,958
I tricked you guys. [chuckles]

227
00:13:43,083 --> 00:13:44,375
See that accordion?

228
00:13:45,416 --> 00:13:47,583
I won it at Petra's house,
using your name.

229
00:13:47,666 --> 00:13:49,291
Oh, when you were drunk at Catarino's…

230
00:13:49,791 --> 00:13:52,500
-Where'd you think I was?
-You're such a scumbag.

231
00:13:52,583 --> 00:13:53,875
[laughs]

232
00:13:54,958 --> 00:13:56,250
No, no! Hey, don't!

233
00:13:57,416 --> 00:13:59,375
Who needs enemies with brothers like us?

234
00:13:59,875 --> 00:14:02,583
-Who's gonna knock?
-You, Aureliano.

235
00:14:06,416 --> 00:14:07,458
[Petra] Who is it?

236
00:14:08,833 --> 00:14:09,791
José Arcadio.

237
00:14:09,875 --> 00:14:11,541
[José Arcadio II] Oh fuck. Here we go.

238
00:14:11,625 --> 00:14:13,500
[Petra] I told you
I didn't wanna see you again.

239
00:14:13,583 --> 00:14:15,708
[Aurelian II] No, you didn't tell me.

240
00:14:19,750 --> 00:14:20,875
You told him.

241
00:14:24,458 --> 00:14:25,583
I'm Aureliano, Petra.

242
00:14:25,666 --> 00:14:28,041
You confused me for my brother.
I confused you for my brother.

243
00:14:28,125 --> 00:14:30,083
We were all confused,
but we don't mind sharing.

244
00:14:30,166 --> 00:14:32,541
-I mean, my brother thought he was me so…
-[Petra] Hold on.

245
00:14:33,208 --> 00:14:34,500
What's your name again?

246
00:14:35,875 --> 00:14:38,208
-Aureliano.
-Oh, really?

247
00:14:38,291 --> 00:14:40,791
Why don't you go sleep with him, then,
if you don't mind sharing?

248
00:14:40,875 --> 00:14:44,333
Or in other words, go fuck yourself,
José Arcadio, José… Whoever you are.

249
00:14:44,416 --> 00:14:46,208
Now leave me the hell alone!

250
00:14:59,208 --> 00:15:01,458
[Remedios the Beauty]
Is it true you never had a boyfriend?

251
00:15:02,083 --> 00:15:04,208
Well, it wasn't for a lack of suitors.

252
00:15:09,166 --> 00:15:10,583
So then it is true.

253
00:15:11,625 --> 00:15:12,708
You're a virgin.

254
00:15:12,791 --> 00:15:14,041
[sewing machine stops]

255
00:15:16,000 --> 00:15:18,000
[sewing machine resumes]

256
00:15:32,541 --> 00:15:34,833
[sensual percussive music playing]

257
00:15:34,916 --> 00:15:36,291
What are you doing here?

258
00:15:38,208 --> 00:15:40,333
The colonel will kill you if he finds out.

259
00:15:40,416 --> 00:15:43,250
Mrs. Buendía wants you to show me
where you keep the salt.

260
00:16:02,875 --> 00:16:04,041
This is the salt.

261
00:16:04,791 --> 00:16:06,375
Remedios, I…

262
00:16:06,875 --> 00:16:08,041
What's the matter?

263
00:16:09,833 --> 00:16:11,625
I feel like my heart might explode.

264
00:16:20,625 --> 00:16:22,625
[heart pounding rapidly]

265
00:16:25,541 --> 00:16:26,833
It sounds fine to me.

266
00:16:29,000 --> 00:16:30,833
You don't understand, Remedios.

267
00:16:32,791 --> 00:16:34,166
I'm dying for you, you see?

268
00:16:36,000 --> 00:16:37,708
Please don't leave me like this.

269
00:16:37,791 --> 00:16:39,208
[somber tense music playing]

270
00:16:40,083 --> 00:16:42,458
[grunts, groans]

271
00:16:42,541 --> 00:16:44,541
[breathing heavily]

272
00:16:46,833 --> 00:16:47,750
Remedios…

273
00:16:49,875 --> 00:16:50,791
Reme…

274
00:17:00,166 --> 00:17:02,166
[somber tense music continues]

275
00:17:06,625 --> 00:17:08,333
Smile, Remedios.

276
00:17:09,291 --> 00:17:11,875
You've officially killed
your first Conservative.

277
00:17:13,458 --> 00:17:15,208
For the love of God, Aureliano.

278
00:17:15,291 --> 00:17:17,291
That's a human being you're talking about.

279
00:17:18,583 --> 00:17:20,625
[Remedios the Beauty]
A very simple one, Mama Úrsula.

280
00:17:20,708 --> 00:17:23,291
He said he was dying for me
like I'm some awful plague.

281
00:17:23,791 --> 00:17:24,791
[Aureliano] You see?

282
00:17:26,083 --> 00:17:28,541
Don't let anybody tell you otherwise,
young lady.

283
00:17:29,083 --> 00:17:31,250
You are the brightest of the Buendías.

284
00:17:35,541 --> 00:17:37,750
[Úrsula] That girl
is gonna give me a heart attack.

285
00:17:43,625 --> 00:17:46,500
[Gerineldo] Since you probably
haven't heard anything, I have news.

286
00:17:46,583 --> 00:17:47,875
[somber ethereal music playing]

287
00:17:47,958 --> 00:17:51,000
The president's acting in violation
of the treaty you signed.

288
00:17:54,708 --> 00:17:56,041
What does it say?

289
00:17:56,125 --> 00:17:58,583
Well, among other bullshit,

290
00:17:58,666 --> 00:18:02,833
it says the president will not reward
former soldiers with war pensions,

291
00:18:02,916 --> 00:18:06,583
regardless of whether they are
Liberal or Conservative.

292
00:18:06,666 --> 00:18:08,458
So they've stabbed us in the back.

293
00:18:09,708 --> 00:18:12,375
Our soldiers will be old men
before they see a cent.

294
00:18:12,458 --> 00:18:13,708
Aureliano…

295
00:18:16,625 --> 00:18:18,666
Did you ever really trust them?

296
00:18:21,000 --> 00:18:23,166
We have to respond immediately.

297
00:18:23,791 --> 00:18:27,666
Well, that's not the only news I bring.

298
00:18:29,666 --> 00:18:34,291
Next month, the president himself
will be visiting Macondo.

299
00:18:34,375 --> 00:18:36,375
He wants to give you a medal
for your participation

300
00:18:36,458 --> 00:18:37,875
in the peace treaty.

301
00:18:37,958 --> 00:18:41,125
They're even holding a public ceremony
for you at the church.

302
00:18:47,541 --> 00:18:49,541
[melodic accordion music playing]

303
00:18:53,125 --> 00:18:54,666
[distant howl]

304
00:18:54,750 --> 00:18:56,125
[distant barking]

305
00:18:58,958 --> 00:19:00,958
[barking continues]

306
00:19:23,541 --> 00:19:25,708
[Petra] You think this little act
is gonna work on me?

307
00:19:26,958 --> 00:19:28,750
Tell me what I have to do to fix things.

308
00:19:29,291 --> 00:19:30,750
Or is it that you don't miss me?

309
00:19:31,625 --> 00:19:33,166
'Cause if you don't, then I'll leave.

310
00:19:35,791 --> 00:19:37,458
Come on, Petra, I love you.

311
00:19:38,916 --> 00:19:41,583
What you and I had was real,
and you know that.

312
00:19:46,208 --> 00:19:47,875
So who was the bad lay, then?

313
00:19:47,958 --> 00:19:49,208
You or your brother?

314
00:19:51,125 --> 00:19:52,458
[chuckles]

315
00:19:55,250 --> 00:19:56,291
Who do you think?

316
00:19:57,333 --> 00:20:00,083
[Petra moaning]

317
00:20:00,166 --> 00:20:01,916
[rooster crows in distance]

318
00:20:05,291 --> 00:20:06,708
Hey, Petra.

319
00:20:06,791 --> 00:20:08,541
-[Petra] Huh?
-Didn't you have two rabbits?

320
00:20:09,250 --> 00:20:10,458
Yeah, why?

321
00:20:11,166 --> 00:20:12,666
Has this happened before?

322
00:20:14,208 --> 00:20:16,250
No. Never.

323
00:20:17,125 --> 00:20:20,333
Do you think my roof would be
full of holes if that were the case?

324
00:20:27,166 --> 00:20:29,083
[lively percussive music playing]

325
00:20:29,166 --> 00:20:30,666
What if this works on cows?

326
00:20:39,208 --> 00:20:41,208
[both laughing]

327
00:20:49,208 --> 00:20:52,416
[indistinct shouting in distance]

328
00:20:56,833 --> 00:20:59,916
[indistinct chattering]

329
00:21:18,875 --> 00:21:21,500
[narrator] Aureliano convinced himself
that Petra's love

330
00:21:21,583 --> 00:21:24,208
had the power to rouse nature.

331
00:21:26,041 --> 00:21:27,375
[bellowing]

332
00:21:27,458 --> 00:21:29,583
[bleating]

333
00:21:29,666 --> 00:21:32,208
[clucking]

334
00:21:32,291 --> 00:21:33,666
[whinnying]

335
00:21:33,750 --> 00:21:35,750
[squealing]

336
00:21:35,833 --> 00:21:37,833
[Petra moaning]

337
00:21:50,500 --> 00:21:51,583
Hey, boss.

338
00:21:52,625 --> 00:21:53,958
Did a nice job here.

339
00:21:54,625 --> 00:21:56,416
[narrator] And without much effort,

340
00:21:56,500 --> 00:22:00,333
he amassed one of the greatest fortunes
in the whole swamp.

341
00:22:01,291 --> 00:22:02,375
[Petra chuckles]

342
00:22:04,625 --> 00:22:06,291
If we're gonna connect Macondo
to the world,

343
00:22:06,375 --> 00:22:08,916
the only way is
if we can somehow dig the river out.

344
00:22:09,416 --> 00:22:10,666
All right, so what do you need?

345
00:22:10,750 --> 00:22:15,333
Fifty men at least, dynamite,
some animals, and money

346
00:22:15,416 --> 00:22:16,833
to motivate the guys.

347
00:22:25,125 --> 00:22:27,125
[men cheering]

348
00:22:28,208 --> 00:22:29,791
[José Arcadio II] We did it, Aureliano.

349
00:22:29,875 --> 00:22:31,000
[men shouting indistinctly]

350
00:22:31,083 --> 00:22:32,916
[José Arcadio II]
We did it, brother. We did it.

351
00:22:34,375 --> 00:22:35,958
I told you, I told you.

352
00:22:37,000 --> 00:22:38,458
I told you we could do it.

353
00:22:39,083 --> 00:22:40,000
We did it, guys!

354
00:22:40,083 --> 00:22:43,000
[narrator] Aureliano Segundo
gave his brother the money he needed

355
00:22:43,083 --> 00:22:44,500
for his monumental project.

356
00:22:44,583 --> 00:22:46,375
Send me a telegram if you need more money.

357
00:22:46,458 --> 00:22:47,291
I will.

358
00:22:47,375 --> 00:22:49,791
[narrator] And José Arcadio disappeared
for a long time.

359
00:22:49,875 --> 00:22:51,875
[tense music playing]

360
00:22:58,208 --> 00:22:59,625
Aureliano Centeno.

361
00:23:00,416 --> 00:23:03,083
Sir. Aureliano Amador.

362
00:23:03,166 --> 00:23:05,333
My name's Aureliano Arcaya.

363
00:23:05,416 --> 00:23:07,041
Aureliano Triste.

364
00:23:07,125 --> 00:23:09,541
Nice to meet you. Aureliano Serrador.

365
00:23:09,625 --> 00:23:11,833
[narrator] With no plan between them,

366
00:23:11,916 --> 00:23:14,458
and without even knowing one another,

367
00:23:14,541 --> 00:23:19,208
the 17 Aurelianos had come
from the farthest corners of the coast,

368
00:23:19,291 --> 00:23:22,958
drawn by the talk of the ceremony
to honor the colonel.

369
00:23:23,833 --> 00:23:25,833
[bell ringing]

370
00:23:38,666 --> 00:23:39,541
Who are they?

371
00:23:51,416 --> 00:23:53,708
[military band music playing]

372
00:24:02,375 --> 00:24:03,750
-Mr. Buendía.
-[music stops]

373
00:24:04,791 --> 00:24:07,500
Thank you so much for joining us
and participating in this mass

374
00:24:07,583 --> 00:24:08,791
before the big celebration.

375
00:24:08,875 --> 00:24:11,208
As you know, it's Ash Wednesday, and…

376
00:24:11,291 --> 00:24:13,208
Well, it's an important day for us.

377
00:24:14,125 --> 00:24:15,791
Where is the president?

378
00:24:15,875 --> 00:24:18,625
The president sends
his most heartfelt apologies.

379
00:24:18,708 --> 00:24:22,958
He had to attend to an urgent matter,
but he sent us here on his behalf.

380
00:24:23,666 --> 00:24:25,666
[bell rings]

381
00:24:27,208 --> 00:24:29,208
[tense ethereal music playing]

382
00:24:34,666 --> 00:24:37,458
[Antonio Isabel]
Remember, Aureliano, for you are dust,

383
00:24:38,041 --> 00:24:40,375
and to dust you shall return.

384
00:24:43,291 --> 00:24:45,916
[narrator] More out of amusement
than piety,

385
00:24:46,000 --> 00:24:48,833
they let themselves be led
to the communion rail,

386
00:24:48,916 --> 00:24:52,875
where Father Antonio Isabel
smeared ash on their foreheads.

387
00:24:53,416 --> 00:24:58,541
The colonel endured it, thinking maybe
he had been longing for that afternoon.

388
00:25:05,666 --> 00:25:09,541
I'm not gonna deny it.
For days, I have been anxiously waiting

389
00:25:09,625 --> 00:25:12,000
for our head of state
to come visit our town.

390
00:25:16,375 --> 00:25:18,833
-To put a bullet in his head myself.
-[crowd gasps]

391
00:25:18,916 --> 00:25:20,750
[murmuring]

392
00:25:20,833 --> 00:25:24,208
To make him pay
for the antiquated ways of his regime!

393
00:25:26,125 --> 00:25:29,833
And since he's too busy to be here,
tell him he better follow through

394
00:25:29,916 --> 00:25:32,000
with the pensions
he promised our veterans.

395
00:25:32,083 --> 00:25:33,333
[man] This is ridiculous.

396
00:25:33,416 --> 00:25:37,583
Unless, of course, he'd rather
I gather my old army of soldiers.

397
00:25:37,666 --> 00:25:41,166
And when reunited,
we'll go to war once again!

398
00:25:41,250 --> 00:25:42,708
[crowd gasps, exclaims]

399
00:25:42,791 --> 00:25:44,791
[indistinct chattering]

400
00:25:50,500 --> 00:25:52,083
Take your cheap scrap of metal.

401
00:25:52,166 --> 00:25:54,166
[ominous music playing]

402
00:26:02,166 --> 00:26:04,291
Your men would be really proud of you.

403
00:26:08,625 --> 00:26:11,000
[narrator] The Aurelianos left in a pack,

404
00:26:11,500 --> 00:26:14,833
giving the villagers the impression
that the Buendía bloodline

405
00:26:14,916 --> 00:26:17,250
would take root for centuries to come.

406
00:26:21,458 --> 00:26:22,333
See you.

407
00:26:28,625 --> 00:26:32,250
[narrator] The only one who stayed behind
was Aureliano Triste.

408
00:26:32,333 --> 00:26:37,125
Who, when he went to wipe his forehead,
realized the stain was permanent,

409
00:26:37,208 --> 00:26:38,500
as were his brothers'.

410
00:26:38,583 --> 00:26:40,583
[bell ringing]

411
00:26:40,666 --> 00:26:43,041
[women praying]

412
00:26:44,041 --> 00:26:46,041
[praying continues]

413
00:26:51,291 --> 00:26:53,291
[bell continues ringing]

414
00:27:03,916 --> 00:27:07,083
Hail Mary, full of grace,
the Lord is with thee.

415
00:27:07,166 --> 00:27:09,041
Blessed art thou among women,

416
00:27:09,125 --> 00:27:11,958
and blessed is
the fruit of thy womb, Jesus.

417
00:27:12,041 --> 00:27:13,625
Holy Mary, Mother of God,

418
00:27:13,708 --> 00:27:17,125
pray for us sinners,
now and at the hour of our death.

419
00:27:17,208 --> 00:27:18,250
Amen.

420
00:27:19,416 --> 00:27:21,416
[women praying]

421
00:27:22,166 --> 00:27:23,291
[Mother Superior] Fernanda.

422
00:27:23,375 --> 00:27:25,375
[mysterious music playing]

423
00:27:27,541 --> 00:27:29,166
Please come with me.

424
00:27:45,291 --> 00:27:47,291
[mysterious music continues]

425
00:28:22,000 --> 00:28:24,833
FUNERAL WREATHS FOR SALE

426
00:28:32,291 --> 00:28:33,916
Your mother is upstairs.

427
00:28:34,416 --> 00:28:36,750
But don't bother her
if she's still sleeping.

428
00:29:22,458 --> 00:29:23,916
Why didn't you look for me sooner?

429
00:29:26,875 --> 00:29:27,916
Darling.

430
00:29:29,416 --> 00:29:31,416
[breathing shakily]

431
00:29:32,000 --> 00:29:33,541
Our family…

432
00:29:35,375 --> 00:29:36,791
Our family

433
00:29:37,750 --> 00:29:41,500
is unfathomably rich
and powerful, darling.

434
00:29:46,500 --> 00:29:50,041
And you'll be queen one day.

435
00:29:50,125 --> 00:29:52,125
[labored breathing]

436
00:29:56,375 --> 00:29:58,375
[music fades]

437
00:30:08,500 --> 00:30:10,666
[José Arcadio II] Over there.
That's where we dock.

438
00:30:11,583 --> 00:30:13,583
[melodic music playing]

439
00:30:15,750 --> 00:30:18,500
[José Arcadio II] Further down.
Keep pulling, guys.

440
00:30:18,583 --> 00:30:21,250
Keep pulling! Just a little further!

441
00:30:23,083 --> 00:30:24,000
Hold!

442
00:30:26,250 --> 00:30:27,791
All right, let's go again!

443
00:30:28,500 --> 00:30:29,916
Come on, boys! Pull!

444
00:30:30,000 --> 00:30:30,833
Pull!

445
00:30:33,333 --> 00:30:34,458
[narrator] The news spread

446
00:30:34,541 --> 00:30:37,166
that a strange ship
was approaching the town.

447
00:30:38,791 --> 00:30:41,041
[distant shouting]

448
00:30:46,375 --> 00:30:47,833
[José Arcadio II] We did it!

449
00:30:49,083 --> 00:30:50,875
-Bonjour!
-Bonjour, Macondo!

450
00:30:50,958 --> 00:30:52,916
[men chattering indistinctly]

451
00:30:53,000 --> 00:30:54,250
Tie the rope over there.

452
00:30:54,333 --> 00:30:56,125
Right here, right here. Excuse me.

453
00:30:56,208 --> 00:30:59,041
[narrator] It was nothing more
than a raft made of logs,

454
00:30:59,125 --> 00:31:02,875
dragged by 20 men
pulling heavy ropes along the riverbank.

455
00:31:03,750 --> 00:31:05,666
-[indistinct chattering]
-[laughing]

456
00:31:08,666 --> 00:31:10,375
Watch it. Pull us over to your side.

457
00:31:13,041 --> 00:31:14,750
[Aureliano II] I knew he would come.

458
00:31:15,791 --> 00:31:17,083
Are you seeing this, Petra?

459
00:31:17,166 --> 00:31:19,958
-[man] Welcome! Welcome, everyone!
-José Arcadio!

460
00:31:20,583 --> 00:31:22,500
Aureliano!

461
00:31:23,333 --> 00:31:25,000
Guys, give 'em a hand. Give 'em a hand.

462
00:31:31,083 --> 00:31:32,916
Isn't that my friend José Arcadio?

463
00:31:33,000 --> 00:31:36,416
That's José Arcadio,
but not the one you're thinking of.

464
00:31:36,916 --> 00:31:38,166
[lively music playing]

465
00:31:38,250 --> 00:31:39,958
[man 2] Pull! Come on, guys!

466
00:31:40,583 --> 00:31:42,791
[Aureliano II] Everyone said
you had stolen my money.

467
00:31:42,875 --> 00:31:44,333
I told them to go to hell.

468
00:31:46,583 --> 00:31:49,000
-Thank you, Brother. Thank you.
-[woman] Bonjour! Bonjour!

469
00:31:50,291 --> 00:31:51,458
[woman 2] Welcome.

470
00:31:56,291 --> 00:31:57,750
[José Arcadio II] Welcome to Macondo.

471
00:32:03,625 --> 00:32:05,708
[Aureliano II] Let's hear it
for José Arcadio Buendía!

472
00:32:05,791 --> 00:32:07,833
-[all] Buendía!
-[Aureliano II] Yeah!

473
00:32:09,708 --> 00:32:10,750
[all clapping]

474
00:32:10,833 --> 00:32:12,458
-And for Macondo!
-[all cheering]

475
00:32:16,041 --> 00:32:18,000
[Aureliano II] You see, Petra? I told you.

476
00:32:30,416 --> 00:32:31,500
[music fades]

477
00:32:31,583 --> 00:32:34,083
[narrator] That was
the first and last ship

478
00:32:34,166 --> 00:32:36,041
to ever dock in Macondo.

479
00:32:36,125 --> 00:32:38,500
[triumphant music playing]

480
00:32:39,583 --> 00:32:40,791
[music stops]

481
00:32:43,458 --> 00:32:45,458
[indistinct chattering]

482
00:32:47,708 --> 00:32:48,791
[woman] Et voilà.

483
00:32:48,875 --> 00:32:50,875
[romantic music playing]

484
00:33:04,458 --> 00:33:07,625
[narrator] All that remained
of that unfortunate venture

485
00:33:08,333 --> 00:33:11,833
was the breath of fresh air
brought by the matrons from France.

486
00:33:15,083 --> 00:33:20,000
At first, curiosity lured more clientele
to the forbidden street.

487
00:33:21,166 --> 00:33:24,083
And there were even rumors
that respectable ladies

488
00:33:24,166 --> 00:33:26,458
disguised themselves as working-class men

489
00:33:26,541 --> 00:33:29,666
to see the novelty of the gramophone
up close.

490
00:33:33,208 --> 00:33:35,708
But after observing it so closely,

491
00:33:35,791 --> 00:33:40,041
they came to the conclusion
that it wasn't some magical device.

492
00:33:41,541 --> 00:33:44,500
It was a mechanical trick
that could never compare

493
00:33:44,583 --> 00:33:47,708
to something as moving, as human,

494
00:33:48,208 --> 00:33:51,958
and as alive as a real band of musicians.

495
00:33:52,041 --> 00:33:54,041
[romantic music continues]

496
00:34:26,000 --> 00:34:27,208
[music fades]

497
00:34:31,708 --> 00:34:33,708
[people murmuring]

498
00:34:37,083 --> 00:34:38,916
-[woman 1] Mother of God!
-[man 1] Look at that!

499
00:34:39,000 --> 00:34:40,208
[woman 2] It's beautiful!

500
00:34:40,708 --> 00:34:41,708
[woman 3] Is it magic?

501
00:34:41,791 --> 00:34:42,750
[woman 4] What is it?

502
00:34:44,625 --> 00:34:46,708
[cheerful music playing]

503
00:34:53,291 --> 00:34:55,291
[Petra laughing]

504
00:35:07,666 --> 00:35:11,208
[narrator] Dazzled by so many
and such marvelous inventions,

505
00:35:11,708 --> 00:35:15,750
the people of Macondo didn't know
where to begin in their amazement.

506
00:35:18,375 --> 00:35:19,541
[Sofía] Remedios.

507
00:35:19,625 --> 00:35:21,083
[music fades]

508
00:35:23,875 --> 00:35:28,000
[narrator] They'd stay up at night
admiring the pale electric bulbs.

509
00:35:28,083 --> 00:35:30,208
[melancholy music playing]

510
00:35:37,333 --> 00:35:39,333
[banging at door]

511
00:35:48,791 --> 00:35:49,791
Hello.

512
00:35:49,875 --> 00:35:51,500
Are you here for the funeral wreaths?

513
00:35:51,583 --> 00:35:52,500
[man 1] No.

514
00:35:53,000 --> 00:35:54,958
Good afternoon, miss.
We're looking for a--

515
00:35:55,041 --> 00:35:56,291
[man 2] My apologies, Chavarría.

516
00:35:57,500 --> 00:35:59,166
This is my daughter, Fernanda.

517
00:35:59,666 --> 00:36:00,916
Please, come in.

518
00:36:02,875 --> 00:36:05,500
[narrator] News of the colonel's threat
to the president

519
00:36:05,583 --> 00:36:08,083
had reached far away territories

520
00:36:08,708 --> 00:36:12,625
and raised concern for those
who still considered the Buendía name

521
00:36:12,708 --> 00:36:14,166
a symbol of subversion.

522
00:36:14,250 --> 00:36:15,166
[father] I'm listening.

523
00:36:15,250 --> 00:36:17,458
[man 2] This is your chance
to make yourself indispensable

524
00:36:17,541 --> 00:36:18,541
to the Conservative Party.

525
00:36:18,625 --> 00:36:20,000
[father] At your service, sir.

526
00:36:21,000 --> 00:36:23,000
[mysterious music playing]

527
00:36:36,958 --> 00:36:38,583
Fernanda, get your things ready.

528
00:36:38,666 --> 00:36:40,000
[music fades]

529
00:36:40,083 --> 00:36:41,750
You have a long trip ahead.

530
00:36:55,250 --> 00:36:56,750
[narrator] Convinced by her father

531
00:36:56,833 --> 00:36:59,625
that the day of her coronation
had arrived,

532
00:36:59,708 --> 00:37:04,375
Fernanda set out for the distant kingdom
where she would be queen.

533
00:37:04,458 --> 00:37:06,458
[tense ethereal music playing]

534
00:37:16,541 --> 00:37:18,625
I swear you are not of this world.

535
00:37:22,708 --> 00:37:25,416
[narrator] They pestered
Remedios the Beauty so much

536
00:37:25,500 --> 00:37:27,541
about cutting her abundant hair

537
00:37:27,625 --> 00:37:29,791
that she simply shaved her head,

538
00:37:30,291 --> 00:37:32,666
finally freeing herself from the heat.

539
00:37:32,750 --> 00:37:34,166
Are you going to the carnival?

540
00:37:35,375 --> 00:37:36,666
I don't think so.

541
00:37:44,916 --> 00:37:45,833
Give me that.

542
00:37:52,666 --> 00:37:54,583
Mama Úrsula told me
the only saint in this family

543
00:37:54,666 --> 00:37:55,666
was your wife.

544
00:37:56,625 --> 00:37:58,458
And that's why she gave me her name.

545
00:37:59,041 --> 00:38:00,458
-[Aureliano] Hmm.
-[music fades]

546
00:38:02,750 --> 00:38:03,916
Do I look like her?

547
00:38:07,583 --> 00:38:08,958
I don't know anymore.

548
00:38:09,791 --> 00:38:11,041
But "Remedios,"

549
00:38:12,458 --> 00:38:13,750
it's a beautiful name.

550
00:38:14,458 --> 00:38:16,458
[lively mysterious music playing]

551
00:38:17,666 --> 00:38:18,791
It really is.

552
00:38:22,875 --> 00:38:24,875
[percussive music playing]

553
00:38:34,916 --> 00:38:36,916
[music intensifies]

554
00:38:37,000 --> 00:38:39,000
[crowd cheering, shouting]

555
00:38:48,375 --> 00:38:49,750
[laughing]

556
00:38:49,833 --> 00:38:51,833
[howling]

557
00:38:55,666 --> 00:38:56,791
Remedios!

558
00:38:56,875 --> 00:38:58,625
Aureliano!

559
00:39:02,958 --> 00:39:05,166
[man chanting]

560
00:39:19,333 --> 00:39:20,875
[music fades]

561
00:39:25,083 --> 00:39:27,083
[ethereal music playing]

562
00:39:44,958 --> 00:39:46,291
[whistling]

563
00:39:46,375 --> 00:39:48,625
-[lively percussive music playing]
-[cheering]

564
00:39:57,458 --> 00:39:59,458
[cheering continues]

565
00:40:28,375 --> 00:40:29,250
Welcome.

566
00:40:29,875 --> 00:40:31,666
I'm Aureliano Buendía. And you?

567
00:40:35,958 --> 00:40:37,541
Fernanda del Carpio.

568
00:40:40,041 --> 00:40:42,041
[whistle rhythmically blowing]

569
00:40:59,916 --> 00:41:01,916
[whistle rhythmically blowing]

570
00:41:12,708 --> 00:41:13,791
[music stops]

571
00:41:13,875 --> 00:41:14,958
My friends.

572
00:41:16,291 --> 00:41:18,958
A round of applause
for Fernanda del Carpio,

573
00:41:19,500 --> 00:41:20,750
the queen of Madagascar.

574
00:41:20,833 --> 00:41:22,833
[crowd cheering]

575
00:41:25,166 --> 00:41:26,791
[woman] Long live the queen!

576
00:41:26,875 --> 00:41:28,416
[man] All hail the queen!

577
00:41:30,500 --> 00:41:32,375
And for Remedios the Beauty,

578
00:41:32,458 --> 00:41:34,000
our Queen of Macondo.

579
00:41:34,083 --> 00:41:35,916
[crowd cheering]

580
00:41:36,000 --> 00:41:38,291
[whistle blowing]

581
00:41:39,250 --> 00:41:41,125
[Aureliano II]
Let's hear it for the carnival!

582
00:41:41,208 --> 00:41:43,791
-[crowd cheering]
-[lively percussive music playing]

583
00:42:08,958 --> 00:42:11,125
[fireworks whistling]

584
00:42:11,208 --> 00:42:13,041
[fireworks exploding]

585
00:42:22,875 --> 00:42:24,916
Let's hear it for the Liberal Party!

586
00:42:25,000 --> 00:42:27,000
[crowd cheering]

587
00:42:31,083 --> 00:42:32,416
[gunshot]

588
00:42:34,000 --> 00:42:35,166
Get down!

589
00:42:36,208 --> 00:42:37,083
Get down!

590
00:42:39,125 --> 00:42:40,166
[music stops]

591
00:42:43,250 --> 00:42:44,208
[man grunts]

592
00:42:44,291 --> 00:42:46,291
[dark percussive music playing]

593
00:43:03,791 --> 00:43:04,916
[gunshot]

594
00:43:19,416 --> 00:43:21,166
[ominous music playing]

595
00:43:22,583 --> 00:43:24,375
[muffled cheering]

596
00:43:28,958 --> 00:43:30,375
-[gunshot]
-[grunts]

597
00:43:30,458 --> 00:43:33,041
-[lively percussive music playing]
-[crowd cheering]

598
00:43:36,625 --> 00:43:38,000
Let's go, let's go, let's go!

599
00:43:40,000 --> 00:43:41,333
[gunshot]

600
00:43:50,750 --> 00:43:52,250
[people screaming]

601
00:43:52,333 --> 00:43:54,041
-[gunshots continue]
-[music stops]

602
00:43:58,416 --> 00:44:00,500
-[panicked screaming]
-[gunshots continue]

603
00:44:04,583 --> 00:44:06,333
[Aureliano II] Come on, come on.
We gotta go.

604
00:44:08,166 --> 00:44:10,166
-[gunshots continue]
-[man grunts]

605
00:44:12,375 --> 00:44:14,833
-Oh my God, Remedios.
-We almost got killed, but now we're fine.

606
00:44:14,916 --> 00:44:17,083
What do you mean? What happened?

607
00:44:17,166 --> 00:44:18,458
What happened?

608
00:44:18,541 --> 00:44:20,541
[distant screaming]

609
00:44:24,125 --> 00:44:25,791
Aureliano, what's going on?

610
00:44:26,291 --> 00:44:27,416
Aureliano.

611
00:44:30,916 --> 00:44:32,000
Bring some water.

612
00:44:32,083 --> 00:44:34,083
[panicked breathing]

613
00:44:52,166 --> 00:44:53,166
You're all right.

614
00:44:54,583 --> 00:44:56,583
[breathing slows]

615
00:45:27,541 --> 00:45:28,500
What happened?

616
00:45:30,541 --> 00:45:31,958
You have a pet porcupine?

617
00:45:37,041 --> 00:45:39,000
It's the roses from the wreaths.

618
00:45:40,125 --> 00:45:42,583
Sometimes I forget
there's thorns to remove.

619
00:45:43,500 --> 00:45:44,541
The wreaths?

620
00:45:46,041 --> 00:45:47,750
We make wreaths for funerals.

621
00:45:51,791 --> 00:45:53,083
Where do you make them?

622
00:45:53,166 --> 00:45:54,416
[door slams]

623
00:45:55,000 --> 00:45:56,375
What are you doing here?

624
00:45:57,416 --> 00:45:58,375
Who sent you?

625
00:45:58,458 --> 00:45:59,833
[Aureliano II] Hey, hey, calm down.

626
00:46:00,583 --> 00:46:02,041
Shut up, Aureliano.

627
00:46:02,541 --> 00:46:05,791
I'll calm down as soon as
this lady tells me who tried to kill me!

628
00:46:05,875 --> 00:46:07,375
What the hell are you talking about?

629
00:46:07,458 --> 00:46:10,416
She came with the Bedouins,
and they were the ones shooting at us!

630
00:46:10,500 --> 00:46:12,500
The government sent you, didn't they?

631
00:46:12,583 --> 00:46:13,791
Have you lost your mind?

632
00:46:14,291 --> 00:46:16,666
My brother was right.
You think the world revolves around you.

633
00:46:17,291 --> 00:46:19,500
-You're a real man, aren't you?
-Aureliano, that's enough!

634
00:46:19,583 --> 00:46:20,791
Go on, I dare you.

635
00:46:21,958 --> 00:46:23,625
-Back off, asshole.
-What are you gonna do?

636
00:46:27,041 --> 00:46:29,041
[somber music playing]

637
00:46:33,750 --> 00:46:36,000
[narrator] When peace was restored,

638
00:46:36,958 --> 00:46:40,291
not one of the fake Bedouins
was left in town.

639
00:46:40,791 --> 00:46:44,500
And sprawled across the plaza,
dead and wounded alike,

640
00:46:45,416 --> 00:46:46,958
were nine clowns,

641
00:46:47,500 --> 00:46:49,208
four columbines,

642
00:46:49,291 --> 00:46:51,458
17 playing-card kings,

643
00:46:51,541 --> 00:46:52,666
one devil,

644
00:46:53,333 --> 00:46:54,708
three musicians,

645
00:46:54,791 --> 00:46:56,666
two peers of France,

646
00:46:56,750 --> 00:46:59,250
and three Japanese empresses.

647
00:47:29,000 --> 00:47:31,000
[music fades]

648
00:47:33,166 --> 00:47:34,416
Were you spying on me?

649
00:47:36,166 --> 00:47:37,291
[Úrsula] Not at all.

650
00:47:45,791 --> 00:47:46,750
You were right.

651
00:47:47,750 --> 00:47:49,333
The carnival was a disaster.

652
00:47:50,291 --> 00:47:51,750
Please don't lecture me.

653
00:47:53,250 --> 00:47:54,875
[Úrsula] Well, I'm glad you think so

654
00:47:55,958 --> 00:47:58,125
because I'm not here to lecture you.

655
00:48:06,833 --> 00:48:08,625
Go find her, Aureliano.

656
00:48:11,916 --> 00:48:14,083
There's more to life than just partying.

657
00:48:15,041 --> 00:48:17,166
You don't have children with just anyone.

658
00:48:17,250 --> 00:48:19,541
[poignant music playing]

659
00:48:19,625 --> 00:48:21,541
I saw the way you looked at her.

660
00:48:26,500 --> 00:48:28,833
It was like seeing your great-grandfather.

661
00:48:32,291 --> 00:48:33,166
[Úrsula chuckles]

662
00:48:41,333 --> 00:48:42,458
Go on, son.

663
00:48:44,125 --> 00:48:45,041
Go on.

664
00:48:48,291 --> 00:48:51,291
[narrator] The only real clues
that Aureliano Segundo had

665
00:48:51,375 --> 00:48:53,041
when he went to look for her

666
00:48:53,708 --> 00:48:56,041
were her unmistakable moors accent

667
00:48:56,125 --> 00:48:59,208
and her trade
as a weaver of funeral wreaths.

668
00:49:01,958 --> 00:49:04,250
He searched for her mercilessly

669
00:49:04,750 --> 00:49:08,958
with the same courage José Arcadio showed
when he crossed the mountain range…

670
00:49:11,625 --> 00:49:16,666
with the same blind pride with which
the colonel promoted his useless wars…

671
00:49:19,291 --> 00:49:21,125
and with the same tenacity

672
00:49:21,208 --> 00:49:24,375
with which
Úrsula preserved their bloodline.

673
00:49:25,791 --> 00:49:28,916
Aureliano Segundo pursued Fernanda

674
00:49:30,583 --> 00:49:32,958
without a moment's discouragement.

675
00:49:36,333 --> 00:49:41,333
And although he had never seen them
and no one had ever described them to him,

676
00:49:41,416 --> 00:49:46,000
he recognized at once
the walls eaten away by bone salt.

677
00:49:46,958 --> 00:49:50,000
And nailed to the door was the saddest,

678
00:49:50,083 --> 00:49:53,291
most rain-washed cardboard sign,
which read,

679
00:49:53,958 --> 00:49:56,375
"Funeral wreaths for sale."

680
00:50:10,958 --> 00:50:12,958
[music intensifies]

681
00:50:28,166 --> 00:50:29,750
[music fades]

682
00:50:29,833 --> 00:50:31,833
[thunder rumbles]

683
00:50:34,250 --> 00:50:36,250
[thunderclap]

684
00:50:41,833 --> 00:50:43,833
[tense ethereal music playing]

685
00:50:59,708 --> 00:51:01,708
[dark percussive music playing]

686
00:51:57,166 --> 00:51:59,166
[dark ethereal music playing]

687
00:53:31,916 --> 00:53:33,916
[somber ethereal music playing]

688
00:57:11,958 --> 00:57:13,958
[music fades]

689
00:57:15,375 --> 00:57:17,416
[dark percussive music playing]

690
00:58:26,000 --> 00:58:28,875
[music fades]