1 00:00:13,416 --> 00:00:15,416 [insects chittering] 2 00:00:15,500 --> 00:00:17,500 [rumbling] 3 00:00:35,500 --> 00:00:37,250 [rumbling intensifies] 4 00:00:40,416 --> 00:00:42,875 [train whistle blows in distance] 5 00:00:42,958 --> 00:00:44,916 [rumbling] 6 00:00:50,458 --> 00:00:52,458 [dishes rattling] 7 00:00:54,166 --> 00:00:56,166 [train rattling in distance] 8 00:00:56,833 --> 00:00:59,416 It's coming! It's coming! It's coming! Come on! 9 00:00:59,500 --> 00:01:00,708 [man 1] The earth is shaking! 10 00:01:00,791 --> 00:01:03,375 [panting] It's here! 11 00:01:03,458 --> 00:01:04,541 [woman] What's here? 12 00:01:05,375 --> 00:01:06,958 -[man 2] Calm down! -The ground is moving! 13 00:01:07,041 --> 00:01:09,000 -What's coming? What is it? -A beast. 14 00:01:09,083 --> 00:01:11,041 Like a beast that's pulling a town. 15 00:01:11,125 --> 00:01:13,000 -[train whistle blows in distance] -[rumbling] 16 00:01:13,083 --> 00:01:14,000 It's here. 17 00:01:14,750 --> 00:01:16,750 [dogs barking in distance] 18 00:01:18,166 --> 00:01:20,166 [train whistle blows in distance] 19 00:01:23,416 --> 00:01:25,291 Hey, kid, come on. Come on. You're gonna miss it. 20 00:01:25,791 --> 00:01:26,625 Mama Úrsula. 21 00:01:26,708 --> 00:01:28,375 [chuckles] It's here. 22 00:01:28,458 --> 00:01:29,291 What is here? 23 00:01:29,375 --> 00:01:32,208 [clavichord music playing] 24 00:01:32,291 --> 00:01:33,500 [man] Hurry up, run! 25 00:01:35,625 --> 00:01:37,708 [woman] It's here! It's here! 26 00:01:38,625 --> 00:01:40,958 -Meme, leave that. Come on. -[Fernanda] Where are you going? 27 00:01:41,041 --> 00:01:42,166 It's almost here. 28 00:01:43,000 --> 00:01:44,166 May we go, Mama? 29 00:01:44,250 --> 00:01:46,666 You may, after your lesson, Renata. 30 00:01:46,750 --> 00:01:48,791 Fernanda, let her go. 31 00:01:49,541 --> 00:01:50,500 Can I go, Mama? 32 00:01:53,833 --> 00:01:55,291 Let's go, let's go, let's go. 33 00:01:57,125 --> 00:02:00,083 -[young José Arcadio] Careful, Meme. Wait. -Come on, come on, come on. 34 00:02:00,166 --> 00:02:02,791 Grab my arm. Grab my arm! Less talking, more moving. 35 00:02:02,875 --> 00:02:04,583 -Grab my arm. -[Úrsula] For goodness' sake. Careful. 36 00:02:04,666 --> 00:02:07,333 -[Aureliano II] Forget the shawl. -[Úrsula] Don't take off your shawl. 37 00:02:07,416 --> 00:02:09,041 -[door slams] -[Úrsula] Remedios! 38 00:02:10,291 --> 00:02:12,458 Remedios! Put this on. 39 00:02:12,541 --> 00:02:14,541 [train whistle blowing in distance] 40 00:02:20,958 --> 00:02:22,583 [woman] Come on, children. Come quick! 41 00:02:22,666 --> 00:02:25,166 [narrator] The innocent train that would bring to Macondo 42 00:02:25,250 --> 00:02:28,083 so many uncertainties and truths, 43 00:02:28,166 --> 00:02:30,500 so much praise and misfortune, 44 00:02:30,583 --> 00:02:35,583 and so many changes, calamities, and longings had finally arrived. 45 00:02:35,666 --> 00:02:37,666 [train rattling] 46 00:02:40,791 --> 00:02:44,791 [Aureliano II] Welcome to Macondo! 47 00:02:44,875 --> 00:02:46,041 [exclaims excitedly] 48 00:02:46,125 --> 00:02:49,416 [narrator] The people of Macondo watched as José Arcadio Segundo 49 00:02:49,500 --> 00:02:53,625 and Aureliano Triste waved from the top of the locomotive. 50 00:02:53,708 --> 00:02:56,458 [screams joyfully] 51 00:02:57,541 --> 00:02:59,791 -You're here, brother! You're here! -Isn't this amazing? 52 00:02:59,875 --> 00:03:00,791 -Uncle! -Where is he? 53 00:03:01,541 --> 00:03:04,000 [man 1] It's here! We did it, Macondo! 54 00:03:04,083 --> 00:03:05,458 [man 2] Welcome to Macondo! 55 00:03:05,541 --> 00:03:07,541 [dramatic music playing] 56 00:03:09,958 --> 00:03:13,416 Your great-grandfather would be so proud, José Arcadio. 57 00:03:14,666 --> 00:03:17,166 You made his lifelong dream come true. 58 00:03:18,250 --> 00:03:20,625 You connected Macondo with the world. 59 00:03:21,125 --> 00:03:22,333 Well done, son. 60 00:03:25,291 --> 00:03:28,208 Now, you really have proven half of the town wrong, brother. 61 00:03:28,291 --> 00:03:29,833 It was worth the wait, wasn't it? 62 00:03:31,000 --> 00:03:33,458 -Come on. Where are we going? -To the train. 63 00:03:33,541 --> 00:03:35,250 No, Meme. 64 00:03:35,333 --> 00:03:37,166 -Come on. Let's go on the train. -Stop, no. No. 65 00:03:37,250 --> 00:03:39,250 -Mom is going to get angry. -So what? Don't be dumb. 66 00:03:39,333 --> 00:03:42,125 No, Meme. Where are we going? 67 00:03:42,208 --> 00:03:44,083 [man 1] Welcome to Macondo. Welcome. 68 00:03:44,166 --> 00:03:45,250 [woman] Hello. 69 00:03:46,375 --> 00:03:48,375 [man 2] I'm sorry. I've just arrived… 70 00:03:51,416 --> 00:03:52,416 Nothing to worry about! 71 00:03:52,500 --> 00:03:55,125 Nothing to worry about, ladies and gentlemen! That's right! 72 00:03:55,208 --> 00:03:57,291 Come on closer. Don't be afraid. 73 00:03:58,041 --> 00:04:00,541 [narrator] A stranger stepped off the train 74 00:04:01,458 --> 00:04:04,083 so elegant and dignified 75 00:04:04,166 --> 00:04:09,041 that Pietro Crespi himself would have looked like a fop beside him. 76 00:04:09,125 --> 00:04:11,125 [dramatic music continues] 77 00:04:20,875 --> 00:04:22,166 Ah, pardon me. 78 00:04:22,250 --> 00:04:25,625 Uh, mind telling me where I could find a good restaurant? 79 00:04:25,708 --> 00:04:28,791 A new restaurant that has authentic and traditional food. 80 00:04:29,791 --> 00:04:31,625 I know just the place, Mr… 81 00:04:32,208 --> 00:04:33,166 Herbert. 82 00:04:33,250 --> 00:04:36,458 Mr. Herbert, I would like to invite you over for lunch at my house, 83 00:04:36,541 --> 00:04:38,750 where the finest food in all of Macondo is prepared. 84 00:04:38,833 --> 00:04:40,750 -Isn't that right, Mama Úrsula? -That's right. 85 00:04:40,833 --> 00:04:44,125 The Buendía house opens its doors for this special occasion. 86 00:04:44,208 --> 00:04:46,541 -How wonderful. -[Úrsula] Everyone is welcome. 87 00:04:47,041 --> 00:04:49,375 -Our doors are open. -[Mr. Herbert] Thank you so much. 88 00:04:49,458 --> 00:04:51,333 [conductor] Next stop, Fundación! 89 00:04:51,416 --> 00:04:53,125 [indistinct chattering] 90 00:04:57,041 --> 00:04:59,458 I found these two sitting in the back of the train. 91 00:04:59,958 --> 00:05:02,250 Thank you so much, Miss, uh… 92 00:05:02,750 --> 00:05:03,750 Cotes. 93 00:05:04,375 --> 00:05:05,500 Cotes. 94 00:05:07,000 --> 00:05:08,041 [Petra] Mm. 95 00:05:10,750 --> 00:05:13,625 Dad, who's that woman? Why does she know us? 96 00:05:13,708 --> 00:05:15,750 Son, everybody here knows us. 97 00:05:15,833 --> 00:05:17,208 We are Buendías. 98 00:05:17,291 --> 00:05:18,916 -[Amaranta] José Arcadio. -You… 99 00:05:19,000 --> 00:05:21,041 -You disappeared. Where'd you go? -Why'd you run off? 100 00:05:21,125 --> 00:05:23,916 [young José Arcadio] It was Meme. She dragged me onto the train. I swear. 101 00:05:24,541 --> 00:05:27,458 Welcome. Welcome to the Buendía household. 102 00:05:27,541 --> 00:05:30,375 Santa Sofía, go get two hens from the back, please. 103 00:05:30,458 --> 00:05:32,583 We have to cook a bit of everything. 104 00:05:32,666 --> 00:05:34,791 You never know what foreigners are going to want to eat. 105 00:05:34,875 --> 00:05:37,291 [Mr. Herbert] Wow. This place is like a dream. 106 00:05:37,375 --> 00:05:39,375 [clavichord music playing] 107 00:05:42,916 --> 00:05:44,125 [woman] Right over there. 108 00:05:46,958 --> 00:05:50,083 [José Arcadio II] Rum. Welcome. Welcome to our home. 109 00:05:52,333 --> 00:05:53,375 Have some rum. 110 00:05:55,916 --> 00:05:57,625 Welcome to the Buendía household. 111 00:05:58,541 --> 00:05:59,500 [man] Thank you. 112 00:06:00,208 --> 00:06:01,333 [Fernanda] Aureliano? 113 00:06:01,875 --> 00:06:02,875 [man coughs] 114 00:06:04,041 --> 00:06:05,166 Aureliano? 115 00:06:06,916 --> 00:06:10,833 -[woman 2] Oh, she's playing great. Wow! -Renata! Go to your room right now. 116 00:06:10,916 --> 00:06:13,291 -[woman 2] Why is she stopping? -Aureliano? 117 00:06:13,375 --> 00:06:15,500 [woman 3] Do you think there's sleeping beds here? 118 00:06:16,875 --> 00:06:18,083 [Fernanda] José Arcadio! 119 00:06:19,500 --> 00:06:23,041 [scoffs] Of course it was you who brought this circus into the house. 120 00:06:24,208 --> 00:06:25,833 This circus is the future. 121 00:06:26,458 --> 00:06:29,291 And this is just the beginning, so you might wanna get used to it. 122 00:06:30,541 --> 00:06:32,125 'Cause I am not my brother. 123 00:06:32,625 --> 00:06:35,500 [woman 4] Mrs. Buendía, how many people are you having over for lunch? 124 00:06:35,583 --> 00:06:36,625 [José Arcadio II] Welcome. 125 00:06:38,208 --> 00:06:40,291 [Úrsula] We'll need the other set for this many people. 126 00:06:40,375 --> 00:06:42,708 José Arcadio, leave that. Come. 127 00:06:43,791 --> 00:06:45,083 [Úrsula] That one. Bring me that. 128 00:06:45,166 --> 00:06:47,250 [Amaranta] Tell your mother her reign is over. 129 00:06:47,333 --> 00:06:49,583 The Buendía house is chaotic once again. 130 00:06:50,125 --> 00:06:53,291 Mama, my aunt says your reign is over and that-- 131 00:06:53,375 --> 00:06:54,416 José Arcadio. 132 00:06:55,458 --> 00:06:57,208 -Go to your mom. -[Fernanda] Aureliano. 133 00:06:57,291 --> 00:06:59,833 [intriguing music playing] 134 00:07:02,666 --> 00:07:05,333 -[all gasp] -Oh, it startled me. 135 00:07:05,416 --> 00:07:08,208 [laughter] 136 00:07:17,500 --> 00:07:19,625 Take me as your husband, I beg you. 137 00:07:21,250 --> 00:07:23,500 [chuckles] That's a crazy thing to say. 138 00:07:23,583 --> 00:07:26,500 I promise you that I will spend my entire life 139 00:07:27,000 --> 00:07:29,375 doing everything in my power to give the world to you. 140 00:07:30,916 --> 00:07:33,875 How will you do that? You don't know anything about me, do you? 141 00:07:35,875 --> 00:07:37,125 Remedios. 142 00:07:38,375 --> 00:07:39,583 Go to the kitchen. 143 00:07:43,416 --> 00:07:45,208 Aren't you going to eat something? 144 00:07:45,708 --> 00:07:47,166 It's going to get cold. 145 00:07:49,041 --> 00:07:50,416 Well, gentlemen, 146 00:07:50,500 --> 00:07:53,125 the bell rings only once for supper and once for Mass. 147 00:07:53,208 --> 00:07:54,500 -Thank you. -Thank you, ma'am. 148 00:07:54,583 --> 00:07:57,666 [José Arcadio II] Please enjoy, everybody. It's delicious. You're gonna love it. 149 00:07:57,750 --> 00:07:59,500 [indistinct chattering] 150 00:08:02,916 --> 00:08:04,416 [José Arcadio II] Enjoy, everybody. 151 00:08:04,500 --> 00:08:06,416 [Mr. Herbert] Wow, this is really good. 152 00:08:06,500 --> 00:08:08,250 [woman] José Arcadio, bring some more juice. 153 00:08:08,333 --> 00:08:09,333 [man 2] Delicious. 154 00:08:09,416 --> 00:08:10,500 [woman 2] Chicken? 155 00:08:10,583 --> 00:08:13,166 [José Arcadio II] Poulet? Oh, pass her the chicken, please. 156 00:08:13,750 --> 00:08:15,708 [man 3 belches, groans] 157 00:08:22,250 --> 00:08:23,208 [Mr. Herbert] Oh! 158 00:08:24,291 --> 00:08:25,375 What is this? 159 00:08:26,000 --> 00:08:26,833 Banana. 160 00:08:27,541 --> 00:08:28,833 -You eat it. -You eat it? 161 00:08:28,916 --> 00:08:29,833 Mm-hmm. 162 00:08:34,708 --> 00:08:35,958 Banana, anyone? 163 00:08:47,666 --> 00:08:49,666 [bird chirping] 164 00:08:49,750 --> 00:08:51,750 [dramatic music playing] 165 00:09:19,208 --> 00:09:24,625 ONE HUNDRED YEARS OF SOLITUDE 166 00:09:25,291 --> 00:09:27,375 [José Arcadio II] You can find these things everywhere, 167 00:09:27,458 --> 00:09:29,416 and they grow very quickly. 168 00:09:29,500 --> 00:09:30,791 [Mr. Herbert] Remarkable. 169 00:09:31,500 --> 00:09:34,875 Uh, um, do you know where there's more? 170 00:09:34,958 --> 00:09:37,625 Oh, I'm happy to take you all over the outskirts of Macondo. 171 00:09:37,708 --> 00:09:39,000 It's full of bananas. 172 00:09:39,708 --> 00:09:41,166 Much appreciated, young man. 173 00:09:41,250 --> 00:09:42,500 Yeah, my pleasure. 174 00:09:42,583 --> 00:09:44,833 [Aureliano] Who brought these gringos into this house? 175 00:09:44,916 --> 00:09:46,791 [guests murmuring] 176 00:09:46,875 --> 00:09:49,541 -Get out of here! -[José Arcadio II] Hey, settle down, sir. 177 00:09:50,916 --> 00:09:52,625 The thing is 178 00:09:52,708 --> 00:09:56,041 that all of these nice travelers here are Great-Grandmother's guests. 179 00:09:57,250 --> 00:09:58,375 Go talk to her. 180 00:09:58,458 --> 00:10:01,041 This is the last thing I need to see in Macondo. 181 00:10:03,250 --> 00:10:05,708 Our house getting invaded by the same sons of bitches 182 00:10:05,791 --> 00:10:07,666 that stole Panama from us. 183 00:10:07,750 --> 00:10:09,666 [woman] What does he mean "Panama"? 184 00:10:09,750 --> 00:10:11,000 [Aureliano] Bastards. 185 00:10:11,875 --> 00:10:15,083 -Úrsula! -Please excuse the old man. He's, uh… 186 00:10:15,166 --> 00:10:16,583 Well, he's lost his mind. 187 00:10:17,500 --> 00:10:19,750 He couldn't kill himself and leave us in peace! 188 00:10:22,250 --> 00:10:23,083 Uh… 189 00:10:24,041 --> 00:10:26,458 No, it's really no problem at all. 190 00:10:26,541 --> 00:10:28,333 I'm loving Macondo. 191 00:10:28,416 --> 00:10:31,166 Everyone is, uh, very passionate. 192 00:10:32,958 --> 00:10:33,958 It's very pretty. 193 00:10:34,041 --> 00:10:36,250 I told you. They grow everywhere. 194 00:10:36,750 --> 00:10:38,583 -Oh my goodness. -[intriguing music playing] 195 00:10:39,083 --> 00:10:41,625 Oh my goodness. Would you look… 196 00:10:42,333 --> 00:10:43,791 So many. 197 00:10:46,666 --> 00:10:48,166 Who owns all of it? 198 00:10:48,250 --> 00:10:49,666 Oh, it's everyone's. 199 00:10:50,166 --> 00:10:52,000 -All of it? -Mm-hmm. The people's. 200 00:10:52,083 --> 00:10:54,083 [train whistle blowing] 201 00:10:58,583 --> 00:11:01,666 [narrator] The arrival of the train unleashed a wave of excitement 202 00:11:01,750 --> 00:11:02,958 no one could contain. 203 00:11:03,041 --> 00:11:05,041 [music intensifies] 204 00:11:14,125 --> 00:11:15,625 -[Fernanda] Renata! -[gasps] 205 00:11:15,708 --> 00:11:17,750 You are not to be outside when those people are here. 206 00:11:17,833 --> 00:11:20,083 -Go to your room! -[Sofía] Everybody, this way, please. 207 00:11:21,750 --> 00:11:23,291 We call that "papoche." 208 00:11:23,375 --> 00:11:24,916 We throw those to the animals. 209 00:11:25,000 --> 00:11:26,708 This one is delicious. 210 00:11:26,791 --> 00:11:28,291 Incredibly sweet, hmm? 211 00:11:28,375 --> 00:11:31,166 [narrator] The people of Macondo surrendered to the endless bounty 212 00:11:31,250 --> 00:11:32,750 that came in the train cars… 213 00:11:32,833 --> 00:11:34,250 [conductor] How are you doing? 214 00:11:34,333 --> 00:11:36,125 We can barely keep up. 215 00:11:36,208 --> 00:11:37,958 Look at what I brought for the kids. 216 00:11:38,041 --> 00:11:40,166 …while foreigners found themselves in a land 217 00:11:40,250 --> 00:11:42,916 where everything seemed to flourish without measure. 218 00:11:43,000 --> 00:11:44,750 [lively music playing] 219 00:11:49,333 --> 00:11:51,208 Hide all of it, son. 220 00:11:53,458 --> 00:11:55,958 Fernanda has the kids locked in their room. 221 00:12:00,333 --> 00:12:01,625 It's beautiful, sure. 222 00:12:02,208 --> 00:12:03,833 -Yeah. -But it's a plague. 223 00:12:08,333 --> 00:12:09,916 [Mr. Herbert] Mm-hmm. Okay. 224 00:12:10,000 --> 00:12:12,000 [lively music continues] 225 00:12:22,000 --> 00:12:23,583 It's beautiful. 226 00:12:23,666 --> 00:12:24,875 Paradise. 227 00:12:24,958 --> 00:12:25,916 Paradise. 228 00:12:32,291 --> 00:12:33,541 [music stops] 229 00:12:36,625 --> 00:12:37,666 [José Arcadio II] Colonel! 230 00:12:40,458 --> 00:12:41,500 [Aureliano] Mmm. 231 00:12:42,333 --> 00:12:44,333 Did you know that aside from the food, 232 00:12:44,916 --> 00:12:48,166 foreigners come to this house to meet the family's madman? 233 00:12:48,250 --> 00:12:50,000 You're a real tourist attraction. 234 00:12:52,000 --> 00:12:54,041 You think everything that's happening in Macondo 235 00:12:54,125 --> 00:12:56,750 is just fine and wonderful, José Arcadio, 236 00:12:58,583 --> 00:13:00,541 because you're too stupid to see it. 237 00:13:01,333 --> 00:13:03,166 You don't understand who the gringos really are. 238 00:13:03,250 --> 00:13:06,416 You have to change your tune because the gringos are here to stay. 239 00:13:06,500 --> 00:13:10,333 Mr. Herbert told me some merchants were coming from Ohio, 240 00:13:10,416 --> 00:13:13,583 and that they're buying every single vacant lot around Macondo. 241 00:13:17,208 --> 00:13:20,083 Well, they'll find out who really owns those lots. 242 00:13:20,833 --> 00:13:21,666 Imbecile. 243 00:13:24,958 --> 00:13:26,250 You old bastard. 244 00:13:56,750 --> 00:13:58,750 [insects chittering] 245 00:14:18,833 --> 00:14:20,833 [door hinge creaking] 246 00:14:27,958 --> 00:14:29,958 [dark music playing] 247 00:14:41,791 --> 00:14:43,208 [in Wayuu] What do you want? 248 00:14:44,166 --> 00:14:45,375 Get out of here. 249 00:14:53,583 --> 00:14:54,875 [in English] Rebeca. 250 00:14:55,375 --> 00:14:59,125 [narrator] The colonel immediately recognized his sister Rebeca, 251 00:15:00,375 --> 00:15:03,625 the one with the impatient heart and the boundless womb. 252 00:15:04,541 --> 00:15:06,458 The only one with the unbridled courage 253 00:15:06,541 --> 00:15:09,458 Úrsula had always wished to see in her bloodline. 254 00:15:10,000 --> 00:15:13,375 [Aureliano] I thought you were dead. If we had known you were-- 255 00:15:13,458 --> 00:15:17,250 Aureliano… I don't give a shit about what happens 256 00:15:17,333 --> 00:15:19,166 beyond the walls of this house. 257 00:15:19,916 --> 00:15:22,875 And what happens to the Buendías matters even less. 258 00:15:24,625 --> 00:15:27,583 To me, it's as if the family died with José Arcadio. 259 00:15:48,208 --> 00:15:50,541 Tell me once and for all why you've come here, 260 00:15:51,458 --> 00:15:53,250 or I'll shoot your head off. 261 00:16:00,833 --> 00:16:03,208 The land that surrounds Macondo. 262 00:16:08,125 --> 00:16:11,458 I know Arcadio gave those property titles to my brother. 263 00:16:14,208 --> 00:16:16,583 And if those lands have rightful owners, 264 00:16:17,583 --> 00:16:19,416 meaning you and José Arcadio, 265 00:16:20,083 --> 00:16:22,250 the gringos can't even go near them. 266 00:16:25,208 --> 00:16:26,833 So if you still have those somewhere-- 267 00:16:26,916 --> 00:16:29,541 I burned everything when your brother died. 268 00:16:30,875 --> 00:16:32,666 All I kept of his… 269 00:16:35,791 --> 00:16:37,083 was this house, 270 00:16:38,625 --> 00:16:40,625 and this shotgun in my hands. 271 00:16:42,708 --> 00:16:43,541 [Aureliano] Hmm. 272 00:16:55,625 --> 00:16:57,583 It was nice to see you, Rebeca. 273 00:17:02,375 --> 00:17:03,250 Mm. 274 00:17:09,875 --> 00:17:11,875 [door hinge creaking] 275 00:17:11,958 --> 00:17:13,250 [door closes] 276 00:17:14,291 --> 00:17:16,208 [reverential music playing] 277 00:17:16,291 --> 00:17:20,083 [Fernanda in Latin] "And renew the right spirit within me." 278 00:17:20,583 --> 00:17:22,916 "Do not cast me away from your face." 279 00:17:23,000 --> 00:17:26,750 "And take not thy Holy Spirit from me." 280 00:17:27,250 --> 00:17:30,916 [in English] After having sinned, David asks God to give him a pure heart. 281 00:17:31,958 --> 00:17:34,833 Because God always knows when we have sinned. 282 00:17:35,791 --> 00:17:39,000 [in Latin] "Restore to me the joy of your salvation." 283 00:17:40,208 --> 00:17:41,750 [knocking at door] 284 00:17:43,875 --> 00:17:46,125 "Strengthen me with your spirit." 285 00:17:49,000 --> 00:17:50,541 [music stops] 286 00:17:52,916 --> 00:17:54,666 [in English] The last guest just left. 287 00:17:54,750 --> 00:17:56,041 Can I go pee, Mom? 288 00:17:59,750 --> 00:18:01,166 Be careful, Meme. 289 00:18:01,250 --> 00:18:03,250 [footsteps rapidly thumping] 290 00:18:05,250 --> 00:18:08,125 Don't you want to rest for a bit, José Arcadio? 291 00:18:09,416 --> 00:18:12,208 My son knows that he has to take his education very seriously 292 00:18:12,291 --> 00:18:13,291 if he wants to go to Rome. 293 00:18:13,375 --> 00:18:16,000 But it is impossible to do so when this house is full of sinful men 294 00:18:16,083 --> 00:18:18,541 day and night who may lead him down the path of evil. 295 00:18:19,625 --> 00:18:23,000 It is a Christian value to help those who are in need. 296 00:18:23,666 --> 00:18:25,083 It's in the Bible. 297 00:18:25,166 --> 00:18:26,958 They are vagabonds, Úrsula. 298 00:18:27,875 --> 00:18:31,250 They're taking advantage of you, and you seem to like that. 299 00:18:31,833 --> 00:18:34,583 Don't forget you are in my house, Fernanda. 300 00:18:35,125 --> 00:18:39,416 I opened my doors to those foreigners with the same generosity as I did for you. 301 00:18:40,375 --> 00:18:41,708 And all of your saints. 302 00:18:44,875 --> 00:18:46,375 Come to think of it, 303 00:18:47,125 --> 00:18:49,208 today is October 4th… 304 00:18:51,208 --> 00:18:55,333 which just so happens to be the day of the loved Saint Francis of Assisi. 305 00:18:57,083 --> 00:18:58,583 The saint of poverty… 306 00:19:02,375 --> 00:19:04,083 and humility. 307 00:19:24,333 --> 00:19:25,875 [dark ethereal music playing] 308 00:19:45,208 --> 00:19:46,791 [Aureliano] She's alive, Mama. 309 00:19:49,500 --> 00:19:50,875 She's alive. 310 00:19:52,750 --> 00:19:54,083 [Úrsula] God forgive me. 311 00:19:56,041 --> 00:19:57,500 [music fades] 312 00:19:57,583 --> 00:20:00,958 [sobs] What kind of mother would neglect their child all these years? 313 00:20:10,000 --> 00:20:12,166 Did you know she was alive? 314 00:20:14,083 --> 00:20:16,041 [young José Arcadio] Auntie, I was looking for you. 315 00:20:16,666 --> 00:20:17,625 [Amaranta chuckles] 316 00:20:19,375 --> 00:20:23,208 [narrator] The only one who never forgot, even for a single minute, 317 00:20:23,291 --> 00:20:26,916 that Rebeca was alive, rotting in a soup of maggots, 318 00:20:28,250 --> 00:20:31,208 was the ruthless and aging Amaranta. 319 00:20:32,375 --> 00:20:34,333 She thought of her at dawn, 320 00:20:35,000 --> 00:20:36,291 and every time she changed, 321 00:20:36,375 --> 00:20:40,166 the black bandage of terrible atonement wrapped around her hand. 322 00:20:40,250 --> 00:20:41,958 [mysterious music playing] 323 00:20:44,625 --> 00:20:47,666 [Aureliano II] After saving an entire village of people, 324 00:20:47,750 --> 00:20:49,791 all who hadn't slept for months, 325 00:20:49,875 --> 00:20:52,166 I decided to write that book. 326 00:20:53,000 --> 00:20:54,125 [young Meme] What's it about? 327 00:20:54,208 --> 00:20:56,333 [Aureliano II] I cannot tell you, beautiful Meme. 328 00:20:56,916 --> 00:20:59,208 No one must understand its meaning, 329 00:20:59,708 --> 00:21:03,375 not until 100 years have passed. 330 00:21:03,458 --> 00:21:05,583 [laughter] 331 00:21:07,166 --> 00:21:09,541 -[music stops] -[Aureliano II clears throat] 332 00:21:13,125 --> 00:21:14,458 And why are you dressed like that? 333 00:21:15,208 --> 00:21:17,333 He's telling us the story of Melquiades. 334 00:21:18,458 --> 00:21:22,375 Can't say I'm surprised, Renata. Sin has always come naturally to you. 335 00:21:22,458 --> 00:21:24,625 But you, José Arcadio. I would have never expected you-- 336 00:21:24,708 --> 00:21:27,291 I went and woke them up. Don't reprimand them. 337 00:21:27,375 --> 00:21:30,375 For years, I allowed you to humiliate and abandon us. 338 00:21:30,458 --> 00:21:32,250 Do you know where your children are eating now? 339 00:21:32,333 --> 00:21:34,250 In their quarters, like a pair of dogs. 340 00:21:34,333 --> 00:21:37,791 Because, apparently, Úrsula's guests are far more important than any of us are. 341 00:21:37,875 --> 00:21:39,958 Stop being so dramatic, Fernanda. 342 00:21:40,041 --> 00:21:41,750 [Fernanda] You do nothing for us. 343 00:21:42,250 --> 00:21:44,166 And meanwhile, you get it all. 344 00:21:44,666 --> 00:21:46,166 Even your little concubine. 345 00:21:46,250 --> 00:21:48,208 What is a concubine? 346 00:21:48,958 --> 00:21:52,083 It's the lady that we met at the train station that day. 347 00:21:56,000 --> 00:21:58,458 [woman] You'll be begging for forgiveness! 348 00:21:59,416 --> 00:22:00,458 [narrator] That same day, 349 00:22:00,541 --> 00:22:04,583 Fernanda sent Aureliano's trunk of clothes to his concubine's house. 350 00:22:05,250 --> 00:22:06,958 She sent them in broad daylight, 351 00:22:07,041 --> 00:22:09,500 and ordered that they'd be carried down the middle of the street 352 00:22:09,583 --> 00:22:10,875 for everyone to see… 353 00:22:10,958 --> 00:22:11,916 [woman 2] How shameless. 354 00:22:12,000 --> 00:22:15,791 …believing that her wayward husband would be unable to bear the shame 355 00:22:15,875 --> 00:22:18,458 and would return home with his head hung low. 356 00:22:18,541 --> 00:22:20,541 [laughing] 357 00:22:21,208 --> 00:22:23,375 [woman 3] Shameful. Both of them. 358 00:22:24,166 --> 00:22:25,416 You're disgraceful! 359 00:22:25,500 --> 00:22:26,791 [woman 2] What a dog! 360 00:22:27,833 --> 00:22:29,166 [man 1] You have no shame. 361 00:22:30,041 --> 00:22:32,041 [people murmuring] 362 00:22:43,625 --> 00:22:45,625 [mysterious music playing] 363 00:22:46,541 --> 00:22:48,875 [overhead clattering] 364 00:22:57,291 --> 00:22:58,458 [man pants] Remedios. 365 00:22:59,208 --> 00:23:00,625 What are you doing up there? 366 00:23:01,541 --> 00:23:03,041 I don't know what's wrong with me. 367 00:23:04,416 --> 00:23:06,416 All I think about is seeing you. 368 00:23:06,500 --> 00:23:07,791 You should get down. 369 00:23:07,875 --> 00:23:09,291 The roof's not safe. 370 00:23:13,250 --> 00:23:15,083 Let me put soap on your back at least. 371 00:23:17,833 --> 00:23:20,041 I don't think anyone's ever put soap on their back. 372 00:23:26,416 --> 00:23:27,666 [screams] 373 00:23:27,750 --> 00:23:29,000 [loud thud] 374 00:23:29,083 --> 00:23:31,083 [dark music playing] 375 00:23:36,208 --> 00:23:37,416 [Úrsula] Good heavens! 376 00:23:38,791 --> 00:23:39,958 Remedios. 377 00:23:45,000 --> 00:23:47,000 [train whistle blowing] 378 00:23:52,708 --> 00:23:53,750 [whistle blows] 379 00:23:53,833 --> 00:23:57,291 [Mr. Herbert] Oh, here he is. Welcome to Macondo, Mr. Brown. 380 00:23:58,125 --> 00:24:00,583 -Mr. Herbert, how you doing? -Great, great, great. 381 00:24:00,666 --> 00:24:01,916 This is the town's new mayor. 382 00:24:02,000 --> 00:24:03,458 At your service, Mr. Brown. 383 00:24:03,541 --> 00:24:04,625 -Nice to meet you, sir. -Sir. 384 00:24:04,708 --> 00:24:06,916 Now, if you come this way, we'll, uh… 385 00:24:07,000 --> 00:24:08,958 Is it always this hot? It's hotter than Hades. 386 00:24:09,041 --> 00:24:12,750 Oh, it certainly is, but you do get used to it. 387 00:24:12,833 --> 00:24:14,250 -Okay, I hope so. -And it's… 388 00:24:14,333 --> 00:24:16,333 Uh, the train is new to town, so… 389 00:24:16,416 --> 00:24:18,416 -It might feel… -No, no, no, no, no. 390 00:24:18,500 --> 00:24:22,083 [narrator] Mr. Jack Brown arrived in Macondo on a hot Wednesday, 391 00:24:22,166 --> 00:24:24,500 straight from Prattville, Alabama. 392 00:24:24,583 --> 00:24:27,833 He was followed everywhere by a pack of ferocious hounds, 393 00:24:27,916 --> 00:24:31,041 engineers, topographers, and land surveyors. 394 00:24:31,750 --> 00:24:34,083 Nobody knew what they were looking for. 395 00:24:34,750 --> 00:24:36,833 -Go ahead and set that down there. -Sir, it's ready. 396 00:24:36,916 --> 00:24:38,375 Take my cane. Thank you. 397 00:24:38,458 --> 00:24:40,916 [narrator] Endowed with resources that in a different era 398 00:24:41,000 --> 00:24:43,458 would have been reserved only for divine providence… 399 00:24:43,541 --> 00:24:45,000 José Arcadio! My horse! 400 00:24:45,083 --> 00:24:47,750 …the foreigners altered the rainfall patterns, 401 00:24:47,833 --> 00:24:50,666 moved the river from where it had always been, 402 00:24:50,750 --> 00:24:53,208 and put it on the other side of the town. 403 00:25:01,291 --> 00:25:05,500 And at the newly established banana business, the United Fruit Company, 404 00:25:05,583 --> 00:25:08,541 José Arcadio Segundo found work as a foreman. 405 00:25:09,041 --> 00:25:11,375 [José Arcadio II] Gentlemen! Welcome! 406 00:25:12,041 --> 00:25:15,458 In the coming days, you will all discover that the working conditions we offer 407 00:25:15,541 --> 00:25:17,666 are the best you'll find along the coast. 408 00:25:18,166 --> 00:25:20,500 Because our company is the largest company there is 409 00:25:20,583 --> 00:25:22,208 in the whole area. 410 00:25:23,250 --> 00:25:24,958 We take care of the entire process, 411 00:25:25,041 --> 00:25:28,208 from the moment we cut the banana to its exportation. 412 00:25:32,291 --> 00:25:34,375 [indistinct chattering] 413 00:25:34,458 --> 00:25:37,916 Part of your compensation is issued in these vouchers, 414 00:25:38,000 --> 00:25:41,000 which are redeemable at the town's local commissary 415 00:25:41,083 --> 00:25:43,291 for imported products such as these. 416 00:25:43,375 --> 00:25:45,875 You should all feel privileged 417 00:25:46,583 --> 00:25:49,916 because there is no place in Macondo or in the entire country 418 00:25:50,000 --> 00:25:53,458 where you can get the best quality ham products from Virginia. 419 00:25:55,166 --> 00:25:58,875 This here is our gift to you for your loyal service. 420 00:25:58,958 --> 00:26:01,000 [cheering] 421 00:26:01,083 --> 00:26:03,083 [suspenseful music playing] 422 00:26:07,375 --> 00:26:09,375 -José Arcadio. -Mr. Brown. 423 00:26:11,166 --> 00:26:12,666 [José Arcadio II] Please enjoy it. 424 00:26:13,333 --> 00:26:16,458 Explore the town and get some rest 425 00:26:16,541 --> 00:26:19,250 because tomorrow we start bright and early at 6:00. 426 00:26:19,750 --> 00:26:22,875 So welcome to the United Fruit Family! 427 00:26:22,958 --> 00:26:26,541 [cheering] 428 00:26:26,625 --> 00:26:28,375 -[man] Looks good. -[José Arcadio II] Welcome. 429 00:26:28,458 --> 00:26:30,416 Hey, go grab some ham. It's American. 430 00:26:30,916 --> 00:26:32,916 Welcome. Welcome. 431 00:26:42,458 --> 00:26:44,458 [ethereal music playing] 432 00:26:53,208 --> 00:26:56,166 [narrator] Until her very last minute on Earth, 433 00:26:56,750 --> 00:26:59,500 Remedios the Beauty remained unaware 434 00:26:59,583 --> 00:27:03,208 that her inescapable and unsettling female nature 435 00:27:03,291 --> 00:27:05,041 was a daily disaster. 436 00:27:08,041 --> 00:27:11,166 [indistinct chattering] 437 00:27:15,291 --> 00:27:18,875 [José Arcadio II] The bananas are transported along these rails to the exit. 438 00:27:20,250 --> 00:27:24,041 From there, they're taken to the train and from the train to the port, 439 00:27:24,666 --> 00:27:27,500 where the bananas are loaded onto company ships. 440 00:27:32,000 --> 00:27:34,000 [ethereal music continues] 441 00:27:34,083 --> 00:27:36,416 [wind whistling] 442 00:28:05,166 --> 00:28:07,166 [rattling] 443 00:28:15,500 --> 00:28:16,708 [rattling stops] 444 00:28:16,791 --> 00:28:18,666 [music swells] 445 00:28:18,750 --> 00:28:20,750 [train whistle blowing] 446 00:28:45,833 --> 00:28:47,291 Hello, good afternoon. 447 00:28:49,125 --> 00:28:51,125 [unsettling ethereal music playing] 448 00:29:02,958 --> 00:29:04,958 [insects chittering] 449 00:29:08,666 --> 00:29:12,083 [narrator] From the moment Remedios stepped onto the plantation, 450 00:29:12,166 --> 00:29:15,208 the air was impregnated with a deadly fragrance. 451 00:29:15,916 --> 00:29:20,958 The men working in the ditches felt possessed by a strange fascination, 452 00:29:22,125 --> 00:29:25,208 threatened by an invisible danger, 453 00:29:25,291 --> 00:29:28,625 and many succumbing to the terrible urge to weep. 454 00:29:28,708 --> 00:29:30,500 -[man 1] Get back! -[men grunting] 455 00:29:32,166 --> 00:29:33,083 [man 2] Let go! 456 00:29:34,208 --> 00:29:36,541 -[man 3] What do you think you're doing? -[men scream] 457 00:29:43,666 --> 00:29:45,666 -[panting] -[music fades] 458 00:29:51,791 --> 00:29:54,250 [José Arcadio II] And that's extremely important to us 459 00:29:54,333 --> 00:29:57,791 because we have to deliver them perfectly clean. 460 00:29:58,625 --> 00:29:59,833 What did you think of the tour? 461 00:29:59,916 --> 00:30:01,250 [Úrsula] I would've never imagined 462 00:30:01,333 --> 00:30:03,500 that you could have this many in one place. 463 00:30:04,000 --> 00:30:06,750 Darling! What happened? What's wrong? 464 00:30:06,833 --> 00:30:08,708 Why don't you have your hat, Remedios? 465 00:30:08,791 --> 00:30:10,958 [Úrsula] Oh my God, Remedios. 466 00:30:16,666 --> 00:30:17,666 Come on, boys. 467 00:30:18,166 --> 00:30:20,500 [man] Let's go, let's go, let's go! Grab your machetes! 468 00:30:23,708 --> 00:30:25,708 [tense percussive music playing] 469 00:30:34,125 --> 00:30:35,750 [music fades] 470 00:30:35,833 --> 00:30:38,708 [Mr. Brown] My best whiskey. Directly from Canada. 471 00:30:45,833 --> 00:30:47,708 -Pretty smooth, huh? -[laughs] 472 00:30:51,541 --> 00:30:53,458 Did your family enjoy the visit? 473 00:30:54,291 --> 00:30:55,291 [José Arcadio II] Mm. 474 00:30:56,000 --> 00:30:57,083 [in Spanish] That's good. 475 00:30:57,166 --> 00:30:58,541 [José Arcadio II in English] Yes. 476 00:30:58,625 --> 00:31:01,791 Except two of my men died on the plantation today. 477 00:31:04,041 --> 00:31:05,416 An accident. 478 00:31:06,666 --> 00:31:08,458 Well, that's very sad to hear. 479 00:31:13,125 --> 00:31:14,958 Got any more news to share? 480 00:31:16,500 --> 00:31:18,166 More men keep coming. 481 00:31:22,041 --> 00:31:24,083 We're starting with two full crews tomorrow morning. 482 00:31:25,333 --> 00:31:26,875 We'll need to expand the barracks. 483 00:31:26,958 --> 00:31:28,958 These boys are coming from far away. 484 00:31:30,166 --> 00:31:31,500 We'll take care of that. 485 00:31:36,041 --> 00:31:37,208 Anything else? 486 00:31:39,125 --> 00:31:40,333 Yes, Mr. Brown. 487 00:31:43,333 --> 00:31:45,250 We should build a health center here 488 00:31:45,750 --> 00:31:47,875 for emergencies, like the one we had today. 489 00:31:50,666 --> 00:31:51,958 It's a good idea. 490 00:31:54,125 --> 00:31:55,750 I'll make sure they see to that. 491 00:32:00,333 --> 00:32:02,250 Oh, Buendía. Hang on a sec. 492 00:32:03,875 --> 00:32:04,958 Take these. 493 00:32:10,708 --> 00:32:13,083 Some nice coupons for the commissary. 494 00:32:15,791 --> 00:32:17,375 Good job, Buendía. 495 00:32:19,916 --> 00:32:22,250 Honey, could you come in here a second? 496 00:32:23,583 --> 00:32:24,666 [José Arcadio II] Mm. 497 00:32:26,541 --> 00:32:27,375 Sir? 498 00:32:28,875 --> 00:32:30,291 [young Meme] Does it hurt, Auntie? 499 00:32:33,375 --> 00:32:34,958 Why did they do that to you? 500 00:32:35,541 --> 00:32:39,250 [Aureliano] Because the people in this town are going mad. 501 00:32:40,791 --> 00:32:42,125 [Fernanda] It's not just that. 502 00:32:42,833 --> 00:32:45,166 It's because Remedios is provocative. 503 00:32:45,708 --> 00:32:48,583 We've seen how she walks around naked with no sense of modesty 504 00:32:48,666 --> 00:32:51,291 so that the men Great-Grandmother invites over can gawk at her. 505 00:32:51,375 --> 00:32:54,750 [Aureliano] Hey! Show some respect, you ungrateful city brat. 506 00:32:58,250 --> 00:33:00,375 Modesty is for people like you, Fernanda, 507 00:33:01,250 --> 00:33:04,583 who have to pray day and night to drive the evil out of their souls. 508 00:33:10,708 --> 00:33:12,166 I'm just telling the truth. 509 00:33:12,666 --> 00:33:15,083 Your aunt isn't just crazy. She's extremely dangerous. 510 00:33:15,166 --> 00:33:16,500 [knocking at door] 511 00:33:16,583 --> 00:33:17,541 [man] Mail! 512 00:33:20,000 --> 00:33:22,000 [door opens] 513 00:33:23,083 --> 00:33:25,416 [young José Arcadio] Presents from Grandpa. Come on, Meme! 514 00:33:26,916 --> 00:33:28,000 [man] We'll put it here. 515 00:33:29,125 --> 00:33:30,916 [young José Arcadio] Wait, Meme. Hold it. 516 00:33:33,708 --> 00:33:34,708 Whoa. 517 00:33:39,625 --> 00:33:41,333 I wanna see what it is. 518 00:33:45,791 --> 00:33:47,791 [young José Arcadio pants, sobs] 519 00:33:48,708 --> 00:33:50,166 [young Meme screams] 520 00:33:51,416 --> 00:33:53,416 [children crying] 521 00:33:55,416 --> 00:33:57,916 -[Fernanda crying] -[somber music playing] 522 00:34:01,833 --> 00:34:03,375 [screams] No! 523 00:34:09,666 --> 00:34:11,958 [in Spanish] My dad! [sobs] 524 00:34:12,041 --> 00:34:14,041 [somber music continues] 525 00:34:26,041 --> 00:34:27,166 [music stops] 526 00:34:35,875 --> 00:34:37,875 [dramatic music playing] 527 00:34:58,875 --> 00:35:00,875 [music turns lively] 528 00:35:26,666 --> 00:35:27,958 [in English] Get out! 529 00:35:28,041 --> 00:35:29,291 [music stops] 530 00:35:33,541 --> 00:35:38,000 How could you tarnish my father's memory in such a horrible way? 531 00:35:40,875 --> 00:35:43,333 A Christian man has died, Aureliano. 532 00:35:44,166 --> 00:35:45,750 A man, not a dog! 533 00:35:46,250 --> 00:35:48,250 [murmuring] 534 00:35:51,333 --> 00:35:53,125 This is our homage to your father. 535 00:35:55,083 --> 00:35:56,958 Ma, I didn't do anything. 536 00:35:57,041 --> 00:35:58,791 It was Meme and Papa. 537 00:35:58,875 --> 00:36:00,083 Shut up, you snitch. 538 00:36:00,166 --> 00:36:01,708 [Úrsula] Fernanda, it wasn't just him. 539 00:36:01,791 --> 00:36:03,875 -It was also my idea-- -Stay out of it, please, Úrsula. 540 00:36:04,375 --> 00:36:05,916 It's not your concern. 541 00:36:09,125 --> 00:36:11,791 I accepted this failed marriage for you 542 00:36:11,875 --> 00:36:14,041 and everyone's gross incivility 543 00:36:14,125 --> 00:36:17,375 so I could raise my children in a Christian household. 544 00:36:17,916 --> 00:36:20,791 But I've come to realize that, time and time again, 545 00:36:21,375 --> 00:36:23,875 in this insane house, it's impossible. 546 00:36:27,750 --> 00:36:29,458 The children are leaving Macondo! 547 00:36:30,791 --> 00:36:32,333 You can't take my children. 548 00:36:34,916 --> 00:36:35,833 I can 549 00:36:37,041 --> 00:36:38,750 because I am their mama. 550 00:36:38,833 --> 00:36:40,458 And it's them I chose. 551 00:36:42,083 --> 00:36:44,666 But not you. You chose her instead. 552 00:36:49,666 --> 00:36:51,791 [melancholy music playing] 553 00:36:51,875 --> 00:36:54,916 [Úrsula] For God's sake, Fernanda. How can you say that? 554 00:36:55,625 --> 00:36:57,666 I packed you all of your favorite treats. 555 00:36:58,458 --> 00:37:01,125 But you shouldn't eat them all at once, all right? 556 00:37:01,208 --> 00:37:02,333 You promise me? 557 00:37:04,833 --> 00:37:07,708 Well, come here. Let's get you changed. 558 00:37:07,791 --> 00:37:09,083 -Come on. -[sobs] 559 00:37:16,791 --> 00:37:18,791 [Úrsula sobs] 560 00:37:20,291 --> 00:37:22,208 It's beautiful. 561 00:37:22,291 --> 00:37:23,791 Thank you so much. 562 00:37:29,875 --> 00:37:32,833 [young Meme] Auntie, aren't you coming to the station? 563 00:37:38,833 --> 00:37:40,375 I love you very much. 564 00:37:41,125 --> 00:37:42,375 Have fun, okay? 565 00:37:46,541 --> 00:37:48,208 [young José Arcadio] I'm going to miss you. 566 00:37:48,833 --> 00:37:49,916 Me too. 567 00:37:51,083 --> 00:37:53,541 José Arcadio. Let's go, sweetheart. 568 00:37:53,625 --> 00:37:55,625 [reverential music playing] 569 00:38:02,791 --> 00:38:05,916 Auntie, are you feeling all right? 570 00:38:07,625 --> 00:38:09,125 I've never felt better. 571 00:38:10,750 --> 00:38:12,750 [reverential music continues] 572 00:38:14,250 --> 00:38:16,041 I went through this myself, you know. 573 00:38:17,166 --> 00:38:19,250 But you and I came from royalty, Renata. 574 00:38:20,541 --> 00:38:22,916 -All queens are educated by nuns. -[whistle blows] 575 00:38:24,791 --> 00:38:25,958 It's what's best for you. 576 00:38:26,041 --> 00:38:27,541 [train whistle blows] 577 00:38:33,625 --> 00:38:35,458 [whistle blows] 578 00:38:37,916 --> 00:38:40,208 -I'm gonna miss you, my love. -Me too, Daddy. 579 00:38:40,291 --> 00:38:42,291 -Be a good girl. -Okay. 580 00:38:44,708 --> 00:38:46,708 [sobs] 581 00:38:54,916 --> 00:38:56,041 Go with Grandma. 582 00:38:56,125 --> 00:38:58,000 -[whistle blows] -[Úrsula] Oh, Meme. 583 00:38:58,083 --> 00:39:00,083 [bell rings] 584 00:39:01,333 --> 00:39:03,333 [melancholy music playing] 585 00:39:07,166 --> 00:39:08,000 [sniffles] 586 00:39:21,875 --> 00:39:23,916 [Úrsula] May God be with you, my children. 587 00:39:29,541 --> 00:39:31,458 Be a good girl, you hear me, Meme? 588 00:39:31,958 --> 00:39:33,125 Write me a letter every month. 589 00:39:33,208 --> 00:39:35,625 Daddy will be right here, reading your letters. 590 00:39:37,041 --> 00:39:38,541 Don't ever forget that Daddy loves you, 591 00:39:38,625 --> 00:39:41,125 and that I'll be right here waiting for you to come back! 592 00:39:45,458 --> 00:39:47,458 [steam hissing] 593 00:40:02,875 --> 00:40:04,166 [music fades] 594 00:40:04,250 --> 00:40:07,208 NEW RAILWAYS WILL BOOST DEVELOPMENT IN MACONDO 595 00:40:07,291 --> 00:40:09,791 [Aureliano] My family has lost their minds. 596 00:40:14,291 --> 00:40:17,416 Now it turns out Macondo is going to have a pope 597 00:40:18,625 --> 00:40:19,958 and a saint. 598 00:40:21,833 --> 00:40:22,666 Mm. 599 00:40:23,333 --> 00:40:24,583 And a martyr. 600 00:40:25,083 --> 00:40:26,000 [Aureliano] Hmm. 601 00:40:27,125 --> 00:40:28,958 [Gerineldo] Haven't you seen it yet? 602 00:40:29,041 --> 00:40:30,083 [Aureliano] Hmm. 603 00:40:30,166 --> 00:40:32,166 [dark melancholy music playing] 604 00:40:33,083 --> 00:40:34,166 Mm-mm. 605 00:40:36,458 --> 00:40:40,791 IN MEMORY OF COLONEL AURELIANO BUENDÍA 606 00:40:40,875 --> 00:40:43,416 TIRELESS DEFENDER OF FREEDOM AND JUSTICE 607 00:40:43,500 --> 00:40:46,250 HIS FIGHT FOR A SOVEREIGN NATION ENDURES IN THE HEARTS OF HIS PEOPLE 608 00:40:46,333 --> 00:40:48,583 [Aureliano] I guess since they couldn't kill me… 609 00:40:50,958 --> 00:40:53,416 they wanna bury me alive, Gerineldo. 610 00:40:55,583 --> 00:40:56,500 [Aureliano] Mm. 611 00:41:05,708 --> 00:41:07,708 [indistinct chattering] 612 00:41:11,791 --> 00:41:13,208 [car horn honks] 613 00:41:16,125 --> 00:41:17,250 [car horn honks] 614 00:41:17,875 --> 00:41:19,458 [Aureliano] What's the matter with you? 615 00:41:21,000 --> 00:41:22,083 What's the hurry? 616 00:41:34,583 --> 00:41:39,250 Gerineldo, look at the mess we've gotten ourselves into. 617 00:41:40,458 --> 00:41:44,750 All because we invited those fucking banana-eating gringos into our town. 618 00:41:46,166 --> 00:41:49,000 -[jazz music playing] -[car horn honks] 619 00:41:49,083 --> 00:41:51,083 [indistinct chattering] 620 00:41:53,416 --> 00:41:55,291 -Here you go. -[officer] You work here, old man? 621 00:41:55,375 --> 00:41:57,708 [man] My son-in-law does. The father of my grandson. 622 00:41:57,791 --> 00:41:59,666 [officer] You can't come in unless you work here. 623 00:41:59,750 --> 00:42:01,291 This is for company workers only. 624 00:42:01,375 --> 00:42:04,625 But I have a voucher, and the man who gave it to me works here. 625 00:42:05,125 --> 00:42:07,208 -Show me the voucher. -You cannot forbid me to come in. 626 00:42:07,291 --> 00:42:09,833 -Show me the voucher, old man. -Here's the voucher. 627 00:42:11,958 --> 00:42:13,916 You shouldn't have this. This is illegal. 628 00:42:14,000 --> 00:42:16,708 What you are doing is illegal. You're nobody here. 629 00:42:16,791 --> 00:42:18,250 You don't have any authority. 630 00:42:18,333 --> 00:42:20,416 Put that back! Hey, he's trying to steal this! 631 00:42:20,500 --> 00:42:22,625 -Manuel! Hey, don't touch him! -Come here! 632 00:42:22,708 --> 00:42:24,000 [old man] Leave him alone! 633 00:42:24,083 --> 00:42:26,000 -Leave him alone! Manuel! -[Manuel] Grandpa, help! 634 00:42:26,083 --> 00:42:27,791 [officer] Don't move! Shut up! 635 00:42:28,500 --> 00:42:29,916 [old man] Manuel! 636 00:42:30,000 --> 00:42:31,125 What have you done? 637 00:42:31,208 --> 00:42:33,208 -[blows land] -[old man grunts] 638 00:42:38,541 --> 00:42:39,583 [blow lands] 639 00:42:40,208 --> 00:42:41,666 [Aureliano] Scum! 640 00:42:42,250 --> 00:42:43,666 Murderers! 641 00:42:45,083 --> 00:42:46,875 You bastards! 642 00:43:00,125 --> 00:43:01,125 Come on. 643 00:43:08,166 --> 00:43:10,666 [unsettling music playing] 644 00:43:10,750 --> 00:43:12,416 What's the matter with them? 645 00:43:13,416 --> 00:43:15,416 [people murmuring] 646 00:43:16,041 --> 00:43:17,166 What have we done? 647 00:43:17,250 --> 00:43:18,375 Come on, let's go. 648 00:43:21,291 --> 00:43:22,583 Please, Aureliano. 649 00:43:24,083 --> 00:43:25,958 What's happening, Gerineldo? 650 00:43:27,458 --> 00:43:29,458 [dark ethereal music playing] 651 00:43:42,416 --> 00:43:43,625 [officer] Hey, sir! 652 00:43:43,708 --> 00:43:45,416 Hey, where are you going? Sir! 653 00:43:46,125 --> 00:43:46,958 Hey! 654 00:43:47,666 --> 00:43:49,583 [music fades] 655 00:43:49,666 --> 00:43:51,166 What are you doing here, Colonel? 656 00:43:52,000 --> 00:43:54,250 I'm gonna tell that guy Mr. Brown 657 00:43:54,875 --> 00:43:57,583 that a murder was committed by his own company. 658 00:43:58,083 --> 00:43:59,208 By United Fruit Co.? 659 00:43:59,291 --> 00:44:01,583 I suggest you get out of my way if you don't want trouble. 660 00:44:01,666 --> 00:44:03,041 [guard] Everything all right? 661 00:44:05,833 --> 00:44:07,291 [José Arcadio II] Everything's fine. 662 00:44:11,750 --> 00:44:15,333 -The Conservative government… -As I was saying, Mr. Brown… 663 00:44:16,333 --> 00:44:17,833 Huh? What's going on? 664 00:44:17,916 --> 00:44:19,250 [Aureliano] And what's worse, 665 00:44:19,750 --> 00:44:23,166 they gave you free rein to do whatever you want! 666 00:44:24,750 --> 00:44:27,875 But know that here in Macondo, there are still men 667 00:44:27,958 --> 00:44:30,250 that will never kneel to anyone 668 00:44:31,708 --> 00:44:34,458 and that are willing and ready to revolt. 669 00:44:35,583 --> 00:44:39,208 This time, against you and your murderous organization. 670 00:44:42,958 --> 00:44:44,291 [Aureliano groans] 671 00:44:57,541 --> 00:45:00,083 [Aureliano scoffs] You bastards. 672 00:45:03,500 --> 00:45:05,625 -The hell's going on? -Don't worry. Everything's fine. 673 00:45:05,708 --> 00:45:06,833 [guard] What did he want? 674 00:45:06,916 --> 00:45:08,916 [dark piano music playing] 675 00:45:09,958 --> 00:45:12,625 [people murmuring] 676 00:45:20,125 --> 00:45:22,125 [music intensifies] 677 00:47:03,833 --> 00:47:07,333 [narrator] Úrsula was the only one with enough serenity to understand 678 00:47:07,416 --> 00:47:10,083 the nature of that irreparable wind. 679 00:47:10,958 --> 00:47:13,666 She watched Remedios the Beauty, 680 00:47:14,541 --> 00:47:18,125 amid the dazzling flutter of the sheets rising with her, 681 00:47:19,041 --> 00:47:20,625 passing through the sky 682 00:47:20,708 --> 00:47:23,208 where the four o'clock light came to an end, 683 00:47:24,500 --> 00:47:27,541 as she disappeared forever into the atmosphere, 684 00:47:28,750 --> 00:47:32,333 where not even the highest birds of memory could reach her. 685 00:47:40,875 --> 00:47:42,541 [music fades] 686 00:47:48,333 --> 00:47:50,333 [soft melodic music playing] 687 00:48:50,833 --> 00:48:52,125 [music fades] 688 00:48:52,208 --> 00:48:54,208 [dark percussive music playing] 689 00:49:43,375 --> 00:49:45,375 [music fades] 690 00:49:49,166 --> 00:49:51,166 [percussive ethereal music playing] 691 00:51:15,958 --> 00:51:17,416 [music fades] 692 00:51:17,500 --> 00:51:19,500 [dark percussive music playing] 693 00:52:21,375 --> 00:52:23,000 [music fades] 694 00:52:24,125 --> 00:52:26,125 [ethereal melancholy music playing] 695 00:56:11,541 --> 00:56:13,541 [music fades]